Parsing Pope Leo XIV: Journalists, Catholic insiders trying to read between the lines

Early in the Mass, the priest -- chanting in Latin -- leads the congregation into a prayer of repentance.

The faithful respond: "Confíteor Deo omnipotenti et vobis, fratres, quia peccavi nimis cogitatione, verbo, opere et omission," which in English is, "I confess to almighty God and to you, my brothers and sisters, that I have greatly sinned, in my thoughts and in my words, in what I have done and in what I have failed to do."

Then everyone adds: "Mea culpa, mea culpa, mea maxima culpa" -- "through my fault, through my fault, through my most grievous fault."

This Mass is in Latin, but it's the basic Latin text for the Vatican II Novus Ordo (.pdf here), noted Pope Leo XIV, in lengthy interviews with Elise Ann Allen of Crux.

A big issue in current conflicts, he said, is that "people always say 'the Latin Mass.' Well, you can say Mass in Latin right now. If it's the Vatican II rite there's no problem. Obviously, between the Tridentine Mass and the Vatican II Mass … I'm not sure where that's going to go."

It doesn't help, the pope added, when Catholics witness "abuse" of the Novus Ordo. This offends those "looking for a deeper experience of prayer, of contact with the mystery of faith that they seemed to find in the celebration of the Tridentine Mass. Again, we've become polarized, so that instead of being able to say, well, if we celebrate the Vatican II liturgy in a proper way, do you really find that much difference between this experience and that experience?"

Pope Leo's call for celebrating the "Vatican II liturgy in a proper way" -- including Latin -- will "strike at least some American Catholics as either pointedly ironic or frustratingly hypothetical, given the number of bishops who have restricted 'traditional' celebrations of the ordinary form, even those 'proper' according to the rubrics," noted Ed Condon, editor of The Pillar, in a recent online essay.

If the goal is to heal "polarization around the liturgy," the pope needs to describe "proper" ways to celebrate the Novus Ordo, Condon added. But it "remains to be seen if those bishops who have clamped down on ordinary liturgical practices, or taken a relaxed view of liturgical abuses, will feel moved to revisit their positions in the light of the pope's words -- or if the pope will do anything to actively encourage them to do so."

Canterbury Cathedral throws a flashy disco rite for chic modern pilgrims

The Gothic Revival sanctuary of the former Episcopal Church of the Holy Communion was a strange edifice to house a dance club, but that's what happened in the early 1980s with the infamous Limelight club in New York City.

Rocker Steve Taylor penned a snarky tribute, including this pounding chorus: "This disco used to be a cute cathedral / Where we only play the stuff you're wanting to hear … / This disco used to be a cute cathedral / But we got no room if you ain't gonna be chic."

Four decades later, this song surfaced during online chatter about the February 8-9 dance nights inside Canterbury Cathedral, the Church of England's most hallowed sanctuary.

Dubbed the "rave in the nave" by critics, revelers gulped drinks from the bar and sang along to hits streamed by DJs into rented headphones. One participant described dancing to "Horny" by Mousse T. -- "I'm horny, horny, horny, horny, I'm horny, horny, horny, horny tonight" -- not far from the stone tiles on which St. Thomas Becket was murdered in 1170.

"The decline of Western Christendom continues unabated," noted Taylor, via email. His song, with its Limelight callout, was a critique of modernized brand of faith that sacrifices its message to gain popular appeal. "I think that I referred to it as country club Christianity."

Outside Canterbury Cathedral, one protester told The Telegraph: "Thomas Becket is buried in the same location in this cathedral as our late Queen is buried in St George's Chapel. Would it be acceptable to have a rave in that place? Would anyone accept that? … This is going to make people take the church less seriously than they did before, rather than more seriously."

Canterbury's dean rejected the "rave in the nave" label and argued that the "90s-themed silent disco" would show proper respect for the cathedral's cultural and arts heritage.