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Catholic social media enters the age of digital flocks and "hot priests"

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Catholic social media enters the age of digital flocks and "hot priests"

With a nod to digital life, Merriam-Webster has expanded its "influencer" definition to include a "person who is able to generate interest in something (such as a consumer product) by posting about it on social media."

Pope Leo XIV didn't use that term in his latest remarks on faith in the Internet age, even while addressing the recent Vatican Jubilee for Digital Missionaries and Influencers.

"Today, we are in a culture where the technological dimension is present in almost everything, especially as the widespread adoption of artificial intelligence will mark a new era in the lives of individuals and society as a whole," the pope told more than 1,000 "content creators," from 70 nations.

"We have a duty to work together to develop a way of thinking, to develop a language, of our time, that gives voice to Love" -- with a divine uppercase "L" in his text. "It is not simply a matter of generating content, but of creating an encounter of hearts. This will entail seeking out those who suffer, those who need to know the Lord, so that they may heal their wounds, get back on their feet and find meaning in their lives."

The pope, who studied mathematics as an undergraduate, warned Catholic "influencers" about temptations they should avoid, such as the "logic of division and polarization," "individualism and egocentrism," "fake news" and "frivolity."

The church, he noted, has "never remained passive" when facing cultural change, but strives to separate "good from evil and what was good from what needed to be changed, transformed and purified."

Meanwhile, journalists spotted modern trends while surfing the online work of many participants. The Daily Mail headline proclaimed: "Christianity is sexy now! How 'hot priest' influencers are drawing young people to the church in their droves." The Telegraph went further: "Vatican turns to 'hot priests' to spread faith -- Social media seen as means to ensure survival of a church suffering from declining numbers." 

Hooks for the coverage included an Italian "bodybuilder priest" on Instagram, whose bulging biceps are covered with tattoos. Other "influencer" priests offered digital followers content about their poetry, workouts, guitar skills, cycling trips and adventures with pets, as well as sermons and Bible studies. 

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How the Babylon Bee helped topple digital dominos in the media marketplace

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How the Babylon Bee helped topple digital dominos in the media marketplace

On March 15, 2022, Babylon Bee editors ran a blunt joke about a powerful American leader -- proclaiming the assistant secretary in the Department of Health and Human Services as the website's "Man of the Year."

The joke caused controversy because Admiral Rachel L. Levine had, more than a decade earlier, transitioned to become a transgender woman and, two days before the Bee jab, was named one of the "Women of the Year" by USA Today.

At that point, the Twitter management cancelled the Babylon Bee's account, cutting a vital link between the Christian satire website and the online readers that were its lifeblood.

"Many people said trans people are already subject to so much ridicule, and posts like this just fan the flames against a minority group," noted Bari Weiss, editor of The Free Press, in a recent podcast with Babylon Bee CEO Seth Dillon. "How do you respond to that criticism?"

That's a "fair question," noted Dillon, but one built on the "concept that comedy should be something that only punches up at the power structure. That the oppressors can do no right, the oppressed can do no wrong. They're marginalized, and they need to be protected and insulated, and the powerful can be the subject of scorn and ridicule."

In this scenario, an evangelical humor website far from the entertainment-industry mainstream was the powerful "oppressor." Meanwhile, noted Dillon: "Admiral Rachel Levine is a transgender admiral in the Biden administration, a high-ranking government official. The narrative that's being imposed on the culture is … coming from the top down, imposed on people that really do in large numbers find it absurd and objectionable. So we were, in fact, punching up."

With the Bee locked in "Twitter jail," digital dominoes began falling -- a chain reaction that would help shape in news and journalism, which would affect debates during a tense, complicated White House race.

On March 24, the Bee team heard from a reader -- Elon Musk -- who was paying close attention to "cancel culture" trends. As an omnipresent Twitter user, the world's richest tech entrepreneur was already getting messages from people urging him to buy the social-media platform.

Musk wanted to know why Bee tweets had vanished.

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2023: A 'Barbie' Odyssey does raise (wink, wink) moral, cultural and theological issues

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2023: A 'Barbie' Odyssey does raise (wink, wink) moral, cultural and theological issues

Hollywood worships big movie franchises, so fans can expect "Barbie" sequels.

One plot proposal quickly emerged from an unlikely source -- Sister Mary Joseph Calore of the Society Devoted to the Sacred Heart of Jesus in St. Cresson, Pennsylvania.

"'Barbie becomes a nun' would be a great sequel," she wrote, on the X platform. Her post contained this pitch to Warner Bros. executives: "Dissatisfied by endless parties and user friends, an eating disorder, spending addictions with clothes and shoes, and cohabitating with the shallow & unemployed playboy Ken, Barbie's sportscar has been parked more and more at an adoration chapel. She is seriously giving thought to draining the pool, putting her condo on the market, cutting her hair and donning the religious habit."

That would be a twist, after a cinematic manifesto arguing that life as a real woman is painful and complicated, but it's better than being an iconic plastic doll.

"This movie should have been silly and fun, but it ended up being preachy and earnest," said Barbara Nicolosi Harrington, a former Catholic nun who became a screenwriter and Hollywood script doctor. "I mean, how far can you go with a story about Barbie?"

Writer-director Greta Gerwig's previous work has been impressive, stressed Harrington, who teaches at Regent University in Virginia Beach, Virginia. With "Little Women," Gerwig showed the ability to offer a fresh take on a familiar story. Now, "Barbie" will draw intense scrutiny, since she will direct at least one movie in the upcoming Netflix take on "The Chronicles of Narnia" novels by the Christian apologist C.S. Lewis.

"Barbie" contains ambitious attempts to mix serious, even if tongue in cheek, social commentary with pop-culture mythology -- such as a shot-for-shot homage to Stanley Kubrick's legendary dawn-of-consciousness scene in "2001: A Space Odyssey."

The big "Barbie" question, noted Other Feminisms writer Leah Libresco Sargeant, is stated in a soundtrack ballad -- "What Was I Made For?"