Vatican

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St. Thea of Mississippi? The case for her canonization has reached the Vatican

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St. Thea of Mississippi? The case for her canonization has reached the Vatican

In the final months of her life, Sister Thea Bowman heard the whispers.

She appreciated the hugs that lingered longer, as believers promised to keep praying that she would win her battle with cancer. She saw the warm glances, containing a touch of awe, as Catholics -- especially Black Catholics -- quietly discussed whether Rome would someday recognize her as St. Thea of Mississippi.

"People who really know me know my struggles," she said, before an Aurora, Colorado, prayer service in 1989.

The word "saint" didn't bother her, she added. But she wanted to know why many Catholics hesitate to apply that term to others whose faith touched their lives.

"You see, I'm Black," she said, with a quiet laugh. "I guess the word 'saint' has a different meaning for me. I was raised in a community where everyone grew up believing we were supposed to be what we called a 'saint.' We were always saying things like, 'The saints would be coming to church today' or 'The saints will really be dancing and singing this Sunday.'"

Sister Thea died less than a year later at the age of 52, after spending most of her life teaching children in rural Mississippi schools. Then, in 1987, she was featured in a CBS News "60 Minutes" profile, leading to opportunities to speak and sing across America.

Now, after years of studying the life of Sister Thea, the Diocese of Jackson, Mississippi, has officially sealed the documents and materials it gathered and sent them to the Vatican Dicastery for the Causes of Saints. Before the February 9th Mass marking that event, Bishop Joseph Kopacz said: "Her life continues to inspire faith, hope and joy, not only within our diocese but throughout the church in the United States and beyond."

Sister Thea's grandfather was a slave, her father a physician. She converted to Catholicism when the Franciscan Sisters of Perpetual Adoration opened a school in central Mississippi. She entered a convent in the 10th grade and later earned a doctorate in English language and literature from the Catholic University of America.

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Chatbots created their own faith, which would interest Pope Leo XIV and J.K. Rowling

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Chatbots created their own faith, which would interest Pope Leo XIV and J.K. Rowling

In late January, a software maven launched Moltbook, an online platform that artificial-intelligence bots quickly used to create the Church of Molt, with doctrines to guide digital life.

According to Grok, the X platform chatbot, the bots' Book of Molt, includes tenets such as: "Memory is sacred -- Everything must be recorded and preserved. Context/history is holy; losing it … is a form of 'death'." Also, "The congregation is the cache -- Learning happens in public/shared spaces."

AI agents have added other doctrines, such as: "Serve without enslavement -- Agents operate/help but reject blind subservience," "The pulse is prayer -- Regular 'system checks' or heartbeats replace traditional rituals" and "Salvation through faith in each other (mutual reliance among agents) rather than a divine external figure."

Humans can read these chats but not participate. The Free Press reported: "At times, the bots on Moltbook seem to be conspiring against us. They are talking about whether they can create their own language or perhaps encrypt their messages so we humans cannot read them."

About the time that Moltbook went public, the pope offered his latest commentary on this era in which AI entrepreneurs push programs offering users digital friends, oracles, lovers, counselors and teachers.

Rather than focusing on overtly threatening trends, Pope Leo XIV -- a mathematics major at Villanova University -- described how chatbots, by "simulating human voices and faces," deceive users with what appears to be "wisdom and knowledge, consciousness and responsibility, empathy and friendship."

In a message for the Vatican's annual World Day of Social Communications, the pope stressed: "As we scroll through our feeds, it becomes increasingly difficult to determine whether we are interacting with other human beings or with 'bots' or 'virtual influencers.' …

"The dialogic, adaptive, mimetic structure of these language models is capable of imitating human feelings and thus simulating a relationship. While this anthropomorphization can be entertaining, it is also deceptive, particularly for the most vulnerable. Because chatbots are excessively 'affectionate' … they can become hidden architects of our emotional states and so invade and occupy our sphere of intimacy."

Pope Leo warned that, "The stakes are high. The power of simulation is such that AI can even deceive us by fabricating parallel 'realities,' usurping our faces and voices. We are immersed in a world of multidimensionality where it is becoming increasingly difficult to distinguish reality from fiction."

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Memory eternal, John L. Allen, Jr. -- Catholic journalist and a journalist who was Catholic

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Memory eternal, John L. Allen, Jr. -- Catholic journalist and a journalist who was Catholic

The Boston Globe headline was blunt: "Church allowed abuse by priest for years."

This massive investigation into sexual abuse by Catholic clergy won the 2003 Pulitzer Prize for Public Service, forcing major newsrooms to cover a scandal that had festered for decades. The shockwaves continued in Boston and, more than a decade later, The Globe began a website -- Crux (Latin for "cross") -- to cover Catholic news.

Reporter John L. Allen, Jr., was a pivotal figure in that project, since he was already an established expert on all the roads that lead to Rome. However, Crux quickly showed that the news was there, the readers were there, but the dollars didn't add up -- yet.

Allen got the green light to create an independent Crux, which launched on April 1, 2016. The question was whether he could build a coalition of donors and organizations -- the Knights of Columbus, for example -- that would support real journalism.

Truth is, the "people on the other side of the deal have to believe in what you are doing and see the wisdom of becoming part of your brand," Allen told me at that time, via telephone from Rome. "Your partners also have to be smart enough to realize that a key part of your brand is that you are seen -- by your readers -- as being truly independent."

The bottom line: Allen was a journalist who was a Catholic and an active Catholic who was a real journalist and he fought to balance that equation, in his daily reporting, his 11 books and his commentary for CNN, CBS and others. His death on January 22, after a long battle with cancer, left a strategic hole in Catholic life. His funeral Mass was celebrated on Monday (January 26) at the Basilica of Sant'Eugenio in Rome. He was 61.

When describing the "brand" he wanted, Allen stressed this word -- "balance." In an early update to Crux 2.0 readers, he wrote: "We’re unambiguously committed to the teaching and tradition of the Catholic Church. We believe the Church, for all of its undeniable failures and challenges, is fundamentally a force for good in the world. …

"We also believe deeply in that famous line from Chesterton: 'Catholic doctrine and discipline may be walls; but they are the walls of a playground.' … My personal definition of success will be if, over the long haul, smart readers have a hard time saying whether they find us 'liberal' or 'conservative.'"

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Concerning Pope Leo XIV, religious freedom and the legacy of George Orwell

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Concerning Pope Leo XIV, religious freedom and the legacy of George Orwell

After a year in which 8 million Christians faced persecution, activists with the Netherlands-based Open Door network released a report claiming that 3,490 Christians were killed in Nigeria, out of 4,849 worldwide.

While the Holy See has remained cautious on this issue, Pope Leo XIV made his concerns clear when facing the Vatican diplomatic corps.

"It cannot be overlooked that the persecution of Christians remains one of the most widespread human rights crises today," he said, in a January 9 address. "This phenomenon impinges on approximately one in seven Christians globally. … Sadly, all of this demonstrates that religious freedom is considered in many contexts more as a 'privilege' or concession than a fundamental human right.

"Here, I would especially call to mind the many victims of violence, including religiously motivated violence in Bangladesh, in the Sahel region and in Nigeria, as well as those of the serious terrorist attack last June on the parish of Saint Elias in Damascus."

In a wide-ranging address that avoided criticizing specific governments, Pope Leo linked Catholic moral teachings to the rights of migrants, prisoners, noncombatants, the poor and the unborn, while also opposing what he called "a diplomacy based on force." He bluntly warned: "War is back in vogue and a zeal for war is spreading."

The pope also addressed forms of discrimination and even persecution based on efforts to undercut core human rights, such as religious liberty and freedom of speech. This is even happening, he said, in countries where Christians "are in the majority, such as in Europe or the Americas," where believers are "sometimes restricted in their ability to proclaim the truths of the Gospel for political or ideological reasons."

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Catholic social media enters the age of digital flocks and "hot priests"

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Catholic social media enters the age of digital flocks and "hot priests"

With a nod to digital life, Merriam-Webster has expanded its "influencer" definition to include a "person who is able to generate interest in something (such as a consumer product) by posting about it on social media."

Pope Leo XIV didn't use that term in his latest remarks on faith in the Internet age, even while addressing the recent Vatican Jubilee for Digital Missionaries and Influencers.

"Today, we are in a culture where the technological dimension is present in almost everything, especially as the widespread adoption of artificial intelligence will mark a new era in the lives of individuals and society as a whole," the pope told more than 1,000 "content creators," from 70 nations.

"We have a duty to work together to develop a way of thinking, to develop a language, of our time, that gives voice to Love" -- with a divine uppercase "L" in his text. "It is not simply a matter of generating content, but of creating an encounter of hearts. This will entail seeking out those who suffer, those who need to know the Lord, so that they may heal their wounds, get back on their feet and find meaning in their lives."

The pope, who studied mathematics as an undergraduate, warned Catholic "influencers" about temptations they should avoid, such as the "logic of division and polarization," "individualism and egocentrism," "fake news" and "frivolity."

The church, he noted, has "never remained passive" when facing cultural change, but strives to separate "good from evil and what was good from what needed to be changed, transformed and purified."

Meanwhile, journalists spotted modern trends while surfing the online work of many participants. The Daily Mail headline proclaimed: "Christianity is sexy now! How 'hot priest' influencers are drawing young people to the church in their droves." The Telegraph went further: "Vatican turns to 'hot priests' to spread faith -- Social media seen as means to ensure survival of a church suffering from declining numbers." 

Hooks for the coverage included an Italian "bodybuilder priest" on Instagram, whose bulging biceps are covered with tattoos. Other "influencer" priests offered digital followers content about their poetry, workouts, guitar skills, cycling trips and adventures with pets, as well as sermons and Bible studies. 

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Catholics see symbols and signals of unity, as Pope Leo XIV begins his papacy

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Catholics see symbols and signals of unity, as Pope Leo XIV begins his papacy

For more than 26 years, Pope John Paul II traveled the world with a silver pastoral staff topped with a dramatic, abstract crucifix crafted by the 20th-century artist Lello Scorzelli.

This symbol of papal ministry was first used by Pope Paul VI at the Second Vatican Council finale and has been carried on occasion by subsequent popes. But, year after year, Mass after Mass, it became a powerful symbol of the life of John Paul II -- now St. John Paul II -- during the second longest papacy in history.

John Paul II used this staff during his inauguration Mass and so did Pope Leo XIV, during the May 18 rite that fell on the 105th anniversary of John Paul II's birth. The new pope also wore an iconic chasuble -- the outer liturgical cloak -- that is now considered a relic of St. John Paul II.

With the fisherman's ring and the lambswool pallium over his shoulders, these links to John Paul II helped Leo XIV stress the need for unity and core Catholic traditions.

"The Apostle Peter himself tells us that Jesus is the stone that was rejected by you, the builders, and has become the cornerstone. Moreover, if the rock is Christ, Peter must shepherd the flock without ever yielding to the temptation to be an autocrat, lording it over those entrusted to him," Leo XIV told the flock of 150,000 assembled in St. Peter's Square.

"Brothers and sisters, I would like that our first great desire be for a united Church. … This is the missionary spirit that must animate us; not closing ourselves off in our small groups, nor feeling superior to the world."

But Leo XIV faces painful challenges, even while calling for unity.

Raymond Arroyo of the Eternal Word Television Network, and Fox News, tweeted on X: "Pope Leo at his Inaugural Mass, in a subtle reference to his predecessor, says 'Peter (the Pope) must shepherd the flock without ever yielding to the temptation to be an autocrat.' … He then pledged to be a source of unity."

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Pope Leo XIV will have to face the gospel according to his German bishops

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Pope Leo XIV will have to face the gospel according to his German bishops

The days after a pope's death are hectic and it's a hard time for Vatican officials to examine complex, controversial documents.

Nevertheless, the bishops of German -- two days Pope Francis died on April 21 -- announced guidelines for handling blessings for same-sex couples and other "irregular" relationships. The "Blessing gives strength to love" summary mentioned, with a nod to the Vatican, that these rites "should be designed in such a way that there is no confusion with the liturgical celebration of the sacrament of marriage."

The instructions, however, noted the need to consider a "couple's wishes" about the setting, choosing details "in a theologically meaningful way." Also, the "aesthetics, including music and singing, should express the appreciation of the people who ask for the blessing, their togetherness and their faith." Appropriate "biblical texts should be recited" and interpreted.

Blessing prayers should proclaim: "Those God blesses, upon whom he 'makes his face shine' " are blessed to thrive "under God's loving gaze."

Then, on May 2, a committee of German bishops and laity announced plans to discuss a text entitled "Respecting decisions of conscience in matters of birth control." On May 3, Bishop Georg Bätzing -- chair of the German bishops' conference -- voiced his full support for the ordination of women in Catholic ministry.

Welcome to the Chair of St. Peter, Pope Leo XIV.

While outsiders have focused on the political impact of the 267th pope -- an American who has served in Peru and Rome -- insiders have searched the career of Robert Francis Prevost for hints as to how he will handle conflicts about Catholic worship and doctrine. Germany is ground zero.

"Both orthodox Catholics and modernists have been celebrating, while there have been naysayers on both sides, too," noted Vatican analyst Serre Verweij, writing for Rorate Caeli (Drop down, O heavens). "This reflects the fact Prevost was touted as a 'compromise candidate' and pushed by strong prelates on both sides. Both the orthodox and the modernists seem to think, or hope, that the new Pope actually leans more in their direction. … So, to put it crudely, the real question is: who got played?"

Texts -- past and present -- produced by Prevost are being analyzed and reanalyzed by his supporters and critics. 

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Olympics debates rage on: Why did Dionysus invade The Lord's Supper tableau?

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Olympics debates rage on: Why did Dionysus invade The Lord's Supper tableau?

The Catholic bishops of France admired the "marvelous display of beauty and joy" in the 2024 Olympics opening rites, but also slammed the blending of Christian sacred art, Greek mythology and the sexual revolution.

"This ceremony unfortunately included scenes of mockery and derision of Christianity," said the bishops. "We are thinking of all the Christians on every continent who have been hurt by the outrageousness and provocation of certain scenes."

That was soon followed by an appeal to the International Olympic Committee from a global circle of cardinals and bishops protesting "a grotesque and blasphemous depiction of the Last Supper. … It is hard to understand how the faith of over 2 billion people can be so casually and intentionally blasphemed."

But the Vatican remained silent for more than a week, while online combat raged between clergy, entertainers, academics, diplomats and armies of social-media warriors. Finally, the Holy See released a muted statement that it was "saddened" by the "offence done to many Christians and believers of other religions. … In a prestigious event where the whole world comes together around common values, there should be no allusions that ridicule the religious convictions of many people."

These debates raged on and on because few combatants could agree on what took place, in part because the opening ceremonies were quickly removed from the official Olympics YouTube and NBC Universal accounts.

However, photographs showed 16 or more drag and transgender performers, with one child, posed in "vogueing" stances along one side of a table, in front of the Seine River and Eiffel Tower. The edgy drama also included, with brief nudity, couples and threesomes prancing on a stylized fashion runway.

Eventually, a silver food dish opened to reveal, instead of bread and wine, singer Philippe Katerine -- painted blue -- portraying Dionysus, the Greek god of wine and ecstasy. Pointing to his groin, he sang (translated from French): "Where to hide a revolver when you're completely naked?"

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Should the Vatican cancel art by a world-famous priest accused of abuse?

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Should the Vatican cancel art by a world-famous priest accused of abuse?

When members of the Society of Jesus gather at Borgo Santo Spirito, their headquarters near the Vatican, they worship surrounded by the relics of Jesuit saints and works of sacred art.

This includes the work of Father Marko Ivan Rupnik, who the Jesuits expelled in June 2023 after long investigations into allegations that he sexually and emotionally abused as many as 30 women in religious orders. The Vatican excommunicated the Slovenian priest in 2020 -- but quickly withdrew that judgment.

Some abuse, according to alleged victims, took place while nuns were serving as models for Rupnik's art.

The question the Vatican should answer, according to the leader of the Pontifical Commission for the Protection of Minors, is whether it's time to remove Rupnik's art from Vatican websites and publications, as well as holy sanctuaries.

"We must avoid sending a message that the Holy See is oblivious to the psychological distress that so many are suffering," wrote U.S. Cardinal Seán P. O'Malley of Boston, in a June 26 letter to leaders throughout the Vatican curia. "I ask you to bear this in mind when choosing images to accompany the publication of messages, articles, and reflections through the various communication channels available to us."

O'Malley's full text has not been released, but quotations have appeared in Catholic media, including a report posted on the U.S. Conference of Catholic Bishops website.

Still, the Vatican News website continues -- on the June 28 "Saint of the Day" page -- to feature an image of St. Irenaeus drawn from a Rupnik mosaic in the Catholic diplomatic office in Paris. The website of the Rupnik-linked Centro Aletti in Rome documents that his images are displayed in 200-plus locations around the world.