popular culture

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Saith Peggy Noonan: Pick up the Book and change your world

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Saith Peggy Noonan: Pick up the Book and change your world

Any history of Catholic thought, and the rise of Western culture, has to mention the turning point in the conversion story of Aurelius Augustinus.

During a time of inner torment, the young man from North Africa withdrew into a garden. As Pope Benedict XVI told the story in 2008, he "suddenly heard a child's voice chanting a rhyme never heard before: tolle, lege, tolle, lege -- pick up and read, pick up and read. He … returned to the Pauline codex that he had recently read, opened it, and his glance fell on the passage of the Epistle to the Romans where the Apostle exhorts to abandon the works of the flesh and to be clothed with Christ."

The man who became St. Augustine picked up that book and, thus, he "changed himself and changed our world," said journalist Peggy Noonan, in her May 13 commencement address at the Catholic University of America.

That was the punch line in her urgent appeal for the graduates to grasp that there is much more to life than the fleeting contents of the glowing, omnipresent screens that dominate their days and nights.

Instead, the winner of the 2017 Pulitzer Prize for commentary urged them to "embark on a lifelong relationship with a faithful companion who will always help you and sometimes delight you -- who will never desert you, who will make you smarter, and wiser, who will always be by your side and enlighten you all the days of your life.

"I am talking about -- books. You must not stop reading books. That's all. If you seek a happy and interesting life, one of depth, meaning and accomplishment, you must read books."

Noonan said she certainly couldn't tell her own story without referencing one book after another, from biographies she read as a child to "Saints for Sinners: Nine Desolate Souls Made Strong by God," which as an adult "helped me understand that I was a Catholic and believed it all." Her love of history, which helped shaped her speechwriting for presidents Ronald Reagan and George H.W. Bush, came from shelves of books.

The closest Noonan came to talking politics -- she made only two passing references to the current president -- was to note the degree to which the story of 2016 was told by journalists raised in cyberspace.

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The true story of Army medic Desmond Doss, the soft-spoken Christian superhero

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The true story of Army medic Desmond Doss, the soft-spoken Christian superhero

Facing a wall of flames and shellfire, Army medic Desmond Doss had to make an agonizing decision -- retreat with his 77th Infantry Division or stay behind to save the wounded.

On the big screen, this true story is the stuff of Academy Award nominations. The "Hacksaw Ridge" script gave actor Best Actor nominee Andrew Garfield few words to say, but his face had to display shock, confusion, doubt and determination. The film has been nominated for six Oscars, including Best Picture.

"What is it you want from me?", Doss prays, in his slow Virginia mountains drawl. "I don't understand. I can't hear you."

Then a distant voice in the flames screams: "Medic! Help me!"

Doss quietly says, "Alright," and runs back into the flames.

Working alone, Doss -- who refused a weapon, because of his Seventh-day Adventist convictions -- lowered at least 75 injured men over a 400-foot cliff during the World War II Battle of Okinawa. He collapsed several times during that night, but kept going with these words on his lips: "Please Lord, help me get one more."

A Japanese soldier later testified that he aimed at Doss several times, but his rifle kept jamming when he tried to fire.

President Harry S. Truman presented Doss with the Medal of Honor on Oct. 12, 1945 -- the first conscientious objector to receive that honor. It took Doss years to recover from his war injuries -- he lost a lung to tuberculosis -- and he devoted his life to church work, dying in 2006 at age 87.

Doss should be listed among the "most heroic figures in American history. He was singular," said "Hacksaw Ridge" director Mel Gibson, during 2016 commencement rites at Liberty University in Lynchburg, Va., in the hills where Doss grew up.

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Putting the brilliant, tormented, flawed Martin Luther on trial -- one more time

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Putting the brilliant, tormented, flawed Martin Luther on trial -- one more time

NEW YORK -- The drama unfolds in a Gothic sanctuary in a limbo zone between heaven and hell.

In this new Off-Broadway play -- "Martin Luther On Trial" -- Lucifer requests new proceedings against the Catholic monk turned Protestant reformer, with St. Peter acting as judge and Luther's wife, former nun Katharina von Bora, as defense counsel.

The first witness is Adolf Hitler, who hails Luther as a "great German patriot" who saved Germany "by uniting all Germans against a common enemy -- the pope. … Luther's 95 Theses freed the German conscience from the clutches of Rome, creating space for a new moral system, one that would be distinctly German."

Luther's wife shouts: "Objection. Luther wasn't a nationalist. He wanted people to follow Christ first, nation second."

St. Peter sadly replies: "Overruled."

So the debate begins. Luther's defenders stress his struggles against worldly Medieval church structures, his work translating the Bible into German and his messages stressing that salvation was found through repentance and faith. It was a world-changing event when, on Oct. 31, 1517, the theology professor posted his 95 theses in Wittenberg, Germany.

The Devil says Luther's goal was to "Reform the Christian church. His result: fracturing it into a thousand pieces." Luther's work also unleashed a violent storm of change in Europe. Facing public failure, as well as success, the aging Luther lashed out at Rome and the Jews in language and logic later recycled by Nazi leaders.

"There is the mad genius thing here. Not in the sense that Luther ever went mad, but there were times when he gave into his anger," said Chris Cragin-Day, who co-wrote the play with Max McLean, founder of the Fellowship for Performing Arts, which is producing "Martin Luther On Trial."

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The real man behind that sympathetic priest on M*A*S*H

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The real man behind that sympathetic priest on M*A*S*H

In the "Dear sis" episode of M*A*S*H, the frustrated Catholic chaplain at the military hospital camp near the Korean front lines writes a candid letter to his sister, a nun.

"I'm almost desperate to be useful, sis," writes Father Francis John Patrick Mulcahy. "No one comes to confession. I have no one to grant absolution to, no one to give comfort to, no one who even wants to bend my ear for 10 minutes."

Later, a patient attacks a nurse and slugs the priest. By reflex, Mulcahy -- a former Catholic-school boxing coach -- punches back. The gentle chaplain is despondent afterwards and doubts that he is making a difference.

"I'm Christ's representative," he tells a surgeon. "Suffer the little children to come unto me. Do unto others. ... I'm not supposed to just say that stuff, I'm supposed to do it."

The actor behind this unique character was William Christopher, who from 1972-83 portrayed one of the most sympathetic priests in pop-culture history.

Here's the bottom line, according to Greg Kandra, a 26-year CBS News veteran who now serves as a permanent Catholic deacon in Brooklyn: "For a time, he played the most visible Catholic priest on American television -- arguably the most recognizable man of the cloth since Archbishop Fulton Sheen."

Christopher, 84, died of cancer on December 31 and is survived by his wife of 60 years and their two sons. His M*A*S*H co-stars hailed him as a professional who -- to an unusual degree -- disappeared into this singular role in a show that, in reruns, remains popular with millions.

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After 70 years, It's (still) a Wonderful (Catholic) Life in Frank Capra's epic

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After receiving 30 pieces of silver for betraying Jesus, Judas Iscariot repented, threw the money away and hanged himself.

Religious authorities used the money, according to St. Matthew's Gospel, to buy the "potter's field, to bury strangers in," which became known as the "field of blood."

Anyone who thinks it was a coincidence that the slums owned by bitter banker Henry F. Potter in "It's a Wonderful Life" were called "Potter's Field" isn't paying attention to the gospel according to Frank Capra.

"There's no question that Capra's great enough" to be listed among Hollywood's greatest Catholic filmmakers, said critic Steven D. Greydanus of DecentFilms.com and The National Catholic Register. He also serves as a permanent deacon in the Catholic Archdiocese of Newark.

"It's a Wonderful Life," he stressed, is also Capra's greatest film and the one that best captures his Catholic view of life. Capra directed, co-wrote and produced the film, which was released on Christmas Day in 1946. The movie's 70th anniversary will be celebrated Dec. 9-11 in Seneca Falls, N.Y., the model for the fictional Bedford Falls.

"Capra worked harder on this film than any other," said Greydanus. "He was passionate about it and the themes in it. …  I think his worldview was shaped by his Catholic upbringing and, whatever idiosyncrasies he added as an adult, that faith shaped this movie."

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Let's face it: 2016 felt like the start of a cultural civil war, right?

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Let's face it: 2016 felt like the start of a cultural civil war, right?

It's been nearly a quarter of a century since foreign correspondent David Aikman wrote a novel about a second American Civil War, with a government led by urban socialists going to war with heartland conservatives.

Alas, the more things change, the more they remain the same.

About a year ago, the bitter events unfolding on cable-TV political news made it rather clear that it was time for a new edition of that post-Cold War thriller, "When the Almond Tree Blossoms."

"No matter who wins … there are people out there who think we are headed toward some kind of civil war," said Aikman, in an interview just before Election Day.

"It's disappointing that our nation really hasn't come to terms with all of its internal problems. Right now, it feels like it would take a miracle -- some kind of divine intervention -- to heal the divisions we see in American life today."

Aikman was born in Surrey, England, and came to America in the 1960s to do a doctorate in Russian and Chinese history, after his studies at Oxford's Worcester College. After contemplating a career in diplomacy -- he speaks German, French, Chinese and Russian -- he moved into journalism and became senior foreign correspondent at Time magazine. Among his many adventures, Aikman witnessed the 1989 massacre in China's Tiananmen Square and introduced readers to a Russian politico named Boris Yeltsin.

Ironically, Aikman wrote "When the Almond Tree Blossoms" -- the title is rebel code drawn from Ecclesiastes -- while preparing to become a naturalized United States citizen in 1993. In the novel, the liberal "People's Movement" -- backed by Russia -- rules the East and West coast power centers, as well as the industrial Midwest. The "Constitutionalists" control most of the Bible Belt and have dug into the Rocky Mountain West. But who will the pragmatic Chinese support?

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The gentle, evangelical insider religious satire of The Babylon Bee

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The gentle, evangelical insider religious satire of The Babylon Bee

Anyone who visits a typical American megachurch worship service will get a quick education on the mechanics of contemporary praise music.

First, the band rocks into action, while swaying worshipers raise their hands high, singing lyrics displayed on giant screens. There may be lasers and smoke. A guitarist or keyboard player guides everyone through worship songs -- loud then soft, softer then louder -- linked by dramatic key changes and musical "bridges." Eventually, there's a sermon or worship video.

What if something goes wrong? This Babylon Bee headline was an online classic: "Worship Leader Caught In Infinite Loop Between Bridge And Chorus."

In this fake "news report," a weeping member of the worship band adds: "It's scary, honestly. … This is our third worship leader who's been sucked into a PCBV (Perpetual Chorus-Bridge Vortex) in the past year."

After the 14th chorus-to-bridge transition, deacons called 911 and the victim was rushed to an emergency room. "Physicians are subjecting him," readers learn, "to a barrage of classic hymns in hopes that he will recover."

This is an inside-baseball brand of satire that allows Babylon Bee creator Adam Ford to gently explore the yins and yangs of evangelical Christianity.

"While we satirize our own camp quite a bit, we don't limit ourselves to evangelicalism. We write about culture, politics, other religions, current events, etc., regularly," said Ford, who does email interviews since he struggles with anxiety attacks. He shares more of his personal story in his own Adam4d.com web-comics site.

Most Babylon Bee newcomers, however, are almost certainly be drawn there by social-media references to the site's popular items dissecting modern evangelical life.

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'The Young Messiah' -- A new/old Bible movie that tries to stay orthodox

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Ages ago, there was nothing unusual about Hollywood producing epics based on Bible stories.

In the so-called Golden Age, these movies had titles like "King of Kings," "The Ten Commandments," "The Robe," "The Greatest Story Ever Told" and "Barabbas." At least one -- "Ben-Hur" -- was a character-driven classic that helped shape blockbusters for decades to come.

"I have watched them all. … No one called them 'Bible movies' back then or considered them strange. They were big movies about big stories and the big studios knew that lots of people wanted to see them," said Cyrus Nowrasteh. He is the director and co-writer, with his wife, Betsy, of "The Young Messiah" from Focus Features, which hits theaters this weekend.

"These movies went away for a long time … Then there was 'The Passion.' "

Nowrasteh was, of course, talking about "The Passion of the Christ" -- Mel Gibson's 2004 blockbuster that rang up $611,899,420 at the global box office. Hollywood's principalities and powers have been trying, ever since, to find the magic formula that will reach that same audience.

That's a challenge. Just ask the creators of "Noah" and "Exodus: Gods and Men."

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Facing the Sexual Revolution, even among 'active' believers in conservative pews

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When pastors gaze out from their pulpits, they may want to imagine what would happen if they asked their flocks to respond to this statement: "As long as it's between consenting adults, any kind of sex is fine."

If this were a conservative or nondenominational Protestant church, the active, "practicing" members would be sharply divided, according to a new Barna Group survey. Nearly half -- 46 percent -- would affirm this live-and-let-live approach to sex outside of marriage, while 40 percent would disagree "strongly" and 12 percent "somewhat."

There are the active members, not the people who occasionally visit the pews.

"What is surprising is the way that even practicing Christians are beginning to conform to the beliefs and behaviors that are now considered normal in our culture," said Roxanne Stone, editor-in-chief at Barna. "The big story here is that people no longer agree when it comes to the purpose and meaning of sex -- including in our churches. Many no longer connect sex and marriage the way they used to."

When looking at broader trends, this study found the usual evidence that older Americans -- the "Elders" and "Boomers" -- have much more traditional views of sex and marriage than members of the younger "Gen-X" and "Millennial" generations. Rising numbers of young Americans view sex through the lens of self-expression and personal growth, with few ties that bind them to institutions and traditions.

"What people are saying is that sex is about two people loving each other and experiencing intimacy, but you don't really need to have the word 'marriage' involved in this discussion," said Stone, in a telephone interview.

"It's surprising how quickly some of these changes have become part of what is now considered normal. … Normally, these kinds of radical changes in a culture evolve over time. But, sociologically speaking, Woodstock wasn't that long ago."