popular culture

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Talkin' faith, football and what ESPN's Paul Finebaum understands about the South

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Talkin' faith, football and what ESPN's Paul Finebaum understands about the South

Sports analyst Paul Finebaum is often called the voice of Bible Belt football, but he has never had the luxury of preaching to one choir.

The war between Auburn University and the University of Alabama has, for example, verged on a crusade with fans so devoted some seem possessed. In the most infamous moment on "The Paul Finebaum Show, "Al from Dadeville (Harvey Updyke)" offered this explanation for his poisonous attack that killed Auburn's hallowed Toomer's Corner oak trees: "I just had too much 'Bama in me."

But there's more to Finebaum's ESPN flock than Southeastern Conference shouting matches. He often allows regular callers -- "Squirrel," "I-Man," "Jim from Tuscaloosa," the late, beloved Tammy "War Damn Eagle" Bullard -- to veer into commentary about grief, health issues, personal tragedies and answered prayers.

"Paul Finebaum truly listens to what Americans have to say, and as a result he hears a lot of God talk," noted Michael Schmitz, editor of Compact, an online magazine that blends progressive economics with cultural conservatism.

Writing for First Things, he added: "On a recent show, Legend -- known for his bravura calls and the fifteen years he spent in prison for murdering his cousin -- reassured listeners that he was fine after being unceremoniously ejected from the SEC's media days. 'I've actually really been being blessed by the Lord.' … He also admitted that he may have been at fault for the recent dustup. 'Pride and ego, those are horrible things. I asked God to deal with me.'"

Yes, some of this may be a sign that talk-radio listeners are often old, retired or in jobs -- truckers, for example -- with time to ponder the puzzles of daily life. When Southerners testify about suffering and their own mortality, these are rarely secular subjects.

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Art, suffering, faith, pain, joy and stories in the Southern Highlands

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Art, suffering, faith, pain, joy and stories in the Southern Highlands

In black-and-white Merriam-Webster Dictionary terms, "sickbed" is defined as "the bed on which one lies sick."

Anyone who has experienced years of chronic illness knows the reality is much more complex. Shortly before her "Para(site)dise" exhibition at the William King Museum of Art in Abington, Virginia, artist Jocelyn Mathewes used a pillowcase and 30 pieces of fabric to create a 7-by-9 floating sculpture called "The Bed (Horizontal Time)."

"Illness often leaves humans bed-bound, horizontal in space. Lying flat, habitating flat, a sick person exists on this plane," she wrote, in a text prepared for the William King Museum of Art in Abington, Virginia. The exhibit opened in August and closes January 10.

"The bed, however, is the center of the universe -- a nest, a resting place. For the chronically ill, it becomes the workspace, the conversation space. All uses are combined into a single whole, bleeding into one another, fragmented yet fundamentally attached."

This experience touches minds and souls, as well as bodies. The sickbed can become a place for confession, penitence, forgiveness and communion. People bring faith and joy with them, as well as fear and worry.

"All of the things that you need can come to you in that bed. … It's a place for the sick, but it is also a place for people who love them," she recently told me. "It can morph and change shape and your feelings about it change with the things that are happening in it, and around it."

In her "the tiny little high five" newsletter, she added: "A bed is a horizontal space that becomes the place of healing, the place of possibility. A bed that takes you to other worlds. A bed that you return to as a refuge. A bed that envelops you kindly, or consumes you, suffocating. It is not static. … It sometimes takes flight."

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C.S. Lewis readers brace for big-screen arrival of 'Ziggy Aslan' in Narnia flick

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C.S. Lewis readers brace for big-screen arrival of 'Ziggy Aslan' in Narnia flick

During a fistfight, young David Bowie suffered an injury to his left eye, leaving its pupil permanently wide open, with one blue eye looking radically different than the other.

Bowie didn't have heterochromia -- different-colored eyes. But his mysterious gaze was a key trait of Ziggy Stardust, his genderbending, rainbow-hued stage persona mixing glitter, bright lipstick, platform shoes and various female fashion trends.

This early 1970s bolt of glam-rock lightning was part of the cultural storm that shaped Greta Gerwig's imagination, leading to her "rock opera" vision of "The Chronicles of Narnia," the classic C.S. Lewis novels for children.

"David Bowie saved my life," Gerwig told Empire Magazine, while discussing "Narnia: The Magician's Nephew," poised for release in early 2027.

"Paul McCartney saved my life. David Gilmour saved my life. Pete Townshend saved my life. … When I heard their music, I had this deep sense of [thinking], 'You're gonna be okay.'" She added: "Narnia is literally a world made out of music. It is a world sung to life by Aslan."

In Narnia, Aslan is the Christ figure, repeatedly described by Lewis -- an Oxford don and Christian apologist -- as the "King of the wood and the son of the great Emperor-Beyond-the-Sea. … The Lion, the great Lion." In "The Magician's Nephew," Narnia's creation story, Aslan is first described as "a Lion. Huge, shaggy and bright," with a basso profundo voice "deep enough to be the voice of the earth."

Gerwig ignited an online firestorm by choosing the legendary actress Meryl Streep to provide Aslan's voice. And the director moved "The Magician's Nephew" from the early-1900s to the 1950s, so that its young hero Digory Kirke would grow up in the world that produced Bowie and other rock visionaries. Thus, the Narnia timeline created by Lewis will, in its climactic books, move from World War II Britain to the cultural and sexual revolutions of the 1960s and '70s.

Also, the Empire cover offers the first portrait of the character some call "Ziggy Aslan."

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Looking for seven deadly sins in Christopher Nolan's version of "The Odyssey"

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Looking for seven deadly sins in Christopher Nolan's version of "The Odyssey"

After watching Christopher Nolan's take on "The Odyssey," Father Dwight Longenecker remembered a comment Steven Spielberg made in a movie commentary while discussing how viewers react to symbolism in cinema.

The legendary director, a progressive Jew, was responding to comments that prominent crosses in "Saving Private Ryan" cemetery scenes suggested that the hero was a Christ figure who suffered to save a lost soul. Spielberg replied: "I'm always fascinated, to learn about the things people see in my pictures that I never knew about."

Now, faithful movie lovers are debating whether Nolan's Catholic background soaked into his version of Homer's pagan epic. For example, how did an arrogant, brilliant, pagan Greek warrior develop a strong sense of guilt about his mistakes?

"Nolan is coming from a Catholic background and 2,000 years of Western Christian tradition," said Longenecker, a former journalist and screenwriter who leads Our Lady of the Rosary Catholic Church in Greenville, South Carolina. A former Anglican priest, he converted to Catholicism with his wife and four children.

"He cannot help but bring, quote, 'Christian sensibilities' into his understanding of the story, even though he may not have done it explicitly," he explained, via Zoom. Guilt is a human emotion, "part of what C.S. Lewis called the 'Tao,' a universal sense of morality, the universal sense of right and wrong."

Nolan addressed this issue with political philosopher Zhuge Yiyang, during an interview originally posted on China's Bilibili video platform. Another question: How did the doctrine of "atonement" for sin get into this movie? Nolan said his film stressed what he called "Zeus' Law," the ideal of "mutual respect -- that I treat you the way I want to be treated."

Nolan added: "I think in a way we may be bringing our more modern sensibility to that. Insofar as [atonement is] there, it's not a deliberate attempt to Christianize it, but it's an outgrowth … of burrowing in on this philosophical idea of what happens when you break Zeus' Law."

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Pope Leo XIV, screens culture, fathers and symbolism in "Toy Story 5"

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Pope Leo XIV, screens culture, fathers and symbolism in "Toy Story 5"

Vatican watchers rarely scan papal speeches looking for links to Hollywood.

But, at the Vatican Summer Youth Camp, Pope Leo XIV offered an unusually timely update on faith in a digital age.

"The family that is together, it is not enough that we are all there. Each, they look at his phone," the pope said. Even if believers "have the Bible and some prayers in the phone, God doesn't want to look at the phone: God wants to look at our hearts, our life. And therefore, be free from these things that in themselves can be fun, a help, a nice thing."

After all, he added: "We are not all plugged into a cable. We are human beings."

That June 22 talk came three days after "Toy Story 5" reached theaters, with Sheriff Woody, Buzz Lightyear and cowgirl Jesse urging their young owner, Bonnie, to escape the grip of her digital Lilypad tablet.

The pope's words were "remarkably Toy Story-coded," wrote Alyssa Murphy, of the National Catholic Register. In Pixar's parable, Bonnie's parents took a stand and deleted the social-media app that mean girls were using to mock her affection for old-fashioned toys.

That's the good news, noted Murphy. The bad news? "Currently sitting on store shelves nationwide is a physical 'Lilypad' device … marketed to preschoolers between the ages of 3 and 5. … As a beginner device, the item description reads: 'Stay connected with Jessie, Buzz, Woody and the Tech Trio by texting them.'"

Meanwhile the Australian Psychological Society has published a survey of international research showing that most children, by age two, have access to digital devices, including some babies as young as six months old. By age four, 75% of children have their own digital devices. In the end, the more time children gaze at screens, the less they play, talk, sleep and, thus, develop their minds and bodies.

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New rites and painful old wrongs as tattoo culture spreads in modern America

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New rites and painful old wrongs as tattoo culture spreads in modern America

Struggling with the loss of her child, a mother asked Father Peter Jon Gillquist a question that pastors are hearing more often -- about getting a tattoo.

"When her child died," he explained, she "wanted to have the child's name tattooed across her heart. Why? Grief. She wanted to always carry the name of that child as close to her heart as she could possibly get … and bear it."

Getting, or keeping, a tattoo is "not a legalistic thing," he said, during a forum recorded at All Saints Orthodox Church, his parish in Bloomington, Indiana. "The question is, 'If you have a tattoo, why do you have a tattoo? What is it for?' "

Searchers find clashing answers online. Many believers quote Leviticus: "You shall not make any cuttings in your flesh … nor tattoo any marks on you." Others note this biblical instruction to the Corinthians: "Do you not know that your body is a temple of the Holy Spirit within you, which you have from God?"

Some believers, noted Gillquist, argue that since their body is a temple, they can decorate it. Others say tattoos are linked to paganism or, in the Roman world, represented punishment, torture or identity, such as markings on soldiers or slaves.

For some Christians, such as Egyptian Copts, tattoos -- inked on wrists -- are more than symbols. Cross tattoos tell persecutors: To remove these crosses you will have to cut our wrists.

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Chris Pratt and Ben Sasse discuss family life, faith and Hollywood's idols

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Chris Pratt and Ben Sasse discuss family life, faith and Hollywood's idols

Superstar Chris Pratt was enduring a messy, painful time in his life when he was selected to receive the MTV Network's 2018 Generation Award, saluting his impact on popular culture.

Pratt decided to take a leap of faith, during his on-camera remarks.

"I'm going to say to this young generation the things that I want to say," he said, in a recent appearance on the "Not Dead Yet" podcast cohosted by former U.S. Sen. Ben Sasse and political analyst Chris Stirewalt. "God has saved me multiple times. I'm gonna put my money where my mouth is and stand on this stage and say this to these folks. And so, I did it."

The star of Guardians of the Galaxy, the Jurassic Park reboots and myriad blockbusters -- grossing more than $14 billion globally -- outed himself as a Christian. His advice included, for example, "Learn to pray. It's easy, and it's so good for your soul" and "God is real. God loves you. God wants the best for you. Believe that. I do."

This immediately fueled speculation about how his faith would affect his cultural clout. Then, in 2020, Pratt started Indivisible Productions, with a nod to the phrase "one nation under God, indivisible" in the Pledge of Allegiance. The company's mission is to "create entertaining content, focusing on themes which will help to bridge the growing divide in our country and world."

Pratt said it's hard to look at American life right now without feeling worried and grateful, at the same time.

"I've got to be careful about this because I love America," he said. "I believe in God's providence that, you know, we have something really extraordinary here. And I love Hollywood as well. I love movies." However, he added: "As human beings, our hearts are designed in such a way that we have a spot reserved in them to be in awe of God."

Truth is, he added: "I work in a business where we create idols. And we worship them. And no one is worthy of worship. And so not only do we create idols to worship, we create idols to burn. … It's not an indictment on the system that they would look at me and say, 'You know what, he said this, so let's burn him.'"

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Commencement to remember: Country singer Eric Church on faith, family and more

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Commencement to remember: Country singer Eric Church on faith, family and more

When addressing the 2026 graduates at the University of North Carolina at Chapel Hill, country-music star Eric Church used words rarely heard in secular-campus rites, such as "faith," "family," "grace" and "soul."

Using an acoustic guitar, Church explained how its strings, when in tune, represent essential elements of life. The May 9 speech went viral on YouTube, Facebook, TikTok and other platforms, with an estimated 4 million views so far.

The bass string is "faith," he said. "Your belief about what this life is for … what holds the universe together when science reaches the edge of its own explanation, and shrugs.

"The people who tend to their faith in ordinary seasons do not come undone in extraordinary ones. They still hurt. They still sit in hospital waiting rooms asking unanswerable questions at three in the morning. But they have a foundation to return to. … Tend to your faith. Not just when you're broken, but when you're whole."

Church, who grew up Baptist, didn't label his own faith in this speech. His eight-album career began with "Sinner Like Me" in 2006, with a title song that ended with this verse: "On the day I die / I know where I'm gonna go / Me and Jesus got that part worked out / I'll wait at the gates 'til his face I see / And stand in a long line of sinners like me."

The singer's address was not explicitly Christian and included zero material about politics. However, it was an example of a major campus welcoming an unconventional voice popular with middle America.

Elite-campus leaders need to show that they are committed to cultural diversity, noted Robert P. George, an outspoken Catholic and distinguished professor of jurisprudence at Princeton University. A 2022 survey of commencement rites at America's top 25 research universities and top 25 liberal-arts colleges failed to find a "single conservative among a sea of liberal and progressive speakers. A harmless coincidence? No," he wrote, in a recent Washington Post essay.

This "commencement conformity" may be caused by "inattentiveness or a lack of careful thinking on the part of administrators. George argued that these choices matter since, to quote Harvard University President Alan Garber, "truth is rarely found in echo chambers." Thus, it's important to challenge "ideological bubbles," even if that will cause on-campus tensions.

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Concerning faith-based rom-coms, horror, fantasy and other niche-movie trends

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Concerning faith-based rom-coms, horror, fantasy and other niche-movie trends

he romantic comedy "Solo Mio" offered a crashed wedding, epic views of Rome, funny sidekicks, an obligatory "meet cute," the lovely vineyards of Tuscany, a final plot twist and the dawn of new love.

It also included priests performing weddings, glimpses of the Vatican and old-school Italians making the sign of the cross with prayers at a family meal. The star was comedian Kevin James, an outspoken Catholic, and there was a prime role for Jonathan Roumie, another outspoken Catholic, who is best known for playing Jesus in "The Chosen" series. And this independent film was released by Angel Studios.

In today's cinematic marketplace, was this a "faith-based" film or merely a flashback to rom-coms from the 1950s?

"I'm all for this. … I never thought I would see, in a romantic comedy, Paul Blart, Jesus and Alexander from 'Sons of Anarchy' on a journey together in Italy," said YouTube critic Joseph Curtis. He was connecting James' hit "Paul Blart: Mall Cop," Roumie's iconic role and the star turn by Kim Coates in a Netflix series about motorcycle gangs.

As for the rom-com label, Curtis added: "It's a formula that has been done before -- to death -- but sometimes it just works."

For those charting the rise of faith-friendly flicks, the important fact about this small film, with a small cast, a small budget and a short release in theaters was that it made money, before heading into Angel's streaming-video vault.

"Making $26 million, with a $4 million budget, means this movie was a gargantuan success, relatively speaking," said Joseph Holmes, a New York City-based critics who writes for Religion Unplugged, World Magazine and other publications. "These days, the people making Marvel and Star Wars movies would be happy with that kind of return on their investments."