Terry Lindvall

When did Stephen Colbert's satire, with it's Catholic grace, veer into ridicule and rage?

When did Stephen Colbert's satire, with it's Catholic grace, veer into ridicule and rage?

Soon after Stephen Colbert landed "The Late Show" he welcomed tycoon Donald Trump as a guest and did something shocking — he apologized.

"I said a few things about you over the years that, that are, you know, in polite company, perhaps, are unforgivable," Colbert said, in 2015.

"Accepted," said Trump, smiling.

That encounter was light years from what happened after Trump celebrated the recent CBS decision to cancel "The Late Show."

On social media, the president said Colbert's "talent was even less than his ratings."

Colbert fired back in his monologue: "Would an untalented man be able to compose the following satirical witticism? Go f*** yourself."

While Colbert retains a faithful congregation, some fans who loved his sly blend of satire and progressive Catholicism mourn his decision to preach to only half of America, said media scholar Terry Lindvall, author of "God Mocks: A History of Religious Satire from the Hebrew Prophets to Stephen Colbert," published in 2015.

"He made you laugh and think," said Lindvall, reached by telephone. "When he turned on the rage, he turned mean. He turned bitter. He acted like he was a prophet, not a jester." Sadly, Lindvall added, the Trump era turned Colbert into "a liberal fundamentalist. … He drank the Kool-Aid."

The goal, in "God Mocks," was to offer a "bumpy tour through Rome, Jerusalem and Lilliput," arriving at Comedy Central. Lindvall praised Colbert's early work on "The Colbert Report," in which he pretended to be a blow-hard conservative pundit, creating an upside-down persona who could mock secular progressives and atheists, as well as thinkers on the right. Conservative guests, especially Catholics, were often treated with respect.

That was satire, wrote Lindvall, recognizing "a moral discrepancy between what is proclaimed and what is practiced. … The biblical satirist shares in the blame and shame of his defendants.

The gentle, evangelical insider religious satire of The Babylon Bee

The gentle, evangelical insider religious satire of The Babylon Bee

Anyone who visits a typical American megachurch worship service will get a quick education on the mechanics of contemporary praise music.

First, the band rocks into action, while swaying worshipers raise their hands high, singing lyrics displayed on giant screens. There may be lasers and smoke. A guitarist or keyboard player guides everyone through worship songs -- loud then soft, softer then louder -- linked by dramatic key changes and musical "bridges." Eventually, there's a sermon or worship video.

What if something goes wrong? This Babylon Bee headline was an online classic: "Worship Leader Caught In Infinite Loop Between Bridge And Chorus."

In this fake "news report," a weeping member of the worship band adds: "It's scary, honestly. … This is our third worship leader who's been sucked into a PCBV (Perpetual Chorus-Bridge Vortex) in the past year."

After the 14th chorus-to-bridge transition, deacons called 911 and the victim was rushed to an emergency room. "Physicians are subjecting him," readers learn, "to a barrage of classic hymns in hopes that he will recover."

This is an inside-baseball brand of satire that allows Babylon Bee creator Adam Ford to gently explore the yins and yangs of evangelical Christianity.

"While we satirize our own camp quite a bit, we don't limit ourselves to evangelicalism. We write about culture, politics, other religions, current events, etc., regularly," said Ford, who does email interviews since he struggles with anxiety attacks. He shares more of his personal story in his own Adam4d.com web-comics site.

Most Babylon Bee newcomers, however, are almost certainly be drawn there by social-media references to the site's popular items dissecting modern evangelical life.