popular culture

, , , , , , ,

When did prayer become acceptable to NFL? When a crisis happened on live television

, , , , , , ,
When did prayer become acceptable to NFL? When a crisis happened on live television

Super Bowls create media storms, but many journalists and sports executives thought what happened in 1988 was totally out of bounds.

The establishment was shocked when players and coaches from Denver and Washington, D.C., held a prayer meeting on the eve of this NFL rite. The powers that be worried that "fraternization" of this kind could damage this clash between gridiron warriors.

To make matters worse, players from competing teams soon began kneeling in post-game, on-field prayer huddles as a symbol of unity and, often, shared concerns about injured players. Players waved off league efforts to stop the prayer circles.

"For the NFL, this was a corporate thing," said historian Paul Putz, of Baylor University's Faith & Sports Institute. Executives are "fine with prayer, as long as it isn't tied to anything controversial or a specific brand of religion. …

"The NFL didn't mind prayers that were out of sight, maybe in locker rooms with chaplains. But then things started happening on television. That was too much."

That was then. The electric wave of prayer that swept America after Buffalo Bills safety Damar Hamlin's heart-stopping injury was, he said, a "critical mass" moment and a sign of changing times -- maybe.

The key was that this drama happened on "Monday Night Football," with anguished players from both teams huddled around Hamlin near midfield, many visibly praying, as first responders fought to save his life.

It was natural for broadcasters to acknowledge the explosion of social-media commentary from athletes, coaches and others -- including fervent calls for prayer. All 32 NFL teams soon posted #PrayForDamar appeals.

"We have never seen anything like this before," said Putz. It became clear that it "was OK to tweet messages that went way beyond the usual thoughts and prayers."

The question, added Putz, is what happens next.

, , , , , , , ,

When is Christmas? That depends on the person asking

, , , , , , , ,
When is Christmas? That depends on the person asking

On church calendars, parents and grandparents circle this December event with red ink.

The problem for clergy is simple: When do they schedule that special Christmas service, or that concert full of Christmas classics?

"Evangelicals, and especially Baptists, tend to be rather pragmatic about these decisions. We want the most bang for our bucks and we want as many people as possible" in the pews, said Joshua Waggener, professor of church music and worship at Southwestern Baptist Theological Seminary in Fort Worth, Texas.

One thing is certain: "You have to have those little kids up there singing 'Little Drummer Boy.' It's pragmatic. For most people, I don't think theology has anything to do with" the timing.

This reality affects when churches schedule special events, especially in December -- when their members wrestle with school calendars, travel, office parties, family traditions and, yes, worship services. Meanwhile, civic groups, shopping malls and mass media offer "The Holidays," a cultural tsunami that begins weeks before Thanksgiving.

In churches with centuries of liturgical traditions, the Nativity of Our Lord Jesus Christ is Dec. 25, following the quiet season of Advent (Latin for "toward the coming"). This year, Christmas falls on Sunday and, for Catholics, Anglicans and others, the Christmas Eve Midnight Mass is one of the year's most popular rites. This opens a festive season that continues through Jan. 6, the Feast of the Epiphany. Many Eastern Orthodox Christians follow the ancient Julian calendar and celebrate Christmas on Jan. 7, after Nativity Lent.

In the United States, some kind of Christmas Eve service remains the big draw, according to almost half (48%) of Protestant pastors contacted in a new study by Lifeway Research. The frequency of high-attendance church events builds until Christmas Eve, then declines sharply.

In this survey, mainline Protestant clergy (60%) were more likely than evangelicals (44%) to say Christmas Eve rites drew the most people, with Lutherans (84%) being the most likely to worship on Christmas Eve. In general, evangelical pastors (30%) said their high-attendance events came during the third week of December (30%).

Some churches fared better than others with events earlier in December.

, , , , , ,

Why fairy stories still matter, in an age of secular myths and marvels

, , , , , ,
Why fairy stories still matter, in an age of secular myths and marvels

Demons appear on movie screens all the time, but poet Richard Rohlin is convinced he has actually seen them at work when counseling young people whose search for meaning has driven them deep into experiments with sex, drugs and the occult.

"The stories that I can't tell would curl your toenails," he said, speaking at the Eighth Day Institute in Wichita, Kansas. "If you think that these spiritual realities are not still with us, you are deluding yourself. ... The magic is coming back into the world. Something is happening and it is not an unqualified good."

The young people he works with in Dallas are not interested in sermons and detailed descriptions of why their lives are broken. But they are open to fantasies, myths and tales -- ancient and modern -- about unseen, spiritual realities that interact with their lives.

Millions of Americans know where to find stories about angels, demons, warriors, seers, giants, demigods and heroic kings and queens. They head straight to movie theaters and cable television, where they find entire universes of content offering visions of fantastic worlds. The last place they would seek inspiration of this kind is in churches.

The irony is that some of these works draw inspiration from the fantasy classics celebrated in the ecumenical Eighth Day Institute's annual fall celebration of The Inklings, a mid-20th Century circle of Christian writers in Oxford, England, that included C.S. Lewis, J.R.R. Tolkien and others.

This year's lectures focused on Scottish writer George MacDonald, often called the "grandfather of the Inklings," who is best known for "Phantastes," "The Golden Key," "Lilith" and many other works. The festival included Celtic and folk musicians, along with workshops on topics such as "The Art of Making Mead" and "Publishing for the Moral Imagination."

The goal of MacDonald and The Inklings, noted Rohlin, was to reclaim an older vision of life in which physical realities corresponded to spiritual realities and nothing was considered purely material. The real divide was between "the seen and the unseen," not between the "spiritual and the material."

, , ,

Loretta Lynn's art put rhinestone feminism and Gospel truth in the same package

, , ,
Loretta Lynn's art put rhinestone feminism and Gospel truth in the same package

On many Sundays, Loretta Lynn sent her social-media followers a thought for the day from Scripture.

Two days before her death at her ranch in Hurricane Mills, Tenn., the 90-year-old country-music legend posted two verses, repeating the second verse to stress her point.

Lynn's final Instagram post said: "Everyone who does evil hates the light, and will not come into the light for fear that their deeds will be exposed. But whoever lives by the truth comes into the light, so that it may be seen plainly that what they have done has been done in the sight of God. John 3:20-21"

The feisty superstar experienced plenty of darkness and light and shared the gritty details in a career that changed the role of women in Nashville. Lynn was raised poor in the Kentucky hills and spent years in church pews before she started singing in honky-tonks. Her husband Oliver "Dolittle" Lynn struggled with alcoholism, but they stuck together in a union that inspired songs about love and loyalty, as well as break-ups and fist fights, such as "Don't Come Home A-Drinkin' (With Lovin' On Your Mind)."

Lynn vowed to tell the truth about both sides of her life. She loved to sing hymns and gospel music, while critics hailed the rhinestone feminism of her hits such as "You Ain't Woman Enough," "The Pill," "Rated X" and "You're Looking at Country."

In her "Coal Miner's Daughter" memoir, Lynn described her faith journey: "I believed it all, but for some reason I was never baptized. After I started in music, I got away from going to church and reading the Bible. I believe I was living the way God meant me to, but I wasn't giving God the right attention."

In that same 1976 memoir, she added: "I'm trying to lead a good Christian life, especially since I got baptized two years ago. So there ain't too much spicy to tell about me -- just the truth." Christian Chronicle editor Bobby Ross, Jr., noted that she later added a strong kicker to that: "Nobody's perfect. The only one that ever was, was crucified.”

Anyone who explored the details of Lynn's life and music knew that she wasn't a good fit in the "elite feminist establishment" or among advocates of a "status-quo idea of domesticity," noted Russell Moore, Christianity Today's editor in chief.

, , , ,

Hillbilly Thomists: Dominicans tracing their roots into Appalachian music and faith

, , , ,
Hillbilly Thomists: Dominicans tracing their roots into Appalachian music and faith

With its sobering lyrics and a droning country-blues riff, "Holy Ghost Power" by the Hillbilly Thomists is a song with zero chance for Christian radio success.

The jilted protagonist has been "living off of grits, whiskey and Moon Pies." His man cave offers no refuge: "A hundred channels of nothing on the TV at 10. It's like Diet Coke and original sin. … Now it's a zombie town, there's a lot of undead. They wander around looking underfed."

But the chorus offers hope: "He makes a rich man poor; He makes a weak man strong. No more going wrong just to get along. I felt the force of the truth when they pierced His side. I saw the war eagle dive and I could not hide."

It wouldn't shock old-school country fans if this was a Johnny Cash song. But it was written by a banjo-playing Dominican from Georgia who has an Oxford theology doctorate and now leads the Pontifical University of Saint Thomas Aquinas. Writing to the National Reso-Phonic Company, Father Thomas Joseph White said he likes to play this classic blues guitar "in my office looking out at the Roman Forum that's 2,700 years-old."

That makes sense in the Hillbilly Thomists, a "musical collective" of Dominicans, most of whom have Bible-belt roots. The band recently staged a concert in the Grand Ole Opry and, over the past decade, has recorded three albums of music that would sound at home at Appalachian fairs, but not in most church halls.

There's a vital tie linking these songs to the life and work of this band of priests and brothers, said Father Simon Teller (who plays fiddle). Whether singing Appalachian hymns or their own original songs, the Hillbilly Thomists -- dressed in the white habits of their order -- keep returning to images of suffering, sorrow, eternity, hope, grace and redemption.

, , , ,

Vast cloud of gods featured in 'Thor: Blood and Thunder,' including 'God of Carpentry'?

, , , ,
Vast cloud of gods featured in 'Thor: Blood and Thunder,' including 'God of Carpentry'?

Greek mythology makes it clear that the great god Zeus loved to party.

So wild things were happening when the Norse demigod Thor and a pack of Marvel Cinematic Universe (MCU) superheroes entered Omnipotence City in "Thor: Love and Thunder." The Greek gods are out in force, with Zeus serving as king, but so were many other deities from other cultures.

Valkyrie, the female queer king of New Asgard noted, while calling roll, the off-screen presence of another deity -- the "God of Carpentry."

Inquiring minds want to know if, to quote WhatCulture.com, the film's director Taika Waititi had "confirmed the actual existence of Jesus in the MCU? … Without showing Jesus, Waititi has plausible deniability: Valkyrie could've been talking about the Greek God of Carpenters Hephaestus, or even Lu-Ban, the God of Carpentry from Chinese mythology."

The cosmology of the Marvel super-movies has become so complex that it's hard to know precisely what is being said, noted Thom Parham, a screenwriter who teaches at Palm Beach Atlantic University. Early on, the superheroes were simply aliens, instead of gods or demigods.

"But now we've got sub-deities. They want to have their cake and eat it, too," said Parham, after returning from Comic-Con 2022 in San Diego. "We have gods, and we have demigods. We have Greek gods, and we have Egyptian gods. We have the Eternals, and we have the Celestials."

When Parham heard the "God of Carpentry" reference, he felt that "a dangerous line had been crossed. …What are they saying? I don't think they know, yet."

With "Black Panther: Wakanda Forever" poised for November release, the "Avengers" series will reach 30 movies and a dozen or more sequels are planned. The franchise has grossed more than $27 billion at the global box office.

In terms of religious messages, the MCU has come a long way since Captain America, after hearing Loki described as a god, said: "There's only one God … and I'm pretty sure He doesn't dress like that." The New Rockstars YouTube channel counted 50-plus gods in "Thor: Love and Thunder" alone.

, , , , , ,

Open Bible to Psalms: What messages are seen there, but not in modern praise music?

, , , , , ,
Open Bible to Psalms: What messages are seen there, but not in modern praise music?

It's hard to read the Psalms without encountering one of the 65 references to the Hebrew word "mishpat," which is usually translated as "judgments" or "justice."

The term appears 23 times in Psalm 119, in passages worshipers have sung for centuries, such as: "I will praise You with uprightness of heart, when I learn Your righteous judgments. I will keep Your statutes; Oh, do not forsake me utterly!"

But when Old Testament scholar Michael J. Rhodes dug into the Top 25 worship songs listed by Christian Copyright Licensing International, he found symbolic trends in the lyrics. For starters, "justice" was mentioned one time, in one song.

"The poor are completely absent in the top 25. By contrast, the Psalter uses varied language to describe the poor on nearly every page," he wrote, in a Twitter thread. "The widow, refugee, oppressed are completely absent from the top 25. …

“Whereas 'enemies' are the third most common character in the Psalms, they rarely show up in the Top 25. When they do, they appear to be enemies only in a spiritual sense. Maybe most devastatingly … not a SINGLE question is ever posed to God. The Top 25 never ask God anything. Prick the Psalter and it bleeds the cries of the oppressed pleading with God to act."

That's a long way from a Vespers Psalm promising: "The Lord sets the prisoners free; the Lord opens the eyes of the blind. The Lord lifts up those who are bowed down; the Lord loves the righteous. The Lord watches over the sojourners, he upholds the widow and the fatherless; but the way of the wicked he brings to ruin. … Praise the Lord."

When these issues surface in social media they often veer into debates about politics and social justice, noted Craig Greenfield, author of "Urban Halo" and "Subversive Jesus." A former dot-com entrepreneur, he leads the global youth ministry "Alongsiders International," based in Phnom Penh, Cambodia.

The question, he said, is why so many worship songs focus on personal experience and feelings -- alone. This has been true with new hymns for several generations.

, , , ,

Norm Macdonald: Wisecracks about big, eternal questions while his clock ticked louder

, , , ,
Norm Macdonald: Wisecracks about big, eternal questions while his clock ticked louder

Comedians frequently take shots at taboo targets, but that wasn't what Norm Macdonald was doing when he addressed Down's Syndrome while solo recording what became the new "Nothing Special" on Netflix.

"I love people with Down Syndrome," said Macdonald, in a no-audience performance packed with his familiar pauses and bemused expressions. "I wish I had Down Syndrome, and I'll tell you why. They're happy. You know what I mean? …

"What's wrong with that? … People get mad at them … and they pity them. Now, who's the bad person in that scenario?"

The former Saturday Night Life star -- who died September 14 after a secret nine-year fight with cancer -- recorded nearly an hour of material during the coronavirus pandemic, before yet another operation in the summer of 2020. He said he "didn't want to leave anything on the table in case things went south."

This Netflix finale offers fresh musings on mortality and morality that, with Macdonald's blunt language and haunting images, evolve into meditations on how modern people deceive themselves. The X-factors in his art were religious faith and his love of literature ranging from Mark Twain to Fyodor Dostoyevsky.

"Macdonald showed respect for basically everyone, with the exception of himself and people like O.J. Simpson and Bill Clinton," said Rich Cromwell, a television professional and essayist for The Federalist. "He was not a Christian comedian -- that's clear. But that was part of who he was, and he treated faith with respect. …

"This Down's Syndrome material is a perfect example. He didn't turn that into an overt argument about abortion, but it's clear that he is saying all life is worthy of respect, even if some people don't judge that life to be worthy. He's saying people with Down's Syndrome are God's children, no matter what."

"Nothing Special" ends with an A-list reaction panel -- David Letterman, Adam Sandler, Conan O'Brien, Dave Chappelle, David Spade and Molly Shannon -- who knew Macdonald as a friend and colleague. This special was full of "third-rail stuff," noted O'Brien.

, , , , , ,

Listening to Naomi Judd: She tried to be honest about her angels and her demons

, , , , , ,
Listening to Naomi Judd: She tried to be honest about her angels and her demons

Naomi Judd thought she understood the ties that bind country-music stars and their audience -- then one aggressive fan went and joined the Pentecostal church the Judd family called home.

"It really burdened me," said Judd, after signing hundreds of her "Love Can Build a Bridge" memoir back in 1993. "I just don't sign autographs at church. The best way I can explain it to children … is to say, 'Honey, Jesus is the star.' "

After a year of this tense standoff, Judd became concerned and wrote the fan. "I said, 'I want you to really get away by yourself and read this letter and answer this question honestly: Do you come to church to see The Judds or do you come to church to see God?' She never came back to church. But she was in the autograph line today."

Through it all, Judd and her brash daughter Wynonna have talked openly about their triumphs and their struggles. Many fans identified with their failures just as much as the messages about faith and family.

At the time of that 1993 interview, Naomi Judd had battled through waves of anxiety attacks to address some dark realities -- such as rape, crisis pregnancy and her deadly battle with hepatitis C that retired the The Judds.

What she hadn't discussed was the sexual abuse in her childhood that led to treatment-resistant depression. Judd's April 30th death, at age 76, focused new attention on blunt passages in her 2016 book "River of Time," in which she said had been tempted by suicide. "I wanted to be completely honest that if someone took out a gun and killed me on stage, they would be doing me a favor," she wrote.

The Judds were inducted into the Country Music Hall of Fame the day after Naomi's death and her shaken daughter Ashley Judd told the crowd, "I'm sorry that she couldn't hang on until today."