Orthodox

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Orthodox Kontakion of the Departed: A hint at the complex faith history of Prince Philip

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Orthodox Kontakion of the Departed: A hint at the complex faith history of Prince Philip

The first nun the Bolsheviks threw into the abandoned mineshaft was best known as the Grand Duchess Elizabeth Feodorovna, the sister of the Russian Empress Alexandra.

After the 1905 assassination of her Grand Duke husband, Elizabeth became an Orthodox nun, giving away her wealth to build hospitals and orphanages. She was executed, in 1918, along with others linked to her doomed brother-in-law, Tsar Nicholas II.

When the nuns didn't drown, a soldier used a grenade. He later testified that "we heard talking and a barely audible groan. I threw another grenade. And what do you think -- from beneath the ground we heard singing! … They were singing the prayer: 'Lord, save your people!' "

Finally, there was silence. The body of St. Elizabeth the New Martyr was buried in 1920 at the Church of St. Mary Magdalene on the Mount of Olives in Jerusalem. Her life inspired many, including her grieving niece, the Greek Princess Alice of Battenberg. Alice was the great-granddaughter of Queen Victoria of England and the mother of Prince Philip, Duke of Edinburgh and for 73 years the husband of Queen Elizabeth II.

The complicated history of the royals, past and present, loomed over the short, dignified funeral for Prince Philip in St. George's Chapel, Windsor -- with only 30 mourners due to COVID restrictions. The prince's liturgical choices shaped an Anglican rite that stressed images of service, eternal hope and the beauties of God's creation.

The man many Brits called the "grandfather of the nation," was born on the Greek island of Corfu in 1921, the fifth child and only son of Prince Andrew of Greece and Princess Alice. He was baptized Greek Orthodox, before his life was rocked by wars and revolutions that shattered his family.

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Internet evangelism? For clergy, that's a good news-bad news discussion right now

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Internet evangelism? For clergy, that's a good news-bad news discussion right now

Even before the coronavirus crisis, this question haunted pastors: What in God's name are we supposed to do with the internet?

American clergy aren't the only ones wrestling with this puzzle. Consider this advice -- from Moscow -- about online personality cults.

"A priest, sometimes very young, begins to think that he is an experienced pastor -- so many subscribers! -- able to answer the many questions that come to him in virtual reality," noted Patriarch Kirill, leader of the Russian Orthodox Church, at a recent diocesan conference. "Such clerics often lose the ability to accept any criticism, and not only on the internet, or respond to objections with endless arguments."

Pastors eventually have to ask, he added, if their online work is leading people through parish doors and into face-to-face faith communities.

"That is the question of the hour, for sure," said Savannah Kimberlin, director of published research for the Barna Group. Recent surveys have convinced Barna researchers that "the future church will be a blend of digital and in-person work. But it's up to us to decide what that will look like. …

"But isn't that true of our society as a whole? There are digital solutions for so many issues in our lives, right now. … But we can also see people yearning for more than that -- for experiences of contact with others in a community."

In a recent survey, 81% of churchgoing adults affirmed that "experiencing God alongside others" was very important to them, she said. At the same time, a majority of those surveyed said they hoped their congregations would continue some forms of online ministry in the future.

Similar paradoxes emerge when researchers studied evangelistic efforts to reach people who are "unchurched" or completely disconnected from religious institutions.

Half of all unchurched adults (52%), along with 73% of non-Christians, said they are not interested in invitations to church activities. However, a new Barna survey -- cooperating with Alpha USA, a nondenominational outreach group -- found that 41% of non-Christians said they were open to "spiritual conversations about Christianity" if the setting felt friendly.

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Thanksgiving 2020: Prayers from Russian Gulag ring true during COVID pandemic

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Thanksgiving 2020: Prayers from Russian Gulag ring true during COVID pandemic

There was no way Thanksgiving could be "normal" this year.

This was certainly true wherever Orthodox Christians gathered for what is becoming a Thanksgiving tradition in America, sharing a litany of poetic Russian prayers created during hellish persecution by the Bolsheviks.

Under coronavirus protocols, many sang the "Glory to God in All Things" prayers in outdoor services or in candle-lit sanctuaries containing fewer worshippers than usual. There was no way to ignore the pain of 2020.

Early in the service, a priest chants from the English translation: "Thou hast brought me into life as into an enchanted paradise. We have seen the sky like a chalice of deepest blue, wherein the azure heights the birds are singing. We have listened to the soothing murmur of the forest and the melodious music of the streams. We have tasted fruit of fine flavor and the sweet-scented honey. We can live very well on Thine earth. It is a pleasure to be Thy guest."

Worshippers respond: "Glory to Thee for the new life each day brings."

Imagine chanting those words in Soviet Gulag cells.

Only 25 people could attend at St. Anne Orthodox Church in Corvallis, Ore., but others watched online, said Laura Fear Archer. This was on Thanksgiving morning, before whatever feasts participants could have this year.

"I love this service, particularly for its depth of thanksgiving in the midst of extreme suffering," she said, in an Orthodox Facebook group. "In the midst of our far lesser but still painful suffering this pandemic year, it is a good reminder to give thanks always."

In Russia, some believers connect these prayers with birthdays. But in America the Orthodox know this service as "The Akathist of Thanksgiving," since its themes mesh with this uniquely American holiday. An "akathist" is a service honoring a saint, a holy season or the Holy Trinity.

Many trace this akathist to the scholarly Metropolitan Tryphon, a well-known spiritual father at the height of the persecution. The version of the service used today was found in the personal effects of Father Gregory Petrov, who died in 1940 in a concentration camp.

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Christian icons and art before the rise of the blue-eyed Jesus with blond hair

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Christian icons and art before the rise of the blue-eyed Jesus with blond hair

For modern skeptics, the 6th-century icon hanging in the Orthodox monastery in the shadow of Mount Sinai is simply a 33-by-18-inch board covered in bees wax and colored pigments.

For believers, this Christ Pantocrator ("ruler of all") icon is the most famous image of Jesus in the world, because the remote Sinai Peninsula location of St. Catherine's Monastery allowed it to survive the Byzantine iconoclasm era. The icon shows Jesus -- with a beard and long hair -- raising his right hand in blessing, while holding a golden book of the Gospels.

This Jesus does not have blond hair and blue eyes. "Christ of Sinai" shows the face of a wise teacher from ancient Palestine.

"When you talk about ancient icons, you are basically talking about images of Jesus with long hair, a beard and some kind of Roman toga. That's just about all you can say," said Jonathan Pageau of Quebec, an Eastern Orthodox artist and commentator on sacred symbols.

In the early church, he added, believers "didn't ask other questions -- about race and culture -- because those were not the important questions in those days. … Once you start politicizing icons there's just no way out of those arguments. You get into politics and dividing people and then you're lost."

In these troubled times, said Pageau, many analysts are "projecting valid concerns about racism and Europe's history of colonization and the plight of African-Americans back into issues of church history and art that are centuries and centuries old. It's a kind of category error and everything gets mixed up."

But that's what happened when debates about some #BlackLivesMatters activists toppling Confederate memorials -- along with attacks on Catholic statues and even insufficiently "woke" Founding Fathers -- veered into #WhiteJesus territory.

"Yes, I think the statues of the white European they claim is Jesus should also come down. They are a form of white supremacy," tweeted Shaun King, author of "Make Change: How to Fight Injustice, Dismantle Systemic Oppression, and Own Our Future."

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World watches as fights continue to see who controls iconic Hagia Sophia in Istanbul

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World watches as fights continue to see who controls iconic Hagia Sophia in Istanbul

Art historian Andrew Gould had studied many copies of the exquisite mosaic of Jesus found high in Istanbul's 6th Century Hagia Sophia cathedral.

But that didn't prepare the architect and sacred artist for what he felt when he stood under the icon, illumined by the soaring windows in the south gallery that overlooks the main floor, under the central dome that is 184 feet high and 102 feet in diameter.

The Deesis ("supplication") icon -- at least twice the size of life -- shows the Virgin Mary and St. John the Baptist with their heads bowed, framing an image of Christ Pantocrator ("enthroned"). The glass mosaic cubes were set at angles to create a shimmering effect across the gold background and the many-colored images, whether viewed in daylight or with lamps and candles.

Much of this icon was destroyed a century ago as workers probed to find priceless mosaics under layers of plaster and paint added through the centuries after 1453, when the Ottoman armies of Mehmed II conquered Constantinople.

Now, Turkish leaders want to convert Hagia Sophia -- a museum for decades -- back into a mosque.

"There is no more refined icon of Christ anywhere," said Gould, of the New World Byzantine Studios in Charleston, S.C. "Just in terms of information, we have copies we can study. … But visiting Hagia Sophia and seeing this icon under natural light, seeing it in the context of the sanctuary, was crucial to the development of my whole understanding of Orthodox art."

If the "Deesis" is covered again, along with other icons, "this is not something that can be replaced with photographs in art books," he said. "It would hurt artists and believers around the world in so many ways."

The current controversy is rooted in politics, more than lingering tensions between Muslim leaders and Turkey's tiny Christian minority, which has little power other than through ties to Greece, Europe and the United States.

Hagia Sophia became a museum in 1934, a symbol of Mustafa Kemal Ataturk's drive to build a modern, truly secular state. Now, President Recep Tayyip Erdogan has sent many signals that he wants Turkey to return to Islamic principles.

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Our new normal isn't really new -- ancient prayers go online during latest epidemic

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Our new normal isn't really new -- ancient prayers go online during latest epidemic

For centuries, Eastern Orthodox Christians have shared prayers "for the sick, the suffering, the captive and for their safety and salvation" as well as petitions that "we may be delivered from all affliction, wrath and need."

The faithful respond: "Lord, have mercy."

This past Sunday, some worshippers heard modern phrases woven into the ancient cadences of the Divine Liturgy of St. Basil the Great.

During the Litany of Fervent Supplication, priests in the Orthodox Church in America added: "O Lord who lovest mankind, deliver us from the impending threat of the Corona Virus. Send thine angel to watch over us and protect us. Grant health and recovery to those suffering from this virus. Guide the hands of physicians and preserve those who are healthy. Enable us to continue to serve our suffering brothers and sisters in peace that together we may glorify thy most honorable and majestic name of the Father and of the Son and of the Holy Spirit, now and ever and unto ages of ages."

Following instructions from our bishop, most members of parishes in the Diocese of the South heard these words while gathered around home computers.

This was part of America's new normal as religious leaders -- some already tech-friendly, others veering into new territory -- worked to develop online forms of worship, education and fellowship. For Catholics, the Orthodox and others in liturgical traditions, all of this is happening at a highly symbolic time -- the penitential season of Lent. Easter is April 12 for Western churches. For the Orthodox, Pascha is April 19.

This is not the season of Great Lent we anticipated, but it is nonetheless a fitting Lenten effort, "explained Archbishop Alexander, OCA bishop of Dallas and the South. In his letter to priests and parishioners he urged believers -- using a monastic image -- to recognize "that this initial response to this pandemic will work for the greater good of our faithful and our neighbors. Use this time of 'social distancing' for prayer and to keep vigil 'in one's cell.' "

Across the nation, some religious congregations met, drawing smaller flocks, while many closed their doors. Things were different at my home Orthodox parish in Oak Ridge, Tenn. We were somewhere in between.

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During times of plague and panic, priests do what priests need to do

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During times of plague and panic, priests do what priests need to do

The second wave of influenza in the fall of 1918 was the worst yet and, by the time Father Nicola Yanney reached Wichita, Kansas, a citywide quarantine was in effect.

A 16-year-old girl had already died, creating a sense of panic. The missionary priest -- his territory reached from Missouri to Colorado and from Oklahoma to North Dakota -- couldn't even hold her funeral in the city's new Orthodox sanctuary. As he traveled back to his home church in Kearney, Neb., he kept anointing the sick, hearing confessions and taking Holy Communion to those stricken by the infamous "Spanish flu."

After days of door-to-door ministry in the snow, Yanney collapsed and called his sons to his bedside. Struggling to breathe, he whispered: "Keep your hands and your heart clean." He was one of an estimated 50 million victims worldwide.

A century later, many Orthodox Christians in America -- especially those of Syrian and Lebanese descent -- believe Yanney should be recognized as a saint. And now, as churches face fears unleashed by the coronavirus, many details of his final days of his ministry are highly symbolic.

"Father Nicola got the flu because he insisted on ministering to people who had the flu," said Father Andrew Stephen Damick, creator of "The Equal of Martyrdom," an audio documentary about the man known as "The Apostle to the Plains."

"For priests, there are risks. But you cannot turn away when people are suffering and they need the sacraments of the church. You go to your people and minister to them. This is what priests do."

Few acts in ministry are as intimate as a priest huddled with a seriously ill believer, hearing what could be his or her final confession of sins. Honoring centuries of tradition, Christians in the ancient churches of the East also take Communion from a common chalice, with each person receiving consecrated bread and wine -- mixed together -- from a golden spoon.

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Searching for saints on Google -- for a variety of personal and practical reasons

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Searching for saints on Google -- for a variety of personal and practical reasons

Day after day, Catholics return from sobering hospital visits and type these terms into online search programs -- "cancer" and "patron saint."

This leads them to St. Peregrine Laziosi, a 13th century Italian monk who spent his life serving the sick and destitute. Biographers note that, at age 60, he was mysteriously cured of a gangrenous growth on his right leg.

With additional computer-mouse clicks, cancer patients find prayers like this: "St. Peregrine, whom Holy Mother Church has declared patron of those suffering from cancer, I confidently turn to you for help in my present sickness. I beg your kind intercession. Ask God to relieve me of this sickness, if it be his Holy Will."

Members of ancient Christian churches grow up knowing about their own patron saints, as well as saints linked to their parishes. It's natural for Catholics to identify with saints -- like St. Patrick in Ireland -- linked to their homelands.

But there are times in life when it's natural for believers to seek "companion" saints to enter their prayer lives, said Father James Martin, author of "My Life with the Saints," a commentary on the role of saints first published in 2006.

"Even if you have no pre-existing ties to St. Peregrine, you are going to pray to him for his intercessions when you learn that you have cancer," said Martin. "That's just one of the many ways we get connected to saints at different times in our lives. Sometimes these connections are logical and sometimes they are mysterious. … 

"I tell people that when they find themselves being drawn to a particular saint, it's probably because that saint is already praying for them. In the end, this is all about the Holy Spirit and God's providence."

 It's hard to say why some saints are more popular or famous than others. The Catholic website Aleteia ("truth" or "disclosure" in Greek) recently published a feature entitled, "The top 12 saints according to Google searches."

The top online saint was St. Vincent de Paul of France, which could indicate that many people were looking for St. Vincent de Paul thrift stores.

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Striving to build the Kingdom of Heaven with timber, stucco, brick and iron

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Striving to build the Kingdom of Heaven with timber, stucco, brick and iron

When Andrew Gould began designing a sanctuary for Holy Ascension Orthodox Church in Charleston, S.C., he started by creating an imaginary backstory for the parish.

Instead of beginning with a circle of Orthodox families and converts in 1996, the art historian and architect imagined that a community of Russian immigrants had moved to Charleston in the mid-19th century. They looked at the city's famous mix of Southern warmth, Colonial style and coastal, Mediterranean influences and then built a church that was thoroughly Orthodox -- but fit into Charleston.

Working with local materials as much as possible, Gould designed a Byzantine church, but with a copper roof, plenty of exposed Heart Pine wood and stucco masonry painted in a gold-yellow tint common in historic Charleston. Then he included a unique saw-tooth cornice design, using local brownish-red brick, a pattern that had the added advantage of resembling traditions in Russia.

"I kept asking myself, 'What parts of Charleston's architecture could be baptized into Orthodoxy? What if this church had been built by Russians long ago and it's been here ever since and it looks totally at home in Charleston?", he said, describing the 2004 project that opened a new stage of his career.

"I have a kind of romanticized fantasy about the history of these churches and I have used this technique in other places. Keeping this kind of story in mind keeps me focused on what I'm trying to accomplish."

This goal shapes the work that Gould and other artisans do with his New World Byzantine Studios in Charleston, whether it's designing an entire church, one of his massive, circular ironwork chandeliers or other forms of liturgical art and church supplies. The goal is to maintain ancient forms and traditions, while blending in cultural, historical influences seen in life in a specific region.

For example, what would a Pueblo-style monastery in New Mexico look like if it were Orthodox, instead of Catholic, and featured altar cloths, carvings and icon-stand decorations influenced by Native American culture?