popular culture

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'The Young Messiah' -- A new/old Bible movie that tries to stay orthodox

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Ages ago, there was nothing unusual about Hollywood producing epics based on Bible stories.

In the so-called Golden Age, these movies had titles like "King of Kings," "The Ten Commandments," "The Robe," "The Greatest Story Ever Told" and "Barabbas." At least one -- "Ben-Hur" -- was a character-driven classic that helped shape blockbusters for decades to come.

"I have watched them all. … No one called them 'Bible movies' back then or considered them strange. They were big movies about big stories and the big studios knew that lots of people wanted to see them," said Cyrus Nowrasteh. He is the director and co-writer, with his wife, Betsy, of "The Young Messiah" from Focus Features, which hits theaters this weekend.

"These movies went away for a long time … Then there was 'The Passion.' "

Nowrasteh was, of course, talking about "The Passion of the Christ" -- Mel Gibson's 2004 blockbuster that rang up $611,899,420 at the global box office. Hollywood's principalities and powers have been trying, ever since, to find the magic formula that will reach that same audience.

That's a challenge. Just ask the creators of "Noah" and "Exodus: Gods and Men."

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Facing the Sexual Revolution, even among 'active' believers in conservative pews

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When pastors gaze out from their pulpits, they may want to imagine what would happen if they asked their flocks to respond to this statement: "As long as it's between consenting adults, any kind of sex is fine."

If this were a conservative or nondenominational Protestant church, the active, "practicing" members would be sharply divided, according to a new Barna Group survey. Nearly half -- 46 percent -- would affirm this live-and-let-live approach to sex outside of marriage, while 40 percent would disagree "strongly" and 12 percent "somewhat."

There are the active members, not the people who occasionally visit the pews.

"What is surprising is the way that even practicing Christians are beginning to conform to the beliefs and behaviors that are now considered normal in our culture," said Roxanne Stone, editor-in-chief at Barna. "The big story here is that people no longer agree when it comes to the purpose and meaning of sex -- including in our churches. Many no longer connect sex and marriage the way they used to."

When looking at broader trends, this study found the usual evidence that older Americans -- the "Elders" and "Boomers" -- have much more traditional views of sex and marriage than members of the younger "Gen-X" and "Millennial" generations. Rising numbers of young Americans view sex through the lens of self-expression and personal growth, with few ties that bind them to institutions and traditions.

"What people are saying is that sex is about two people loving each other and experiencing intimacy, but you don't really need to have the word 'marriage' involved in this discussion," said Stone, in a telephone interview.

"It's surprising how quickly some of these changes have become part of what is now considered normal. … Normally, these kinds of radical changes in a culture evolve over time. But, sociologically speaking, Woodstock wasn't that long ago."

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Pope Francis seeking a Year of Mercy, even in the online land of the trolls

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Pope Francis has promoted the Extraordinary Jubilee Year of Mercy in many symbolic ways, from spectacular liturgical rites to quiet gestures of forgiveness to sinners who have sought his help.

Now, the social-media star @Pontifex is saying that acts of grace, kindness and mercy should even be attempted by believers whose work and private affairs take them into one of modern life's harshest environments -- cyberspace.

"Emails, text messages, social networks and chats can also be fully human forms of communication. It is not technology which determines whether or not communication is authentic, but rather the human heart," argued Francis, in a statement marking the 50th World Communications Day. It was released at the same time as a private meeting between the pope and Apple CEO Tim Cook.

"Social networks," wrote Francis, "can facilitate relationships and promote the good of society, but they can also lead to further polarization and division. … The digital world is a public square, a meeting-place where we can either encourage or demean one another, engage in a meaningful discussion or unfair attacks. … Access to digital networks entails a responsibility for our neighbor whom we do not see but who is nonetheless real and has a dignity which must be respected."

Believers can stand firm in defending the faith, he said, but "even in those cases where they must firmly condemn evil" it's essential that they not resort to using words and arguments that "try to rupture relationships."

Alas, there's the rub, especially when "trolls" wreck havoc in online communities.

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Concerning those British battles about 'Star Wars' and the Lord's Prayer

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Imagine this scene in a London movie theater, moments before the archetypal fanfare signaling the Dec. 18 arrival of the new "Star Wars" epic.

Imagine a beautiful, dignified advertisement appearing onscreen in which Muslims -- workers, refugees, artists and imams -- each recite one of the opening phrases of the Quran.

"In the name of Allah, Most Gracious, Most Merciful. Praise be to Allah, the Cherisher and Sustainer of the worlds. Most Gracious, Most Merciful; Master of the Day of Judgment. Thee do we worship, and Thine aid we seek."

How would this be received in modern England, a tense land rocked by decades of debate about multiculturalism and whether it remains "Christian," in any meaningful sense of the word?

That's an intriguing question, after the decision by the dominant managers of British theaters to reject a Church of England advertisement -- targeting throngs at "Star Wars" rites -- in which Archbishop of Canterbury Justin Welby and others recite phrases from The Lord's Prayer. It's important to ponder this comparison, argued theologian Andrew Perriman of London, at a website called "An Evangelical Theology for the Post-Christendom Age."

"Context is everything. It seems to me that the assumption that the Lord's Prayer is culturally and religiously innocuous points to some complacency on the part of the church," wrote Perriman, author of "The Coming of the Son of Man: New Testament Eschatology for an Emerging Church."

The decision to use this symbolic New Testament prayer in this public-square context, he argued, suggests that, "we have not let go of the Christendom mentality that expects everyone in this country to be, deep-down, innately, whether-they-like-it-or-not Christian."

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'Amazing Grace' tests faith in the modern Broadway marketplace

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NEW YORK -- During his eulogy for the Rev. Clementa Pickney, one of nine worshipers killed at Emanuel AME Church in Charleston, S.C., a visibly moved President Barack Obama paused as he pondered mysteries of grief and forgiveness.

"Blinded by hatred," he said, the gunman could not comprehend the "power of God's grace. … Amazing grace. Amazing grace." The president then began singing: "Amazing grace! How sweet the sound, that saved a wretch like me! I once was lost, but now am found, was blind, but now I see."

The congregation joined in during that June 26 service, which was not a surprise since researchers say believers worldwide sing the Rev. John Newton's classic at least 10 million times a year.

But the president's solo had an unexpected impact in New York, where the cast of the Broadway musical "Amazing Grace" was doing preview performances before its July 16 opening in a tough town for a show about sin, repentance and salvation.

Some theater insiders, for example, had suggested changing the show's name.

"When Obama sang the song it was like heaven for us. If the president knew this song, that meant it was acceptable, that it wasn't just something for church people," said veteran playwright Arthur Giron, who wrote the musical's book -- dialogue and many lyrics -- along with self-taught composer Christopher Smith.

"You see, many Broadway people didn't know 'Amazing Grace,' let alone what the song was about. They obviously didn't know the story of the song and that was the whole point of our show."

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C.S. Lewis on stage: Working to bring the DNA of life and faith to off-Broadway

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NEW YORK -- To get to The Pearl Theatre, drama lovers visit the bright lights of Broadway and then turn West and head deep into Hell's Kitchen, where the off-Broadway marquees are smaller and the offerings more daring.

For the team behind "C.S. Lewis' The Great Divorce," the road to The Pearl ran through halls in Chattanooga, Tenn., Tampa, Fla., San Diego, Indianapolis, Atlanta, Houston, Los Angeles, Washington, D.C., and elsewhere before reaching New York for a Dec. 3 opening night in the intimate 162-seat venue.

Theater's highest hurdle is still New York City, explained Max McLean, founder and director of the Fellowship for Performing Arts team and co-writer of this version of "The Great Divorce."

Living and working in the neighborhood defined by Broadway and off-Broadway, he said, means "being surrounded by hundreds of artists of every kind. They may not be as well known as people in Hollywood, but they are producing art that's exported to the whole world. This community in New York City still has tremendous influence. …

"The goal is for our work to be taken seriously. We want to tell stories that engage the moral imagination and push people to take faith seriously -- right here."

Ironically, one way for a modern company dedicated to faith and the arts to find cultural credibility is to look to the past, focusing on the work of legendary writers who are not part of the modern evangelical subculture.

Lewis remains one of the world's most popular writers and the Oxford University don was an articulate atheist before his turn to Christianity, a conversion that took place with the help of his friend J.R.R. Tolkien. In addition to "The Great Divorce," McLean has produced, directed and starred in the four-year national, and off-Broadway, run of another Lewis classic, "The Screwtape Letters."

"Lewis called himself a dinosaur" in the 1950s, said McLean. "But for me, he remains the model for how to bring the Christian imagination into the mainstream. He remains a relevant dinosaur -- along with Tolkien -- and he points us to the work of G.K. Chesterton, Dorothy Sayers and others."

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The legacy of a faithful pioneer in mainstream media and sports

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GREENVILLE, Ill. -- Two decades ago, Bob Briner made a radical decision as he edged away from his 35-year career in pro sports and global media: He sold his homes in Dallas, Texas and Paris, France, and moved to a quiet town in southern Illinois.

The goal was to pass on what he had learned while mentoring students at his alma mater, Greenville College. He hosted Bible studies, helped students find jobs and spent time hanging out and talking sports.

But Briner kept hearing one awkward question over and over, after the release of his book "Roaring Lambs," a bestseller urging believers to get more involved in mass culture. People kept asking if he was going to start producing "Christian media."

Briner always tried to change the subject. Truth is, he once told me, most of his fellow evangelicals would not appreciate his answer. Many would be offended.

"I decided I wasn't tough enough to work in Christian media," he said, a few weeks before he died of cancer in 1999.

"You see, it never offended me when secular people acted like secular people," he explained. "What I couldn't understand was why so many Christians I did business with didn't act like Christians. I found that things were actually worse -- in terms of basic ethics -- in the Christian media than in the mainstream. That really hurt. So I decided I wasn't tough enough for Christian media."

Anyone who knew the man would recognize those words as "quintessential RAB," said retired Greenville College President Robert "Ish" Smith, using the initials that formed Briner's nickname. Smith and Briner met at age 12 on a church baseball team in Dallas, and were friends for life, including during college.

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Dark Halloween nights vs. bright All Hallows' Eve rites

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It's Halloween in suburbia and most of the houses are decorated and glowing, waiting to serve treats to Disney princesses, superheroes, movie pirates, zombies. Minions and tiny people disguised as puppies, pumpkins or other innocent options.

But a few houses are dark because, for reasons of safety or theology, their inhabitants have made the countercultural decision to avoid contact with a season they believe has grown too dark and dangerous. Others believe "pagan," evil influences have shaped Halloween, deep into its roots.

"It's hard to know precisely what people mean when they use a word like 'pagan.' For many people it means anything that's ungodly or disturbing. … That's what some Americans think Halloween has become -- a clash between good and evil," said Scott McConnell, vice president of LifeWay Research.

A recent LifeWay telephone survey, he said, found that 21 percent of Americans have decided to avoid Halloween altogether, while another 14 percent specifically try to avoid "pagan" elements of the festivities. Nearly 60 percent said Halloween is "all in good fun," while 6 percent of survey participants were "not sure" what they thought.

While some people are worried about ghosts, goblins, devils and other images of death and decay, Americans are much more likely to see Hollywood symbols of "good and evil" arrive at their doors shouting "trick or treat."

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A case for having some doctrines affecting smartphone use in pews

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It's a typical Mass in an American parish in which the kneelers contain a mix of teens, single adults, young families and church stalwarts with gray hair.

Near the end of a sermon about family life, during this hypothetical Mass, the priest makes a pithy observation that is both poignant and slightly ironic.

A young-ish parish council member smiles and posts the quote to Twitter, since he is already using his smartphone to follow Mass prayers in a popular Catholic app. This infuriates a nearby grandmother, who is already upset that her daughter is letting her kids play videogames in church, to keep them quiet.

The Twitter user, of course, thought he was paying the priest a compliment by tweeting the sermon quote while, perhaps, engaging in a bit of social-media evangelism to prompt discussions with friends at work. But this gesture also infuriated a nearby worshipper and destroyed her sense of sacred space.

"Everyone used to know the worship rules and now we don't. It's that simple, which means that things are getting more complex," said Lee Rainie, director of Internet, science and technology research at the Pew Research Center. He is also the co-author of the book "Networked: The New Social Operating System."

Every venue in public life "has its own context and you can't write a set of social-media rules that will apply in all venues," he said. "Using technology to enrich our own spiritual experiences is one thing, while interrupting corporate worship is another. … People are going to have to ask if that phone is pulling them deeper into worship services or if they're using it to disengage and pull out of the experience."

This storm has been building in the pews for more than a decade and religious leaders will not be able to avoid it, according to fine details in new work by the Pew Research Center's American Trends Panel.