popular culture

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Chris Hillman of the Byrds sings (and writes) about faith, fame and musical ties that bind

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Chris Hillman of the Byrds sings (and writes) about faith, fame and musical ties that bind

The Byrds' classic "Turn! Turn! Turn!" didn't sound like anything on the radio when it hit No. 1 on the Billboard charts in 1965.

For starters, the lyrics came from the Book of Ecclesiastes, noting "there is a season, and a time for every purpose, under Heaven. A time to be born, a time to die. A time to plant, a time to reap. A time to kill, a time to heal. A time to laugh, a time to weep."

What critics failed to realize, said Byrds co-founder Chris Hillman, was that covering the late Pete Seeger's classic was a logical move for musicians steeped in American roots music. Songs about struggle, glory, sacrifice and faith were common in early '60s folk concerts.

"Where did all of our music come from? Blues and Gospel. … White church, black church, the music all came from church," said Hillman, in a recent interview. "With the Byrds, we went right to that well. We didn't think twice about it. We didn't say, 'We can't do a Christian song.' "

Hillman's musical roots became more obvious as the Byrds ventured into what many started calling "country rock," especially with the landmark "Sweetheart of the Rodeo" album in 1968. Bluegrass, country and Gospel themes played a larger role as Hillman began writing songs for the Byrds and his later bands.

While the Byrds put him in the Rock & Roll Hall of Fame, it was Hillman's grassroots connections that made history, according to the legend who produced his "Bidin' My Time" solo project in 2017. The late Tom Petty said: "Chris was a true innovator -- the man who invented country rock. Every time the Eagles board their private jet, Chris at least paid for the fuel."

That musical and spiritual journey is clear in Hillman's recent autobiography, "Time Between," with its mix of rock lore and personal reflections. Rather than offering a tell-all about sex, drugs and rock 'n' roll, Hillman focuses on lessons he learned along the way and his love for the musicians who, flaws and all, helped him.

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Bob Dylan at 80: Still telling tales about divine judgment in a broken, fallen world

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Bob Dylan at 80: Still telling tales about divine judgment in a broken, fallen world

Night after night, Bob Dylan's 1979 Gospel concerts at San Francisco's Warfield Theatre made news for all the wrong reasons, according to angry fans.

The November 11th show opened with Dylan roaring into "Gotta Serve Somebody" from "Slow Train Coming," the first of what Dylanologists called his "born-again" albums.

"You may be a businessman or some high-degree thief," he sang. "They may call you doctor, or they may call you chief, but you're gonna have to serve somebody. … Well, it may be the Devil, or it may be the Lord, but you're gonna have to serve somebody."

To add insult to injury, these concerts included fiery sermons by Dylan, while he avoided classic songs that made him a legend.

"I was 19 years old and that was my first Dylan concert," recalled Francis Beckwith, who teaches Church-State Studies at Baylor University. "The atmosphere was highly charged. Some people booed or walked out. … There were people shouting, 'Praise the Lord!', but you could also smell people smoking weed."

Beckwith kept going to Dylan concerts, while following years of reports about whether the songwriter was still a Christian, had returned to Judaism or fused those faiths. These debates will continue as fans, critics, scholars and musicians celebrate Dylan's 80th birthday on May 24th.

With a philosophy doctorate from Fordham University in New York and a law degree from Washington University in St. Louis, Beckwith is certainly not a conventional music critic. He made headlines in 2007 when -- while president of the Evangelical Theological Society -- he announced his return to Catholicism.

To mark that birthday, Beckwith is publishing online commentaries on what he considers Dylan's 80 most important songs. The Top 10: "Like a Rolling Stone," "My Back Pages," "Stuck Inside of Mobile With the Memphis Blues Again," "Mr. Tambourine Man," "Visions of Johanna," "Tangled Up in Blue," "Blowin' in the Wind," "Precious Angel," "It's Alright, Ma (I'm Only Bleeding) and "Desolation Row."

Beckwith considered three factors -- popularity, lasting cultural significance and, finally, whether each song was "something I could listen to over and over." He stressed that Dylan's entire canon includes images and themes rooted in scripture and faith.

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Tyler Perry preaches tolerance to 'woke' congregation assembled for 2021 Oscar rites

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Tyler Perry preaches tolerance to 'woke' congregation assembled for 2021 Oscar rites

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.

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'It is well, with my soul': This hymn (and others) hit home during a painful 2020

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'It is well, with my soul': This hymn (and others) hit home during a painful 2020

It's a hymn that the faithful start singing whenever a Baptist church organist plays the opening chords -- because everyone knows it by heart.

All together now: "When peace like a river attendeth my way. When sorrows like sea billows roll. Whatever my lot, Thou hast taught me to say. … It is well, it is well, with my soul."

Chicago attorney Horatio Spafford wrote those words after losing his son to scarlet fever and then, a few years later, all four of his daughters in an 1873 shipwreck. His wife, Anna, survived and her telegram home from England began: "Saved alone. What shall I do?"

No one should be surprised that worship leaders frequently turned to "It Is Well With My Soul" as their people wrestled with the coronavirus pandemic, said the Rev. Roger O'Neel, who teaches in the worship and music program at Cedarville University in Ohio.

"People were feeling their way in 2020," he said. "It wasn't just the pandemic and people being locked down worshipping in (online) streamed services. We were also facing all the bitter political conflicts in our nation and the racial divisions that we were experiencing. …

"People were trying to find hymns that would speak to all of that, to the pain that everyone felt last year."

Faithlife, a Bellingham, Wash., company that publishes online worship and Bible study tools, recently released a report covering 2020 trends spotted in its Proclaim software. "It Is Well With My Soul" topped the hymns list, with usage increasing 68% after the pandemic hit.

The classic hymn "Great Is They Faithfulness" came next, with a 64% increase. It begins: "Great is Thy faithfulness, O God my Father, there is no shadow of turning with Thee; Thou changest not, Thy compassions, they fail not. As Thou hast been, Thou forever wilt be. Great is Thy faithfulness! … Morning by morning new mercies I see; All I have needed Thy hand hath provided -- great is Thy faithfulness, Lord, unto me."

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Survey of Millennials and Gen Z: Many young Americans just don't get the Holocaust

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Survey of Millennials and Gen Z: Many young Americans just don't get the Holocaust

It was the kind of open-ended question researchers ask when they want survey participants to have every possible chance to give a good answer.

Thus, a recent 50-state study of Millennials and younger "Generation Z" Americans included this: "During the Holocaust, Jews and many others were sent to concentration camps, death camps and ghettos. Can you name any concentration camps, death camps or ghettos you have heard of?"

Only 44% could remember hearing about Auschwitz and only 6% remembered Dachau, the first concentration camp. Only 1% mentioned Buchenwald, where Nobel Laureate Elie Wiesel was a prisoner when the American Third Army arrived.

Another question: "How was the Holocaust carried out?" While 30% knew that there were concentration camps, only 13% remembered poison-gas chambers.

"That was truly shocking. I have always thought of Auschwitz as a symbol of evil for just about everyone. … It has always been the ultimate example of what hate can lead to if we don't find a way to stop it," said Gideon Taylor, president of the Conference of Jewish Material Claims Against Germany.

It was a sobering "wake-up call," he added, to learn that half of the young Americans in this survey "couldn't name a single concentration camp. … It seems that we no longer have common Holocaust symbols in our culture, at least not among our younger generations."

Popular culture is crucial. It has, after all, been nearly 30 years since the release of Steven Spielberg's "Schindler's List," so that landmark movie isn't a cultural reference point for many young people. And it's been 20 years since the original "X-Men" movie, which opens at the gates of Auschwitz, and almost a decade since "X-Men: First Class," which offered a variation on that concentration-camp imagery.

Old movies and school Holocaust-education materials, said Taylor, are clearly being buried in information from social media and Internet search engines.

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Icons, heroes and even one superhero: Chadwick Boseman was an unusual film star

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Icons, heroes and even one superhero: Chadwick Boseman was an unusual film star

Early in the coronavirus crisis, and this summer's wave of chaos in American streets, Rachel Bulman began paying close attention to the faces in news reports.

She also found herself thinking about a hero -- the Black Panther.

Born in the Philippines before being adopted, the Catholic writer has -- as a daughter, wife and mother -- lived her life in White America. As a child, she didn't look like her family. Now, her children are growing up "knowing that they just don't look like everyone else. … Our family has its own story," she said.

Bulman responded by hanging images of saints from Africa, Asia, Latin America and elsewhere in their home. There was St. Josephine Bakhita from the Sudan and an icon of St. Augustine with darker skin, since his mother was from North Africa's Berber tribe. There was St. Juan Diego of Mexico, who encountered Our Lady of Guadalupe, and Sister Thea Bowman of Mississippi, the granddaughter of slaves, whose cause for sainthood has been endorsed by America's bishops.

"I wanted my children to see all kinds of saints and heroes, including some with faces kind of like their own," she said.

Bulman had also become interested in the Marvel Comics universe and the symbolic role of King T'Challa -- the Black Panther -- for millions of Black Americans, especially children. She was stunned when actor Chadwick Boseman died at age 43 after a long, private fight with colon cancer. He endured years of chemotherapy and multiple surgeries while filming "The Black Panther" and related Avenger movies.

Searching through press reports, Bulman noted colleagues referring to Boseman as a "man of faith," a "beautiful soul" and someone with a "spiritual aura" about his work with others -- including children with cancer.

At a memorial rite for Boseman, his former pastor at Welfare Baptist Church in Anderson, S.C., said the actor remained the same person he knew as a young believer.

“He's still Chad," said the Rev. Samuel Neely. "He did a lot of positive things. … With him singing in the choir, with him working the youth group, he always was doing something, always helping out, always serving. That was his personality."

Digging deeper, Bulman said she "cried all the way through" a video of Boseman's 2018 commencement address at Howard University, his alma mater.

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Baseball history includes many spiritual parables that are part of the American story

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Baseball history includes many spiritual parables that are part of the American story

Fans who crack open baseball history books are sure to find photographs of Jackie Robinson stealing home and wreaking havoc on the base paths.

It's less likely they will learn about him teaching Sunday school classes.

Nevertheless, Brooklyn Dodgers President Branch Rickey saw a connection between those skills.

When they met in 1945 to discuss breaking major-league baseball's color barrier, Rickey quoted Jesus and the Sermon on the Mount while describing the challenges ahead: "You have heard it said, 'An eye for an eye and a tooth for a tooth.' But I say to you, do not resist the one who is evil. But if anyone slaps you on the right cheek, turn to him the other also."

Rickey said: "God is with us in this, Jackie." In the movie "42," that thought turned into this memorable quip: "Robinson's a Methodist. I'm a Methodist. God's a Methodist. You can't go wrong."

This bond changed history. When broadcaster Larry King praised the Rev. Martin Luther King, Jr., as the "founder of the Civil Rights Movement," King responded: "The founder of the Civil Rights Movement was Jackie Robinson."

On one level, that's a baseball story. But it's also an example of how baseball has played a mythic, strangely spiritual role in American life, said Bryan Steverson, author of "Baseball: A Special Gift from God."

"Look at it this way. The object of baseball is to get home. And you are trying to make it home, safe. Sometimes, someone on my side may even need to make a sacrifice for me to get home, safe. Think about it," he said.

There's nothing new about scribes finding spiritual lessons in athletics, including numerous New Testament examples from St. Paul. But something about baseball's language and imagery encourages a special kind of reverence for many fans, said Steverson, a member of the Society for American Baseball Research. This unique role in the American story is especially obvious whenever baseball is missing -- due to a global pandemic or mere labor disputes.

Part of the appeal is the intricate nature of the sport's picky rules and even its structure, starting with what many scribes hail as the perfection of the diamond's 90-foot base paths. Steverson dedicated an entire book chapter to the practical and symbolic roles that the number three -- think Christian trinity -- plays in baseball.

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Bad people, and good people, going to confession on movie screens -- for a century

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Bad people, and good people, going to confession on movie screens -- for a century

Alfred Hitchcock knew a thing or two about complicated thrillers.

Having a murderer confess to a priest -- who couldn't betray this trust -- was already a familiar plot twist by 1953, when Hitchcock released "I Confess." Because of the seal of confession, this noble priest couldn't even clear his own name when police suspected that he was the killer.

Good prevails in the end. Shot by police, the killer makes an urgent final confession to the priest.

"It's natural for a Catholic filmmaker like Hitchcock to see the dramatic potential of confession, with its combination of mystery and holiness," said film critic Steven D. Greydanus, best known for his work for the National Catholic Register. "At the same time, Hitchcock thought 'I Confess' was a mistake, because he thought that his mostly Protestant audience in America just wouldn't get it."

The sacrament of confession is both sacred and secret -- facts known to Medieval playwrights as well as modern filmmakers. Thus, putting a confession rite on a movie screen is a "transgressive act" of the highest kind, said Greydanus, who serves as a permanent deacon in the Diocese of Newark, N.J. (Deacons do not hear confessions.)

"Voyeurism is an important theme in much of Hitchcock's work and he knew that using confession in this way was a kind of voyeurism. … He knew this was a kind of taboo."

Nevertheless, Hollywood scribes have frequently used confession and penance for everything from cheap laughs ("A League of Their Own"), to shattering guilt (Godfather III), to near-miraculous transformations ("The Mission"). In a recent 6,000-word essay -- "In Search of True Confession in the Movies" -- Greydanus covered a century of cinema, while admitting that he had to omit dozens of movies that included confession scenes.

The key is that filmmakers struggle to capture, in words and images, what is happening in a person's heart. The act of confession opens a window into the soul, since characters are forced to put their sins and struggles into words.

"Perhaps the very secrecy surrounding the sacrament of confession was part of what attracted filmmakers to depict it," wrote Greydanus.

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Why did journalists skip over the inspiring final act of Orson Bean's wild life?

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Why did journalists skip over the inspiring final act of Orson Bean's wild life?

Orson Bean answered the same question many times during his crazy ride from Broadway to doing every conceivable kind of work during his decades in Hollywood.

What was this funny guy trying to do, while embracing drugs, edgy politics, sexual healing, hippie communes, experimental forms of therapy and other diversions involving his body, mind and soul?

On one occasion, Bean said he was trying to become the "happiest son of a bitch alive." In another Los Angeles Times interview he added: "I did all this stuff, the drugs, getting my kisser on the tube, because I thought it would make me happy. But it didn't work. I didn't find happiness until I learned to surrender, to give up the crazy pursuit."

Surrender to what? The answer to that question didn't make it into the media tributes after the 91-year-old Bean's death on Feb. 7, when he was hit by two cars while walking in his Venice, Calif., neighborhood. However, the answer has hiding in plain sight in several cable TV interviews, his one-man stage show and an online testimony he wrote entitled "How Orson Bean Found God."

"For most of my life I didn't believe in God," noted Bean. "Who had time? I was too busy with things of this world: getting ahead, getting laid, becoming famous.

"For most of my adult life I've been at least somewhat famous. Not so famous that I had to wear dark glasses to walk down the street, but famous enough that head waiters would give me a good table. I didn't want to be famous for its own sake. I wanted to be famous so as to be happy."

What finally turned Bean's life around was a religious conversion. He went looking for the "Higher Power" in his 12-step program and eventually found peace.

Many Hollywood people who knew Bean were amazed that the final act in his wild life -- from Communist sympathizer to father-in-law of the late conservative raconteur Andrew Breitbart -- didn't make it into news reports.