popular culture

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Will Leanne Morgan's faith make the cut in her new sitcom on Netflix?

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Will Leanne Morgan's faith make the cut in her new sitcom on Netflix?

It's hard to take Jello salad to the after-church brunch a few hours after your husband of 33 years runs off with a younger woman.

But the old-fashioned church Leanne Morgan attends in her summer Netflix sitcom does have a Philippians 4:13 poster in the fellowship hall proclaiming: "I can do all things through Him who gives me strength."

Alas, the faithful are walking stereotypes. Asked how she's doing, a widow offers a pasted-on smile and says she is "basking in the sunshine of our Savior." Leanne remains silent about her marriage disaster, until she cracks and dashes, shouting, out the door.

"You've been a good Christian your whole life," her twice-divorced sister quips. "You're intitled to a small psychotic break in fellowship."

The writers' room for "Leanne" did some Southern-church research, but the faith content is nowhere near as smart and on-target as Morgan's stand-up comedy, said Randall King, who teaches classes in video storytelling at North Greenville (S.C.) University.

"It's not anti-Christian. … But some of the people behind this show are totally tone-deaf when it comes to the Christian faith. And we know that isn't the case with Leanne," he said, reached by telephone. "You can be smart and funny and moral. Leanne Morgan is all of that. … That's what we want, if you're going to take her comedy up a level" into a sitcom.

After binging "Leanne," King said "it's obvious that the character Leanne is playing is a believer. But it's like she's all alone, surrounded by hypocrites making jokes. … Is it realistic that no one close to her shares her faith and can help?"

King admits that his interest in the Netflix series is linked to his "darling fanboy" appreciation of Morgan's stand-up skills. Plus, the comedienne, and her real-life husband, live in the booming "new south" city of Knoxville, Tennessee. She has a University of Tennessee degree in child and family studies. King earned his communications doctorate there, while continuing his work as a reporter, producer and anchor in broadcast journalism.

Truth is, YouTube clips turned Morgan into an "overnight sensation" after two decades of stand-up comedy, mostly in women's groups, church events and small comedy clubs.

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Angel Studios offers a scary movie about families, death, grief and monsters

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Angel Studios offers a scary movie about families, death, grief and monsters

During the rituals of prayers and stories one night, Angel Studios co-founder Jeffrey Harmon's young son asked: "Dad, what does the other side of your eyeballs look like? … Can I pull them out and look at them?"

The answer was "No." But this exchange was a reminder that kids tend to have "wild ideas" in their heads, said Harmon, in a video chat with Angel Guild members who crowdfund the studio's efforts to produce and distribute movies and cable shows.

The eyeball question surfaced during a discussion of "SKETCH," a new movie from the values-driven studio focusing on a widower and his children who are wrestling with grief. The artsy daughter, Amber, starts drawing vivid monsters, which -- after her notebook falls into a mysterious pond -- come to life and terrorize the community.

The "Evil Amber" character, a violent zombie shrouded in black, is "legit scary," admitted Harmon.

One Angel Guild member said: "This movie is demonic. I pulled my family out within 10 minutes." Others shared concerns about demons and Harmon said "dozens and dozens and dozens" said the movie needed a PG-13 rating because of language and horror issues.

One supporter bluntly asked if Angel is still a "Christian based platform." Harmon stressed that its motto promises to "amplify light," but that also means "demons are real" and believers must defeat them.

“If you think Angel is not going to show demons, or show scary images or scary monsters, we just may not be the home for your movie viewing," he explained. Harmon also offered this quotation from Christian apologist G.K. Chesterton: "Fairy tales do not tell children that dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed."

While "SKETCH" team members have called it "Jurassic Park" meets "Inside Out," the dark-humor flick also contains nods to Richard Donner's "The Goonies," Alfred Hitchcock's "Psycho" and the faith-versus-aliens flick "Signs" by M. Night Shyamalan. Some scenes resemble "Godzilla" movies, only created by a child with crayons and Sharpie pens.

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The fellowship of J.R.R. Tolkien and C.S. Lewis, shaped by reality in World War I

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The fellowship of J.R.R. Tolkien and C.S. Lewis, shaped by reality in World War I

A British soldier began writing "The Fall of Gondolin" while in a hospital bed, stricken by "trench disease" from the lethal front lines of World War I.

A German soldier later bemoaned the "lice, rats, barbed wire, fleas, shells, bombs, underground caves, corpses, blood, liquor, mice, cats, artillery, filth, bullets, mortars, fire, steel." Add poison gas to that ordeal.

Young J.R.R. Tolkien wrote: "The fume of the burning, and the steam of the fair fountains of Gondolin withering on the flame of the dragons of the north, fell upon the vale of Tumladen in mournful mists." The battlefields were "cold and terrible."

This was a vision of war from a man who had been there, said Joseph Loconte, author of "A Hobbit, a Wardrobe and a Great War." The book explores the many ways that World War I shaped Tolkien and C.S. Lewis.

"Tolkien wasn't writing escapist fantasy," said Loconte, reached by telephone. "If this is about escape, it's the writings of a prisoner who has escaped the world of cells, bars and keys. This kind of escapism … helps us realize that our prisons have windows and we can use them to see better things."

Tolkien later wrote that he began creating his Middle Earth mythology -- the foundation for the future "The Lord of the Rings" -- while "in grimy canteens, at lectures in cold fogs, in huts full of blasphemy and smut, or by candlelight in bell-tents, even some down in dugouts under shell fire."

Yes, the man who survived days huddled in shell craters and trenches in France would later write, in a blank page in an Oxford student's exam book, these famous words: "In a hole in the ground there lived a Hobbit."

Tolkien and Lewis remain stunningly popular -- in print and on digital screens.

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When did Stephen Colbert's satire, with it's Catholic grace, veer into ridicule and rage?

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When did Stephen Colbert's satire, with it's Catholic grace, veer into ridicule and rage?

Soon after Stephen Colbert landed "The Late Show" he welcomed tycoon Donald Trump as a guest and did something shocking — he apologized.

"I said a few things about you over the years that, that are, you know, in polite company, perhaps, are unforgivable," Colbert said, in 2015.

"Accepted," said Trump, smiling.

That encounter was light years from what happened after Trump celebrated the recent CBS decision to cancel "The Late Show."

On social media, the president said Colbert's "talent was even less than his ratings."

Colbert fired back in his monologue: "Would an untalented man be able to compose the following satirical witticism? Go f*** yourself."

While Colbert retains a faithful congregation, some fans who loved his sly blend of satire and progressive Catholicism mourn his decision to preach to only half of America, said media scholar Terry Lindvall, author of "God Mocks: A History of Religious Satire from the Hebrew Prophets to Stephen Colbert," published in 2015.

"He made you laugh and think," said Lindvall, reached by telephone. "When he turned on the rage, he turned mean. He turned bitter. He acted like he was a prophet, not a jester." Sadly, Lindvall added, the Trump era turned Colbert into "a liberal fundamentalist. … He drank the Kool-Aid."

The goal, in "God Mocks," was to offer a "bumpy tour through Rome, Jerusalem and Lilliput," arriving at Comedy Central. Lindvall praised Colbert's early work on "The Colbert Report," in which he pretended to be a blow-hard conservative pundit, creating an upside-down persona who could mock secular progressives and atheists, as well as thinkers on the right. Conservative guests, especially Catholics, were often treated with respect.

That was satire, wrote Lindvall, recognizing "a moral discrepancy between what is proclaimed and what is practiced. … The biblical satirist shares in the blame and shame of his defendants.

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Catholic social media enters the age of digital flocks and "hot priests"

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Catholic social media enters the age of digital flocks and "hot priests"

With a nod to digital life, Merriam-Webster has expanded its "influencer" definition to include a "person who is able to generate interest in something (such as a consumer product) by posting about it on social media."

Pope Leo XIV didn't use that term in his latest remarks on faith in the Internet age, even while addressing the recent Vatican Jubilee for Digital Missionaries and Influencers.

"Today, we are in a culture where the technological dimension is present in almost everything, especially as the widespread adoption of artificial intelligence will mark a new era in the lives of individuals and society as a whole," the pope told more than 1,000 "content creators," from 70 nations.

"We have a duty to work together to develop a way of thinking, to develop a language, of our time, that gives voice to Love" -- with a divine uppercase "L" in his text. "It is not simply a matter of generating content, but of creating an encounter of hearts. This will entail seeking out those who suffer, those who need to know the Lord, so that they may heal their wounds, get back on their feet and find meaning in their lives."

The pope, who studied mathematics as an undergraduate, warned Catholic "influencers" about temptations they should avoid, such as the "logic of division and polarization," "individualism and egocentrism," "fake news" and "frivolity."

The church, he noted, has "never remained passive" when facing cultural change, but strives to separate "good from evil and what was good from what needed to be changed, transformed and purified."

Meanwhile, journalists spotted modern trends while surfing the online work of many participants. The Daily Mail headline proclaimed: "Christianity is sexy now! How 'hot priest' influencers are drawing young people to the church in their droves." The Telegraph went further: "Vatican turns to 'hot priests' to spread faith -- Social media seen as means to ensure survival of a church suffering from declining numbers." 

Hooks for the coverage included an Italian "bodybuilder priest" on Instagram, whose bulging biceps are covered with tattoos. Other "influencer" priests offered digital followers content about their poetry, workouts, guitar skills, cycling trips and adventures with pets, as well as sermons and Bible studies. 

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Summer beats, dashes of theology and the growing glowing power of hip-hop

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Summer beats, dashes of theology and the growing glowing power of hip-hop

In the first centuries of Christian life, bishops wrestled with the Greek in this puzzle -- whether God the Father and Jesus were "homoiousios (of similar substance)" or "homoousios (of one substance), with "one substance" winning the day.

This "hypostatic union" is a complex, mysterious subject, but hip-hop artist Shai Linne has demonstrated that modern believers can dance to it.

"Two natures united in one glorious person / Jesus, the God-Man, official Soul Reaper / The hypostatic union, it gets no deeper," rapped Linne, on his "Lyrical Theology" disc. "I know it's deep but when you peep, you'll find it's dense / Jesus both God and man, two hundred percents / Fully divine, fully human / Introducing: the hypostatic union."

Nayanna Holley and Steve Zank even found a way, with rap commentary, to use the whole Apostles Creed. Both of these tracks made it into "Good Theology, Good Beats" -- a 100-song summer online playlist created by the Gospel Coalition.

“The purpose of a playlist is simply to bring mixtapes into the 21st century. … You can put lists on social media platforms and hundreds and thousands of people can share them," said Brett McCraken, director of communications for the group and creator of the playlist. "We used to make mix tapes for our friends. Now, there's no limit. … You can literally make an online playlist with just about any song that has ever existed."

Playlists are, for some, an art form -- with creators choosing specific songs and placing them in sequences to address specific issues, said McCracken, reached by telephone.

Playlists also build online networks. With this list, the Gospel Coalition team wanted to reach younger listeners, stressing that musicians around the world are using rap, hip-hop, Afrobeats, Gospel and other forms of music to build more ties between believers in Black, white and Latino cultures. In the no-borders world of Spotify, Instagram and TikTok, this reality is affecting music in many churches, as well as the mainstream media.

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What is an "Easter" movie? For some reason, that question is a bit of a puzzle

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What is an "Easter" movie? For some reason, that question is a bit of a puzzle

For more than 50 years ABC, with very few exceptions, has offered "The Ten Commandments" as the network's featured film for Holy Week.

Nothing says "Easter" like a showdown between Moses, the 13th Century Hebrew prophet, and the pharaoh Ramses the Great and the gods of Egypt.

"Why is The Ten Commandments an Easter movie? Part of me thinks they play it because people think it's a generic Christian movie," said Joe Wilson, one of the writers behind the "100 Movies Every Catholic Should See" website. "Digging deeper, you could make an argument for Moses as a messiah figure leading the Israelites out of Egypt into a kind baptism and resurrection, with their march through the Red Sea."

Director Cecil B. DeMille's 1956 classic -- with Charlton Heston as Moses -- is a biblical epic appealing to Judeo-Christian audiences. It's perfect for the Jewish Passover season that falls close to Easter, or Pascha on the ancient calendar of the Eastern churches. This is a year when Easter and Pascha fall on the same Sunday.

It is interesting, noted Wilson, that major networks have not, through the years, aired movies with traditional depictions of the crucifixion and resurrection of Jesus, such as "The King of Kings." NBC has created "Jesus Christ Superstar Live!", the network's hip take on the popular, but also controversial, musical.

Easter movies often appear on cable channels, such as Turner Classic Movies offering "The Greatest Story Ever Told." Other options have included the four-part "Jesus of Nazareth" series directed by Franco Zeffirelli or the movie version of the musical "Godspell." It would certainly be controversial to feature Mel Gibson's R-rated "The Passion of the Christ" on basic cable, even the version without its most violent images.

Perhaps, said Wilson, a network should show "something like 'Ben-Hur.' That's another classic, also with Charlton Heston, and it contains some Holy Week imagery -- although it doesn't show the resurrection."

This Easter movie puzzle is a perfect demonstration of why feature films are so important in American culture. However, what many viewers will consider a classic movie may be considered second-rate or even scandalous to others.

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No, seriously: Jeff Foxworthy is convinced that God has a sense of humor

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No, seriously: Jeff Foxworthy is convinced that God has a sense of humor

As a rule, Jeff Foxworthy never refuses autograph requests, but the redneck comedy legend hit a wall during a funeral-home visitation for someone in his extended family.

"When you go to a funeral home, a lot of times there's more than one visitation going on," said Foxworthy, reached by telephone. "Across the hall, there was another one … and it was a rowdy bunch. In the break area they had coolers with cans of regular Budweiser. …

"At some point in the evening, somebody over there recognized me and they started coming into our side and wanting to get a picture made. You know, 'Can I get my picture with you?' … And one turned into three and that turned into seven or eight."

Then a woman arrived with a felt-tip marker and made a familiar request: "Can I ask you a favor?' … Can you sign my brother's tie?'"

Seeking an escape door back to his family, Foxworthy said: "'Where's your brother?' And she said, 'He's in here, in the casket.' And that's the only time I have ever denied somebody an autograph. … But asking me to climb up on the casket and autograph the guy's tie?"

The truth in this sobering parable is that humor often surfaces during life's big transitions, even when they involve sacred beliefs and traditions. That's one reason Foxworthy has never written "You Might Be A Redneck Churchgoer If" jokes.

Yes, audiences would yowl with laughter, especially in zip codes defined by faith, family, food and fishing. But for some people, religion jokes would cut too close to the bone, said Foxworthy.

After four decades in comedy, he said that he reminds himself, that "everybody I'm going to look at tonight is going through some kind of a struggle. It might be financial, it might be physical, it may be emotional. … I'm like, 'Just be kind to people.' You know? Have grace. You don't know their story. And I don't think humor makes people's struggles go away. But I do think … if you're able to laugh and set that burden down for a little bit, it almost, like, recharges you to where you can pick it back up and go deal with it."

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Why the "He Gets Us" ads continue to trigger debates about doctrine

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Why the "He Gets Us" ads continue to trigger debates about doctrine

There is nothing unusual about a photograph of two men embracing at a gay Pride march, surrounded by rainbow flags, banners and New Orleans-style beads.

But one of the men in this image from the latest "He Gets Us" Super Bowl advertisement is wearing a John 3:16 hat, as in the Bible verse proclaiming: "For God so loved the world that He gave His only begotten Son, that whoever believes in Him should not perish but have everlasting life."

Many of the ad's photographs are easy to interpret, such as a man removing "GO BACK" graffiti from a home, a woman helping a weeping man in a grocery store, a firefighter hard at work and a young football player comforting a defeated opponent.

But the John 3:16 hat raised the theological stakes in the Pride photograph, noted Samuel D. James, an editor active in Christian publishing and founder of the Digital Liturgies website.

"It's obvious one of the goals of 'He Gets Us' is to cut across political and ideological divides," he wrote, at The Gospel Coalition website. "The writers know where the fault lines in American religious culture are -- abortion, LGBT+, race, class and so on. And who could resist being moved by these images of human vulnerability and compassion? Who can push out of his or her mind the many moments in the Gospels where Jesus met such needs and taught his followers to do the same?"

The ads seek to create "curiosity about and sympathy for Jesus," he added, with a style targeting an "impressionistic, algorithmic generation." But there's logic behind the debates triggered by these advertisements. Their content is vague, since the "image-based, music-backed ads lack exposition or annotation; such things would only get in the way of the audience's emotional response."

The Pride scene resembles a photograph, in the 2024 Super Bowl ad, of a protester "washing the feet of a young woman outside of an abortion clinic," said James, reached by telephone. There's no way, for example, to know if the patient is entering or leaving the facility.