popular culture

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Hey preachers: Can you spot the God-shaped hole at heart of the 'Avengers' universe?

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Hey preachers: Can you spot the God-shaped hole at heart of the 'Avengers' universe?

As most occupants of Planet Earth know, last year's "Avengers: Infinity War" ended with the genocidal demigod Thanos using six "infinity stones" to erase half of all life in the universe.

It would have been logical to assume the sequel, "Avengers: Endgame" would start with lots of funerals, with pastors, priests, rabbis, imams and other shepherds working overtime to answer tough, ancient questions.

That assumption would be wrong.

"People are mourning, but they're going to therapy and support groups," said film critic Steven Greydanus of DecentFilms.com, also a permanent deacon in the Catholic Archdiocese of Newark. "What we don't see are grieving people in church or even at funerals. … We don't hear anyone asking, 'Where is God in all of this?' "

It's rare to hear the theological term "theodicy" in movies, but people who frequent multiplexes often hear characters suffer tragic losses and then ask, "Why did God let this happen?" The American Heritage Dictionary defines "theodicy" as a "vindication of God's goodness and justice in the face of the existence of evil."

This God-shaped hole at a pivotal moment in the "Avengers" series offers a window into the soul of the Marvel Comics universe and the minds of executives who shaped most of the 22 movies in this giant pop-culture mythology, said Greydanus.

"We are talking about a major fail, and not just from an artistic point of view," he said. "This shows a stunted view of how most people on Earth live their lives. Even people who are not religious tend to cry out and ask the big spiritual questions when faced with tragedy and loss. That's part of what it means to be human."

Not that many consumers are complaining. In it's first 11 days, "Avengers: Endgame" pulled in $2.19 billion at the global box office -- the fastest a film has reached $2 billion. Many insiders now assume it will eventually break the $3 billion barrier, passing the current No. 1 movie, the environmental-fantasy epic "Avatar," at $2.78 billion.

Truth is, global-market realities now affect how many blockbusters handle explicitly religious and even vaguely spiritual questions.

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The mass-media holy wars surrounding that 'Unplanned' movie about abortion

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The mass-media holy wars surrounding that 'Unplanned' movie about abortion

If "Unplanned" was an ordinary movie, its creators would be busy right now studying second-week box office numbers while starting negotiations with the digital giants that stream products to the masses.

But this has never been an ordinary movie, which is why it's an important test case for religious believers trying to bend Hollywood's unwritten rules about religion and hot-button moral issues.

Backed by a company called Pure Flix, "Unplanned" was filmed in secret in Oklahoma, using the code name "Redeemed" in an attempt to postpone controversy. The filmmakers behind "God's Not Dead" and similar Christian-market projects had a $6 million budget for their take on the story of Abby Johnson, a young Planned Parenthood executive who in 2009 quit to join the protestors outside her own clinic in Bryan, Texas.

Mainstream entertainment's powers that be have made it clear that the images and themes in "Unplanned" are not acceptable, said Cary Solomon, who wrote and directed the film with Chuck Konzelman.

"We offered them money for TV advertising and they turned us down. Now Netflix doesn't want us," said Solomon, earlier this week. "We've made a good movie and people want to see it. … We'll be getting close to $20 million at the box office in another week or so. Why won't some of these companies let people see our movie?"

Most of the "Unplanned" press coverage has focused on the marketplace controversies swirling around the film, as opposed to the film itself. One of the best summaries of the fine details in the drama about this drama ran as a column in The Washington Post.

"They gave the movie an "R" rating -- which meant the trailer could only run before R-rated movies and no one younger than 17 under could see it without a parent's permission," noted Marc Thiessen, former speechwriter for President George W. Bush. "A half-dozen major music labels refused producers' requests to license music for the film. Many major television networks except Fox News and the Christian Broadcasting Network refused to run ads promoting it. Then, curiously, the movie's Twitter account was suspended through no fault of its own during opening weekend. … Tens of thousands of users (myself included) mysteriously found themselves involuntarily removed from the account's followers and/or unable to follow it in the first place.

"Get the feeling someone doesn't want you to see Unplanned?"

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Should busy pastors spend time and energy in the 'dumpster fire' of life in social media?

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Should busy pastors spend time and energy in the 'dumpster fire' of life in social media?

If there are problems in the pews these days, most pastors will learn about them the way they learn about almost everything else -- their smartphones will blow up.

It may be a text messages, a blitz of tweets or an online post that ignites a long comments thread with the faithful trading theological jabs or making pious, passive-aggressive remarks about church life. Other messages will be specific and personal, often leaving pastors confused about the urgency of these terse signals.

"People can create online personalities that are simply not real. … A lot of what they say in social media has little to do with who they really are and all the fleshy, real stuff that's in their lives," said the Rev. John Jay Alvaro, of First Baptist Church in Pasadena, Calif.

Thus, Alvaro and the church's other clergy are committed to this strategy: Always move "one step closer" to human contact. "What we want is coffee cups and face-to-face meetings across a table. … You have to get past all the texts and emails and Facebook," he said.

In fact, Alvaro is convinced that online life has become so toxic that it's time for pastors to detox. Thus, he recently wrote an essay for Baptist News Global with this blunt headline: "Pastors and other church leaders: Give up social media. Not for Lent, but forever." His thesis is that the "dumpster fire" of social-media life is making it harder for pastors to love real people.

To quote one of Alvaro's Duke Divinity School mentors -- theologian Stanley Hauerwas -- today's plugged-in pastor has become "a quivering mass of availability."

"Any benefit you perceive social media is giving you pales when compared to the real losses of cultivating your online social presence," wrote Alvaro. "Or take it from the other direction. If everyone in your congregation got off Facebook, Twitter, Instagram, Snapchat, etc., your ministry and your pastoral life would improve immediately. Well, not immediately. First there would be withdrawal, anger and other addictive reactions. Drugs don't leave your system peacefully."

After evaluating his own experiences in ministry, and talks with other pastors, Alvaro thinks that many people don't understand that social media programs are designed to amplify messages -- especially "negative emotional content" -- so that they spread as far as possible, as fast as possible.

This commercial system is "built to make you angry or sad, but with the promise that good news is one more scroll away. It is a slot machine of empty promises," he wrote.

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Striving to build the Kingdom of Heaven with timber, stucco, brick and iron

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Striving to build the Kingdom of Heaven with timber, stucco, brick and iron

When Andrew Gould began designing a sanctuary for Holy Ascension Orthodox Church in Charleston, S.C., he started by creating an imaginary backstory for the parish.

Instead of beginning with a circle of Orthodox families and converts in 1996, the art historian and architect imagined that a community of Russian immigrants had moved to Charleston in the mid-19th century. They looked at the city's famous mix of Southern warmth, Colonial style and coastal, Mediterranean influences and then built a church that was thoroughly Orthodox -- but fit into Charleston.

Working with local materials as much as possible, Gould designed a Byzantine church, but with a copper roof, plenty of exposed Heart Pine wood and stucco masonry painted in a gold-yellow tint common in historic Charleston. Then he included a unique saw-tooth cornice design, using local brownish-red brick, a pattern that had the added advantage of resembling traditions in Russia.

"I kept asking myself, 'What parts of Charleston's architecture could be baptized into Orthodoxy? What if this church had been built by Russians long ago and it's been here ever since and it looks totally at home in Charleston?", he said, describing the 2004 project that opened a new stage of his career.

"I have a kind of romanticized fantasy about the history of these churches and I have used this technique in other places. Keeping this kind of story in mind keeps me focused on what I'm trying to accomplish."

This goal shapes the work that Gould and other artisans do with his New World Byzantine Studios in Charleston, whether it's designing an entire church, one of his massive, circular ironwork chandeliers or other forms of liturgical art and church supplies. The goal is to maintain ancient forms and traditions, while blending in cultural, historical influences seen in life in a specific region.

For example, what would a Pueblo-style monastery in New Mexico look like if it were Orthodox, instead of Catholic, and featured altar cloths, carvings and icon-stand decorations influenced by Native American culture?

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Spiritual journeys: Phil Keaggy and Jeff Johnson's instrumental art on strings and keys

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Spiritual journeys: Phil Keaggy and Jeff Johnson's instrumental art on strings and keys

While recording his "Beyond Nature" album, Phil Keaggy spent many hours doing three things -- playing acoustic guitar, taking long walks in the woods and reading books by C.S. "Jack" Lewis.

"I took all that in and it influenced the music, which was quiet and contemplative and that fit with that moment in my life," said Keaggy, in a recent interview. "All of that was connected. … I think you can feel a spirit behind that music."

So it isn't surprising that this 1991 classic included song titles such as "Brother Jack," "Fragile Forest" and "Addison's Walk," referring to a Magdalen College footpath that Lewis, J.R.R. Tolkien and Oxford friends often walked while discussing literature, faith and life.

While "Beyond Nature" was an instrumental recording, the liner notes included this Lewis quote: "Nature is mortal; we shall out-live her. … Nature is only the image, the symbol; but it is the symbol Scripture invites me to use. We are summoned to pass in through Nature, beyond her, into that splendor which she fitfully reflects. And in there, and beyond Nature, we shall eat of the tree of life."

So this was a "Christian" album, one inspired by the apologetics of Lewis? That's the kind of question musicians often hear after recording instrumental music during an era in which "Christian music" debates almost always focus on lyrics.

"I just play," said Keaggy. "I don't try to analyze all that."

In recent years, Keaggy has recorded a series of instrumental albums with keyboardist Jeff Johnson, who -- like the guitarist -- has for decades mixed folk, rock, jazz, classical and Celtic music into a style that writers struggle to label. Both record most of their music in home studios on their own terms. Both draw the attention of critics outside the "contemporary Christian music" niche.

The duo's latest work, for Johnson's Ark label, is "Cappadocia" -- taking its name from an arid, volcanic region in what is now Turkey. Early Christians hid in this isolated haven during persecutions and the Apostle Peter addressed his first epistle to "exiles" in several places, including Cappadocia.

Johnson visited this region in 2017 and was stuck by remnants of Christian life, from pieces of frescos and engravings to a rose-shaped window in a sanctuary carved into a hillside. Thus, the disc includes song titles like "Chapel of Stone," "Parousia (A Presence)" and "That Which is Hidden."

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Holiday mystery to ponder -- Where are all the Hanukkah movies?

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Holiday mystery to ponder -- Where are all the Hanukkah movies?

In the last decade or two, cable television's holiday-movie season has expanded to the point that it starts soon after Labor Day and weeks before Thanksgiving arrives.

Many titles are classics: "White Christmas," "A Christmas Story," "Miracle on 34th Street," "Home Alone" and the grandfather of them all, near the end of the season, "It's a Wonderful Life."

Alas, then there's "Bad Santa," "The 12 Dogs of Christmas," "National Lampoon's Christmas Vacation," "Silent Night, Deadly Night," "Jingle All the Way" and way, way too many others to count.

Occasionally, TV executives add something strange -- like "The Nativity Story."

Consumers who pay attention may note an intriguing gap in this "holiday" entertainment blitz. To be blunt: Where are the Hanukkah movies?

Yes, there is comedian Adam Sandler's "Eight Crazy Nights," which critic Michael Arbeiter once called "a travesty." Writing at Bustle.com, Arbeiter stretched to create a holidays essentials list for Jewish viewers with titles such as "The Producers," "Barton Fink," "Annie Hall," "An American Tail" or even -- "bite the bullet," he said -- "Scrooged," "Muppet Christmas Carol" or another take on "A Christmas Carol" by Charles Dickens.

Part of the problem is that many American Jews -- secular and religious -- have a complex relationship with Hanukkah, the eight-day "Festival of Lights" which this year begins at sundown on Sunday, Dec. 2. For starters, many are offended by all efforts to turn this relatively minor holiday into a "Jewish Christmas." Is it really necessary to create copycat "carols" like "On the First Day of Hanukkah," "I'm Dreaming of a Bright Menorah" and "Maccabees are Coming to Town"?

Meanwhile, some rabbis are not all that comfortable with some "militaristic" themes woven into the Hanukkah story, said veteran religion writer Mark Pinsky of Orlando, Fla., author of "The Gospel According to The Simpsons" and "A Jew among the Evangelicals: A Guide for the Perplexed." Hanukkah isn't a season that leads to easy sermons, he said.

Hanukkah centers on events in 165 B.C., when Jewish rebels led by a family known as the Maccabees defeated their Greek and Syrian rulers. The familiar rite of lighting menorah candles – one on the first night, increasing to eight – is based on a miracle linked with this victory. According to tradition, when the defiled temple was recaptured it contained only one container of pure lamp oil. This one-day supply is said to have burned for eight days.

A December dilemma: Why turn this holiday into a big deal?

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Jordan Peterson: The Devil's in the details of all those YouTube debates (Part I)

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Jordan Peterson: The Devil's in the details of all those YouTube debates (Part I)

The YouTube seekers are out there, hundreds of thousands of them, clicking on links to philosophical and even theological debates that would shock those who believe cyberspace is about Donald Trump, cat videos and that's that.

These videos feature real people -- some famous and some only Internet-famous. The superstars can sell out civic auditoriums while discussing theism and atheism, the search for absolute truth and what it means to be a mature person living in a world awash in information, opinion, beauty and noise.

At the center of lots of these debates sits University of Toronto psychology professor Jordan Peterson, whose career built on hundreds of academic papers has veered into the digital marketplace of ideas. That happens when a professor's latest book, "12 Rules for Life: An Antidote to Chaos" sells 2 million copies, while he has 922,000 Twitter followers and 1.5 million subscribers to his YouTube channel.

Critics are sure to ask faith questions when a professor constantly discusses how troubled souls -- especially Millennial generation men -- can make decisions that change their lives, noted Bishop Robert Barron, auxiliary bishop of Los Angeles and a popular Catholic online apologist.

Peterson is a "depth psychologist," not a theologian, stressed Barron, and he has sent complex, mixed signals about the Bible and Christianity.

Nevertheless, it's impossible to avoid the moral content of his work. Consider this pithy Peterson advice: "Start to stop doing, right now, what you know to be wrong."

"He is, somewhat, assuming the mantle of spiritual father and he's speaking, especially, to younger people about -- you know -- rules. Life is not just a matter of self-expression and I make it up as I go along," said Barron, in an online video commentary about Peterson's work. "There are these rules that are grounded in our psychological and physical structure that you can see, up and down the centuries of tradition. Peterson kind of moves boldly into that space of spiritual teacher."

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Yes, it's satire: How to Bee a perfect Christian in a world defined by niche culture

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Yes, it's satire: How to Bee a perfect Christian in a world defined by niche culture

When newcomers arrive at a megachurch these days, they face an obstacle course of challenges -- from deciding how much to tip the parking-lot guy to tricking their normal children into looking like cherubs.

Finally, loaded with visitor swag -- donuts, coffee, official church water bottles, snappy Christian t-shirts, the pastor's new book -- they head into the flashing lights, dry-ice fog and pounding pop music inside the auditorium.

Now what? The bottom line: Look spiritual.

"On the powerful choruses, lift your hands high with abandon. On the subtler verses, tone it down a touch," advises the snarky narrator in the new book "How to Be a Perfect Christian," by the duo behind The Babylon Bee, a Christian satire website.

After the guitar solo, there will be a "bridge" that worshippers sing over and over and over: "Go for it with both hands and a feigned expression of emotion on your face. Sway side to side like a tree in the wind. If you open one eye at this point, you'll probably notice that people … are staring at you in awe that they're in the presence of one so holy."

The book's goal isn't to mock Christianity, but to help believers understand that many churches have evolved into self-help supermarkets defined by trends in mass culture, said Bee founder Adam Ford. Often, faith turns into another "niche" product.

"We push back against the commercialization and 'celebritization' of so many aspects of the church," noted Ford, who does email interviews since he struggles with anxiety attacks. "Get a famous pastor with a lot of Twitter followers, host the most carnival-like 'church services,' make sure everyone is as comfortable and entertained as possible, preach a Zig Ziglar-style message, and you'll get more people to come to your church. Like churches are circus franchises or something, with the ultimate goal being more butts in seats."

Ford wanted to become a pastor, but veered into the more private world of digital publishing (Adam4d.com). He founded the Bee in 2016 and recently sold the site, in part because of the hot spotlight caused by its success and a run-in with Facebook over content.