Shadowlands

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Stalking all of those fake C.S. Lewis quotes online (and the new AI pope)

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Stalking all of those fake C.S. Lewis quotes online (and the new AI pope)

Late in the movie "Shadowlands," the C.S. Lewis character describes the role that books can play in real life.

The famous Oxford don and author, played by Anthony Hopkins, notes: "We read books to know that we are not alone."

Lewis never wrote those memorable words -- they came from screenwriter William Nicholson, noted William O'Flaherty, author of "The Misquotable C.S. Lewis: What He Didn't Say, What He Actually Said, and Why It Matters." Nevertheless, that quote is frequently attributed to Lewis on websites and in social media.

Further complicating matters, "the movie character Lewis -- when he does say it, while the real Lewis never said it -- is quoting a student who is saying that his father said it," noted O'Flaherty, via Zoom. Many who spread this quote appear to want people to "think the real Lewis went around repeating things from others" while taking credit for them.

It doesn't help that many readers who circulate fake Lewis quotes do so because they admire the author's Christian faith expressed in 30-plus books -- fiction and nonfiction -- which sell millions of copies a year, long after his death in 1963.

Lewis is not an isolated case. In his book, O'Flaherty noted that Albert Einstein never said, "God does not play dice," Mark Twain didn't proclaim "There are three kinds of lies: lies, damn lies, and statistics" and Ernest Hemingway "never claimed he could write a short story with just six words." Conan Doyle never had Sherlock Holmes say "Elementary, my dear Watson."

The basic problem: "Too many people have a bumper sticker attention span. And typically, they love quotes because quotes give them the 'sound bite' that confirms something they ALREADY believe."

In the past, some readers simply "misremembered" quotes they heard in lectures, sermons and speeches and passed them on. Misquotes have even appeared in books or major periodicals. With some authors, movies and television based on their writings have added to the confusion. Finally, issues with misquotes kicked into high gear with the Internet and powerful social-media platforms such as Facebook, Instagram and X. How will AI affect all of this?

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life. In addition to the White Horse, viewers follow Lewis into the historic Magdalen College library, a tutor's campus suite and, most importantly, The Kilns -- the home where Lewis lived for decades with his older brother Warren and, briefly, with his cancer-stricken wife, the American poet Joy Davidman.