During a fistfight, young David Bowie suffered an injury to his left eye, leaving its pupil permanently wide open, with one blue eye looking radically different than the other.
Bowie didn't have heterochromia -- different-colored eyes. But his mysterious gaze was a key trait of Ziggy Stardust, his genderbending, rainbow-hued stage persona mixing glitter, bright lipstick, platform shoes and various female fashion trends.
This early 1970s bolt of glam-rock lightning was part of the cultural storm that shaped Greta Gerwig's imagination, leading to her "rock opera" vision of "The Chronicles of Narnia," the classic C.S. Lewis novels for children.
"David Bowie saved my life," Gerwig told Empire Magazine, while discussing "Narnia: The Magician's Nephew," poised for release in early 2027.
"Paul McCartney saved my life. David Gilmour saved my life. Pete Townshend saved my life. … When I heard their music, I had this deep sense of [thinking], 'You're gonna be okay.'" She added: "Narnia is literally a world made out of music. It is a world sung to life by Aslan."
In Narnia, Aslan is the Christ figure, repeatedly described by Lewis -- an Oxford don and Christian apologist -- as the "King of the wood and the son of the great Emperor-Beyond-the-Sea. … The Lion, the great Lion." In "The Magician's Nephew," Narnia's creation story, Aslan is first described as "a Lion. Huge, shaggy and bright," with a basso profundo voice "deep enough to be the voice of the earth."
Gerwig ignited an online firestorm by choosing the legendary actress Meryl Streep to provide Aslan's voice. And the director moved "The Magician's Nephew" from the early-1900s to the 1950s, so that its young hero Digory Kirke would grow up in the world that produced Bowie and other rock visionaries. Thus, the Narnia timeline created by Lewis will, in its climactic books, move from World War II Britain to the cultural and sexual revolutions of the 1960s and '70s.
Also, the Empire cover offers the first portrait of the character some call "Ziggy Aslan."









