music

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Why Christians in today's marketplace need Advent music playlists

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Why Christians in today's marketplace need Advent music playlists

"O Lord, How Shall I Meet You" is a perfect Lutheran hymn for the weeks before Christmas, but shoppers will never hear it between Muzak versions of "Jingle Bells" and "White Christmas" in their local malls.

The key is that "O Lord, How Shall I Meet You" is from the penitential season of Advent, said Pastor Will Weedon. That's the four weeks preceding Christmas in liturgical calendars for Catholics, Lutherans and others in Western Christianity.

The Christmas connection is clear, stressed Weedon, with lines such as: "O Lord, how shall I meet You / How welcome You aright? /Your people long to greet You / My hope, my heart's delight! / O kindle, Lord most holy / Your lamp within my breast / To do in spirit lowly / All that may please You best."

The hymn contains this confession: "I lay in fetters, groaning / You came to set me free / I stood, my shame bemoaning / You came to honor me."

"We need to hear this as we prepare for Christmas," said Weedon, former director of worship and chaplain for the Lutheran Church-Missouri Synod. "Advent hymns have about them a sense of dissatisfaction with our lives in this world. …

"We have a mess on our hands, some of it of our own making, and we're praying for Christ to come and save us," he said, reached by telephone. That message "doesn't work at Walmart, where Christmas starts at Halloween. Our culture doesn't understand the idea of fasting before feasting. We are urged to party and feast all the time."

Collections of Christmas music often include a few popular Advent hymns sung in Protestant services and even in Christmas parties, such as "Joy to the World," "It Came Upon a Midnight Clear" and, especially, "O Come, O Come Emmanuel." Many Catholic Advent hymns focus on the role of Mary, the mother of Jesus, such as "Rorate Caeli (Drop down, ye Heavens."

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Chris Hillman of the Byrds sings (and writes) about faith, fame and musical ties that bind

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Chris Hillman of the Byrds sings (and writes) about faith, fame and musical ties that bind

The Byrds' classic "Turn! Turn! Turn!" didn't sound like anything on the radio when it hit No. 1 on the Billboard charts in 1965.

For starters, the lyrics came from the Book of Ecclesiastes, noting "there is a season, and a time for every purpose, under Heaven. A time to be born, a time to die. A time to plant, a time to reap. A time to kill, a time to heal. A time to laugh, a time to weep."

What critics failed to realize, said Byrds co-founder Chris Hillman, was that covering the late Pete Seeger's classic was a logical move for musicians steeped in American roots music. Songs about struggle, glory, sacrifice and faith were common in early '60s folk concerts.

"Where did all of our music come from? Blues and Gospel. … White church, black church, the music all came from church," said Hillman, in a recent interview. "With the Byrds, we went right to that well. We didn't think twice about it. We didn't say, 'We can't do a Christian song.' "

Hillman's musical roots became more obvious as the Byrds ventured into what many started calling "country rock," especially with the landmark "Sweetheart of the Rodeo" album in 1968. Bluegrass, country and Gospel themes played a larger role as Hillman began writing songs for the Byrds and his later bands.

While the Byrds put him in the Rock & Roll Hall of Fame, it was Hillman's grassroots connections that made history, according to the legend who produced his "Bidin' My Time" solo project in 2017. The late Tom Petty said: "Chris was a true innovator -- the man who invented country rock. Every time the Eagles board their private jet, Chris at least paid for the fuel."

That musical and spiritual journey is clear in Hillman's recent autobiography, "Time Between," with its mix of rock lore and personal reflections. Rather than offering a tell-all about sex, drugs and rock 'n' roll, Hillman focuses on lessons he learned along the way and his love for the musicians who, flaws and all, helped him.