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Defending older truths: Rod Dreher, Albert Mohler and St. Benedict in conversation

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Defending older truths: Rod Dreher, Albert Mohler and St. Benedict in conversation

Journalist Rod Dreher used to find comfort when seeing rows of churches along roads in his home state of Louisiana.

The world might be going crazy in places like New York City and Washington, D.C. -- where Dreher had worked as a journalist -- but it felt good to know the Bible Belt still existed.

But that changed as the popular digital scribe -- his weblog at The American Conservative gets a million-plus hits a month -- kept digging into research about life inside most of those churches. The bottom line: There's a reason so many young Americans say they have zero ties to any faith tradition.

"God is not the center of American culture or of Western civilization anymore. But it's easy to think that this is alarmist when you look around you, especially if you live in the South as I do and see churches everywhere," said Dreher, during a podcast with R. Albert Mohler, Jr., president of Southern Baptist Theological Seminary in Louisville, Ken. Mohler is an influential voice at all levels of the Southern Baptist Convention, America's largest Protestant flock.

"Go inside those churches," stressed Dreher. "Talk to the people about what they know about the historic Christian faith. You'll often find it's very, very thin. … And I think that the loss of faith among the elites in society is huge. Christianity is now a minority position and in many places at the highest levels of our society … orthodox Christianity is considered bigotry. This is not going to get any better."

It's easy for conservatives to bemoan public trends, such as amoral Hollywood sermons, the U.S. Supreme Court's same-sex marriage decision and corporate giants backing the gender-blending of bathrooms and showers. However, some of the most sobering remarks by Mohler and Dreher were about Christian homes, schools and sanctuaries.

At the center of the conversation was Dreher's new book, "The Benedict Option: A Strategy for Christians in a Post-Christian Nation," which debuted at No. 7 on the New York Times bestseller list, while sparking fierce debates online.

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Philadelphia archbishop offers candid talk on new/old idols of our changing times

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Philadelphia archbishop offers candid talk on new/old idols of our changing times

NEW YORK -- It was hard, especially when discussing faith during troubled times, for Catholic Archbishop Charles Chaput to avoid the copper-tinted elephant in the national living room -- but he tried.

The leader of the Archdiocese of Philadelphia made only one reference to Donald Trump and his victory over Hillary Clinton. Why? Because Trump's win was just another sign of painful realities in American life.

"Some of those trends, in a perverse and unintended way, helped elect President Trump. But Mr. Trump is a REACTION to, not a REVERSAL of, the current direction of the country," said Chaput. "It's a sign of our national poverty that both Mrs. Clinton and Mr. Trump were so distasteful and so deeply flawed in the 2016 campaign."

The big idea at this forum -- held at the Archbishop Fulton J. Sheen Center for Thought and Culture in Manhattan's East Village -- was that believers cannot expect politicians to provide solutions for several decades worth of moral puzzles. The archbishop's address was built on themes from his new book, "Strangers in a Strange Land: Living the Catholic Faith in a Post-Christian World."

At some point, he said, clergy and laypeople alike will have to make hard choices about how to live faithful lives in a radically different environment.

"Nations and peoples are changing all the time. If they're not, it means they're dead," said Chaput. "America is built on change because we're a nation of immigrants -- ALL OF US. … A nation's identity breaks with the past when it changes so rapidly, deeply and in so many ways that the fabric of the culture ruptures into pieces that no longer fit together. I think we're very near that point as a country right now.

"Why do I say that? Here's why. In 60 years -- basically the span of my adult life -- the entire landscape of our economy, communications, legal philosophy, science and technology, demography, religious belief and sexual morality has changed. And not just changed, but changed drastically."

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Putting the brilliant, tormented, flawed Martin Luther on trial -- one more time

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Putting the brilliant, tormented, flawed Martin Luther on trial -- one more time

NEW YORK -- The drama unfolds in a Gothic sanctuary in a limbo zone between heaven and hell.

In this new Off-Broadway play -- "Martin Luther On Trial" -- Lucifer requests new proceedings against the Catholic monk turned Protestant reformer, with St. Peter acting as judge and Luther's wife, former nun Katharina von Bora, as defense counsel.

The first witness is Adolf Hitler, who hails Luther as a "great German patriot" who saved Germany "by uniting all Germans against a common enemy -- the pope. … Luther's 95 Theses freed the German conscience from the clutches of Rome, creating space for a new moral system, one that would be distinctly German."

Luther's wife shouts: "Objection. Luther wasn't a nationalist. He wanted people to follow Christ first, nation second."

St. Peter sadly replies: "Overruled."

So the debate begins. Luther's defenders stress his struggles against worldly Medieval church structures, his work translating the Bible into German and his messages stressing that salvation was found through repentance and faith. It was a world-changing event when, on Oct. 31, 1517, the theology professor posted his 95 theses in Wittenberg, Germany.

The Devil says Luther's goal was to "Reform the Christian church. His result: fracturing it into a thousand pieces." Luther's work also unleashed a violent storm of change in Europe. Facing public failure, as well as success, the aging Luther lashed out at Rome and the Jews in language and logic later recycled by Nazi leaders.

"There is the mad genius thing here. Not in the sense that Luther ever went mad, but there were times when he gave into his anger," said Chris Cragin-Day, who co-wrote the play with Max McLean, founder of the Fellowship for Performing Arts, which is producing "Martin Luther On Trial."

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Methodist theologian Tom Oden and his journey into ancient Christianity

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Methodist theologian Tom Oden and his journey into ancient Christianity

It was a blunt, personal comment, the kind of intellectual elbow in the ribs that scholars share in the faculty lounge.

The Jewish sociologist of religion Will Herberg asked his Drew University colleague Tom Oden how he could call himself a theologian if he kept focusing his work on modern trends -- period.

Herberg told Oden that "he was a parasite on the ancient Christian tradition," who had "never taken seriously the great Christian minds of the past," noted theologian Stephen Seamands, who studied under Oden and uses many of his works while teaching at Asbury Theological Seminary in Wilmore, Ky.

This Herberg challenge radically affected Oden's life in the 1970s, as he evolved from backing an edgy liberalism to spreading, in shelves of books, an ecumenical approach to orthodoxy. Oden kept publishing into the final years of his life, until his December 8th death at the age of 85.

"Here was a guy who -- until his mid '40s -- had been a success on that career track in the contemporary academy," said Seamands. Oden had a Yale University doctorate and thrived in an era "built on the idea that new is better and that you looked down on anything old. You were supposed to idealize whatever people called the latest thing. That's how you got ahead."

In the 1950s, Oden embraced Marxism, existentialism and the demythologization of scripture. He was an early leader among Christians supporting abortion rights. In the 1960s he plunged into Transactional Analysis, Gestalt therapy, parapsychology and what, in one of my first encounters with him, he called "mild forms of the occult."

As he dug into early church writings, from the ancient East and West, Oden came to the conclusion that "I had been in love with heresy."

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After 70 years, It's (still) a Wonderful (Catholic) Life in Frank Capra's epic

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After receiving 30 pieces of silver for betraying Jesus, Judas Iscariot repented, threw the money away and hanged himself.

Religious authorities used the money, according to St. Matthew's Gospel, to buy the "potter's field, to bury strangers in," which became known as the "field of blood."

Anyone who thinks it was a coincidence that the slums owned by bitter banker Henry F. Potter in "It's a Wonderful Life" were called "Potter's Field" isn't paying attention to the gospel according to Frank Capra.

"There's no question that Capra's great enough" to be listed among Hollywood's greatest Catholic filmmakers, said critic Steven D. Greydanus of DecentFilms.com and The National Catholic Register. He also serves as a permanent deacon in the Catholic Archdiocese of Newark.

"It's a Wonderful Life," he stressed, is also Capra's greatest film and the one that best captures his Catholic view of life. Capra directed, co-wrote and produced the film, which was released on Christmas Day in 1946. The movie's 70th anniversary will be celebrated Dec. 9-11 in Seneca Falls, N.Y., the model for the fictional Bedford Falls.

"Capra worked harder on this film than any other," said Greydanus. "He was passionate about it and the themes in it. …  I think his worldview was shaped by his Catholic upbringing and, whatever idiosyncrasies he added as an adult, that faith shaped this movie."

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Let's face it: 2016 felt like the start of a cultural civil war, right?

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Let's face it: 2016 felt like the start of a cultural civil war, right?

It's been nearly a quarter of a century since foreign correspondent David Aikman wrote a novel about a second American Civil War, with a government led by urban socialists going to war with heartland conservatives.

Alas, the more things change, the more they remain the same.

About a year ago, the bitter events unfolding on cable-TV political news made it rather clear that it was time for a new edition of that post-Cold War thriller, "When the Almond Tree Blossoms."

"No matter who wins … there are people out there who think we are headed toward some kind of civil war," said Aikman, in an interview just before Election Day.

"It's disappointing that our nation really hasn't come to terms with all of its internal problems. Right now, it feels like it would take a miracle -- some kind of divine intervention -- to heal the divisions we see in American life today."

Aikman was born in Surrey, England, and came to America in the 1960s to do a doctorate in Russian and Chinese history, after his studies at Oxford's Worcester College. After contemplating a career in diplomacy -- he speaks German, French, Chinese and Russian -- he moved into journalism and became senior foreign correspondent at Time magazine. Among his many adventures, Aikman witnessed the 1989 massacre in China's Tiananmen Square and introduced readers to a Russian politico named Boris Yeltsin.

Ironically, Aikman wrote "When the Almond Tree Blossoms" -- the title is rebel code drawn from Ecclesiastes -- while preparing to become a naturalized United States citizen in 1993. In the novel, the liberal "People's Movement" -- backed by Russia -- rules the East and West coast power centers, as well as the industrial Midwest. The "Constitutionalists" control most of the Bible Belt and have dug into the Rocky Mountain West. But who will the pragmatic Chinese support?

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Heart of the problem: Why so many men think church is for women (Part II)

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Heart of the problem: Why so many men think church is for women (Part II)

Sunday after Sunday, believers stand and sing at the start of worship. Here is the question author Leon Podles wants church leaders to ponder: Which of these two entrance hymns would inspire the most fervor in men?

First, consider these modern lyrics: "I am God of the Earth like a Mother in labor I bring all to birth. With all the Earth we sing your praise! We come to give you thanks, o lover of us all, and giver of our loving. … We are your work of art, the glory of your hand, the children of your loving."

Now for something completely different: "The Son of God goes forth to war, a kingly crown to gain; his blood red banner streams afar: who follows in his train? Who best can drink His cup of woe, triumphant over pain, who patient bears his cross below -- he follows in His train."

Yes, times have changed and the second hymn is rarely heard today. However, Catholic and Protestant churches -- especially in the Western world -- have been struggling with masculinity issues for centuries, noted Podles, in recent lectures at Mount Calvary Catholic Church in Baltimore. In most pews, women now outnumber men by ratios of two or three to one.

"The attitude toward church among the majority of men in Western cultures varies from, 'It's OK for women and children' to general indifference to a hostility that has on occasion led to mass murder," he said, referring to the slaughter of priests and monks during the Spanish Civil War.

"Why are men more distant from Christianity? Men and women are equally fallen, are equally in need of healing grace. Why are men more resistant to the ministrations of the church?"

Speaking to Latin American bishops in 2007, Pope Benedict XVI openly worried that "this kind of distance of indifference by men, which strongly calls into question the style of our conventional ministry, is partly why the separation between faith and culture keeps growing."

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The gentle, evangelical insider religious satire of The Babylon Bee

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The gentle, evangelical insider religious satire of The Babylon Bee

Anyone who visits a typical American megachurch worship service will get a quick education on the mechanics of contemporary praise music.

First, the band rocks into action, while swaying worshipers raise their hands high, singing lyrics displayed on giant screens. There may be lasers and smoke. A guitarist or keyboard player guides everyone through worship songs -- loud then soft, softer then louder -- linked by dramatic key changes and musical "bridges." Eventually, there's a sermon or worship video.

What if something goes wrong? This Babylon Bee headline was an online classic: "Worship Leader Caught In Infinite Loop Between Bridge And Chorus."

In this fake "news report," a weeping member of the worship band adds: "It's scary, honestly. … This is our third worship leader who's been sucked into a PCBV (Perpetual Chorus-Bridge Vortex) in the past year."

After the 14th chorus-to-bridge transition, deacons called 911 and the victim was rushed to an emergency room. "Physicians are subjecting him," readers learn, "to a barrage of classic hymns in hopes that he will recover."

This is an inside-baseball brand of satire that allows Babylon Bee creator Adam Ford to gently explore the yins and yangs of evangelical Christianity.

"While we satirize our own camp quite a bit, we don't limit ourselves to evangelicalism. We write about culture, politics, other religions, current events, etc., regularly," said Ford, who does email interviews since he struggles with anxiety attacks. He shares more of his personal story in his own Adam4d.com web-comics site.

Most Babylon Bee newcomers, however, are almost certainly be drawn there by social-media references to the site's popular items dissecting modern evangelical life.

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Explaining St. Teresa of Kolkata's dark night of the soul -- to children

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Explaining St. Teresa of Kolkata's dark night of the soul -- to children

Like most illustrations in children's books, the image of Mother Teresa is quite simple, showing her kneeling in prayer beside her bed in a dark room, facing a bare cross and a single candle.

The tiny nun's eyes are open and her expression is hard to read. The text on the opposite page is candid.

"Mother Teresa experienced a great sorrow. Ever since she had moved to the slums, she no longer felt the presence of Jesus as she had before. She felt as though abandoned, rejected by him," according to "Mother Teresa: The Smile of Calcutta," a storybook for young children. "In her heart, she felt darkness and emptiness. She experienced the suffering of the poor who did not feel loved. She shared in the loneliness Christ suffered on the Cross."

Only the priests who worked with her knew about this "dark night of the soul," an experience seen in the lives of some other saints.

Working with text by Charlotte Grossetete, originally written in French, Ignatius Press editor Vivian Dudro said she "spent lots of time working on how to phrase that part. … You picture a young child reading about this pain in a saint's life or having this story read to them. How do you explain something like this in a few simple words?"

This dark night is clearly a crucial part of the life of the Albanian nun who was canonized this past weekend as St. Teresa of Kolkata. The formal petition to Pope Francis concluded: "Despite a painful experience of inner darkness, Mother Teresa travelled everywhere, concerned … to spread the love of Jesus throughout the world. She thus became an icon of God's tender and merciful love for all, especially for those who are unloved, unwanted and uncared for."

St. Teresa's sense of spiritual loss was the mirror image of the intense spiritual visions that, in 1946, inspired her to plunge deep into the slums of Calcutta (now called Kolkata) to serve the poorest of the poor.