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Larry Norman: Trapped in Contemporary Christian Music walls he helped create? (Part 2)

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Larry Norman: Trapped in Contemporary Christian Music walls he helped create? (Part 2)

When Larry Norman died in 2008 there was one thing the critics -- secular and religious -- agreed on: The controversial singer and music maven helped create the "Contemporary Christian Music" industry.

For Norman, that was not good news.

"In China, if you become a Christian, you may be imprisoned," said Norman, offering a cynical aside during his last concert, in New York City. Seven months later, his fragile heart failed one last time.

"In India, your parents may disown you. In the Middle East, they might execute you. But in America, if you become a Christian, you just have a broader selection of Christian CDs to choose from."

Norman lived to see the fiery folk-rock style he pioneered in the early 1970s -- part "Jesus Movement" evangelism, part social-justice sermons -- evolve into a suburb-friendly genre in which "Christian" was attached to safe versions of old fads in mainstream music.

The album Norman considered his bravest -- "So Long Ago the Garden" -- infuriated many "CCM" consumers because of its symbolic, mysterious language. Then there was the semi-nude, Edenic cover image of the singer.

While writing his Norman biography, "Why Should the Devil Have All the Good Music," philosopher Gregory Alan Thornbury dug into the singer's papers and found an impassioned defense of that album, in a letter to angry fans.

"All of the songs I write are Christian songs, because I am a Christian," wrote Norman. "Is a man any less a Christian because he is a car mechanic instead of an evangelist? … Some people are so conditioned that if a song doesn't have some religious clues like 'blood of the lamb' or 'the cross,' they are unsure of its spiritual qualification."

Part of the problem, said Thornbury, is that Norman had "a glorious way of speaking out of both sides of his mouth. He never wavered from his desire to write Jesus songs. …Yet at the same time, he was constantly blasting Christian music people about making music that was propaganda -- with no art, or poetry, or mystery at all. …

"Larry thought you could be very, very clear on Jesus and the Gospel and, at the same time, go way out there on the edge in terms of art."

Alas, it was hard to be a commercial, secular success while doing both those things.

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Larry Norman and the never-ending culture wars over 'Christian' music and art (Part I)

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Larry Norman and the never-ending culture wars over 'Christian' music and art (Part I)

When Larry Norman released "Upon This Rock" in 1969, its rock-star sizzle and blunt faith put the album in the soundtrack for millions of lives as the "Jesus Movement" revival surged onto the cover of Time magazine.

Music industry pros were used to hearing The Beatles on Capitol Records. Now there was a longhaired guy on the same label belting out: "Sing that sweet, sweet song of salvation to every man and every nation. Sing that sweet, sweet song of salvation and let the people know that Jesus cares."

Norman's work did more than shake up church youth meetings. His early success convinced some Gospel music executives to turn up the drums and guitar solos. Soon, "Contemporary Christian Music" grew into a billion-dollar industry with its own written and unwritten rules.

Now it was time for Norman to freak out Christians as much as he did secular-music people in the early years when he shared concert bills with Janis Joplin, The Doors, The Who and others. What were Christian radio stations supposed to do with "The Great American Novel," a song that addressed racism, war, poverty and other hot-button topics?

"You kill a black man at midnight just for talking to your daughter, then you make his wife your mistress and you leave her without water," sang Norman. "And the sheet you wear upon your face is the sheet your children sleep on, at every meal you say a prayer; you don't believe but still you keep on."

Norman "overloaded lots of people's circuits" and, eventually, even his own, according to philosopher Gregory Alan Thornbury, author of a new biography named after one of Norman's most famous tunes -- "Why Should the Devil Have All the Good Music?" The subtitle hints at future darkness: "Larry Norman and the Perils of Christian Rock." Norman died in 2008 at the age of 60.

Thornbury calls Norman the "Forrest Gump," a true "holy fool," of American evangelicalism. The scholar — and guitar player — doesn't hide Norman's struggles in business and his private life, adding a painful backstory to a career that put the singer shoulder to shoulder with everyone from the Rev. Billy Graham to President Jimmy Carter, and lots of colorful people in between. As a young man, Vice President Mike Pence was born again at a Christian rock festival -- headlined by Norman.

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Madeleine L'Engle: Yes, there are essential faith elements in 'A Wrinkle In Time'

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Madeleine L'Engle: Yes, there are essential faith elements in 'A Wrinkle In Time'

When her children were young, author Madeleine L'Engle used to take them on nighttime visits to the top of Mohawk Mountain, not far from the family's 200-year-old Connecticut farmhouse.

The goal was to glimpse the mystery of God.

"If you need one image of God, then go outside on a clear night and look straight up at the stars. That's about as good as I can do," L'Engle told me, in 1989 during a two-hour interview before some Denver lectures.

The wonders of science and heavenly light are at the heart of her classic novel "A Wrinkle In Time." However, she said she knew that she needed to include some specifics to clarify her central message -- without clubbing young readers over the head.

"It's a work of fiction, not theology. I didn't write it expecting to get challenged on every last detail," she said.

However, she was willing to state one fact for the record, offering a variation on a quote she repeated through the years. Yes, she loved stargazing, she said, but ultimately, "I can understand God only as he is revealed in the Incarnation of Jesus of Nazareth.”

L'Engle died in 2007 at the age of 88, after publishing 60 works of fiction, non-fiction, drama, poetry and prayers. Her work is back in the news because of debates about Disney's $103-million version of "A Wrinkle In Time," which removed the book's religious images and biblical quotes.

At the time of the 1989 interview, L'Engle was already involved in talks about bringing "A Wrinkle In Time" to movie theaters -- a process that led to a low-budget, made-for-TV flop in 2004. That film downplayed her Christian imagery, as well.

It would be hard, explained L'Engle, to grasp this book's cosmic war between life and death, good and evil, darkness and light without two crucial passages.

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Memory eternal: Billy Graham

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Memory eternal: Billy Graham

Oklahoma was shrouded in grief after the deaths of 168 people -- including 19 children -- in a homegrown terrorism attack at the Alfred P. Murrah Federal Building in downtown Oklahoma City.

President Bill Clinton spoke at the memorial service. So did Gov. Frank Keating. But everyone knew who would deliver the sermon and face the hard questions.

That was a job for the Rev. Billy Graham.

"The Bible says … there is a devil, that Satan is very real and he has great power," said Graham, focusing on the 9,000 mourners in the Oklahoma State Fairgrounds Arena. "It also tells us that evil is real and that the human heart is capable of almost limitless evil when it is cut off from God and from the moral law.

 "The prophet Jeremiah said, 'The heart is deceitful above all things and desperately wicked, who can know it?' That is your heart and my heart without God. … I pray that you will not let bitterness and poison creep into your soul, but that you will turn in faith and trust in God even if we cannot understand.  It is better to face something like this with God than without Him."

Graham didn't end those 1995 remarks with an "altar call," urging sinners to come forward and make a profession of faith. But he could have -- even with the president of the United States in the front row.

Then again, Clinton was from the South and attended Graham's 1959 crusade in Little Rock, Ark. The young Clinton was so impressed by the preacher's message, and his refusal to bow to segregationists, that he began sending part of his weekly allowance to the Billy Graham Evangelistic Association.

In the wake of his death this week, at age 99, diplomats, scholars and journalists will struggle to describe Graham's impact via preaching, television, radio, books and other writings. It's hard enough to do the math when discussing his 417 crusades in 185 countries, along with countless other gatherings ranging from presidential inaugurations to tiny youth rallies after his 1938 ordination as a Southern Baptist preacher.

To be blunt, it can be argued that Graham spoke -- in person -- to more people than any other leader in world history.

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The flames outside Waco, the FBI, David Koresh and the mysteries of Bible prophecy

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The flames outside Waco, the FBI, David Koresh and the mysteries of Bible prophecy

The recording tape was rolling on Feb. 28, 1993, when Branch Davidian leader David Koresh called Larry Lynch at the McLennan County sheriff's office.

In the background, gunfire continued as Bureau of Alcohol, Tobacco and Firearms agents raided the 77-acre Mount Carmel complex near Waco. Koresh was wounded early in a two-hour firefight in which four agents and six civilians died.

Koresh kept talking about Bible prophecies. Lynch kept interrupting, trying to get him to pay attention and help stop the fighting.

"All right, we can talk theology," Lynch said, frustrated. "But right now …"

Koresh fired back: "No, this is life. This is life and death! … Theology … is life and death!"

For Koresh, everything hinged on Book of Revelation texts about the Seven Seals and "the Lamb," a mysterious figure who would open those seals in the Last Days.

That was the infamous Branch Davidian drama summed up in one tense exchange, according to the creators of the six-part Paramount Network miniseries "Waco," which runs through Feb. 28. The complex community inside the compound -- including some believers who debated with Koresh -- kept trying to tell FBI leaders and their handpicked experts why they were doing what they were doing and why they believed what they believed.

In the end, federal officials saw everything through a "cult" lens.

"Something dehumanizing happens when you start using the word 'cult,' " said John Erick Dowdle, who with his brother Drew spent four years creating the miniseries. "No matter what happened, no matter what anybody said, the FBI people thought it was just a matter of time before they would kill themselves."

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And now a word from Oprah, the pope (and president?) of America's 'nones'

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And now a word from Oprah, the pope (and president?) of America's 'nones'

No one has to tell Marcia Nelson about America's rising number of "nones" -- people claiming zero ties to a religious tradition -- because she meets them day after day while working as a hospital chaplain in Chicago.

"Lots of people want you to pray with them, but they'll also make comments that let you know they really don't like the institutional church," said Nelson. "They want you to pray, but they don't want traditional religious language. ... When you're in that situation, what you have to do is try to pray like Oprah."

America had another Oprah Winfrey moment the other day, when the 63-year-old billionaire media maven delivered a Golden Globes sermon that created rapture in Hollywood and a heady buzz among journalists and politicos.

NBC gushed on Twitter: "Nothing but respect for OUR future president."

During her remarks, Winfrey pushed many buttons that have defined her career, noted Nelson, author of the 2005 book, "The Gospel According to Oprah." Surrounded by a media storm about sexual abuse of women, Winfrey also offered praise for journalists, appeals for social justice and criticism of corrupt tyrants. She didn't need to mention the former talk-show host in the White House.

It was a secular speech, noted Nelson, but had the "pastoral touch" that the young Winfrey displayed in services at the Faith United Mississippi Baptist Church, where other girls called her "Miss Jesus."

"Oprah has always had a gift for reading what's on people's minds and this was one of those times," said Nelson.

Winfrey raced from the birth of the Civil Rights Moment to today's headlines, while focusing on the pains and triumphs of abused women.

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Yes, those Star Wars theology wars are heating up -- again

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Yes, those Star Wars theology wars are heating up -- again

Debates about "Star Wars" theology have come a long way since the first "Star Wars generation" children asked: "Is the Force the same thing as God?"

Later, kids viewing the second George Lucas trilogy faced the puzzling Nativity story of Anakin Skywalker. The future Darth Vader was conceived by bloodstream midi-chlorians -- the essence of life -- acting in union with the Force? His mother explained: "There is no father."

Now the middle film in the new trilogy -- "Star Wars: The Last Jedi" -- has believers debating whether the mythology created by Lucas has evolved into something more polemical, political and commercial, all at the same time. The big question: Can those who loved the early films trust Disney to protect the true faith?

From the beginning, it was clear Lucas was blending the comparative religion scholarship of Joseph "The Hero with a Thousand Faces" Campbell with dashes of Arthurian legend, samurai epics and Flash Gordon. At the heart of it all was the "monomyth" of Luke Skywalker and his epic spiritual quest, noted Bishop Robert Barron of the Archdiocese of Los Angeles.

"A young man (typically) is summoned out of the comfort of his domestic life and compelled to go on a dangerous adventure," argued Barron, at his "Word on Fire" website. "In the process, he comes to realize and conquer his weakness, to face down enemies, and finally to commune with the deep spiritual powers that are at play in the cosmos. … Usually, as a preparation for his mission, he is trained by a spiritual master."

Some of these themes remain in "The Last Jedi," noted Barron, and it's obvious that Rey is a young heroine on her own quest. The problem, argued the bishop, is what has happened to Luke Skywalker and the rest of the ensemble. The old myths and archetypes have been buried in "an aggressively feminist ideology."

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Searching for some facts about St. Matthew and those mysterious Epiphany magi

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Searching for some facts about St. Matthew and those mysterious Epiphany magi

Several centuries after the birth of Jesus, Syrian scribes offered these names for the wise men who came to Bethlehem -- King Hormizdah of Persia, King Yazdegerd of Saba and King Perozadh of Shelba.

A late 5th century Alexandria chronicle called them Bithisarea, Melichior and Gathaspa, which evolved into the familiar Balthazar, Melchior and Caspar. In the 6th century, Emperor Justinian commissioned a Ravenna mosaic in what is now called the Basilica of St. Apollinaris, showing three magi wearing what appears to be Persian clothing, and carrying gifts.

Over the centuries, these images shaped countless Nativity scenes, church pageants and carols, noted Father Dwight Longenecker, author of a new book, "Mystery of the Magi." He is an Oxford University graduate and former Anglican priest who, after converting to Roman Catholicism with his wife and children, now leads Our Lady of the Rosary Catholic Church in Greenville, S.C.

This weekend, worshipers celebrating the Epiphany feast -- which closes the 12-day Christmas season -- will hear what the Gospel of St. Matthew says about all this. Comparing the simple biblical account with many colorful "Three Kings" stories, Longenecker explained, is rather like comparing the humble, pious, 3rd century St. Nicholas of Myra with the Santa Claus found in Hollywood flicks.

"I don't think we need to give up Nativity plays and singing 'We Three Kings of Orient Are.' But I do think we need to realize that these are elaborations on the historical story from Matthew's Gospel. They're delightful, but they are related to the facts of Jesus' birth in the same way the Broadway musical Camelot is related to scholars writing about the historical King Arthur," he said.

"Our culture has … stuck the magi in the same sentimental, magical Christmas bundle with Santa and a bunch of flying reindeer.

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Chrismukkah is the reality in modern America: It is what it is ...

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Chrismukkah is the reality in modern America: It is what it is ...

It's a question that may pop into the minds of Jewish children at some point when they are little: Does Santa Claus deliver their Hanukkah presents?

The answer must be "no," according to shopping-mall orthodoxy, since the cultural icon called Santa does his thing on Christmas Eve.

Hanukkah gifts have to come from somewhere else and, according to a daring new book for children, that pre-dawn work is done by a Steampunk-styled Jewish hero named Hanukkah Harvie, who flies out of the Statue of Liberty in his Hanukkopter.

But that solution to the presents puzzle raises another tricky question: What happens when Christmas falls during Hanukkah and Santa Claus and Harvie show up at the same house? After all, a 2013 study by the Pew Forum Religion & Public Life found that the intermarriage rate has hit 58 percent for all American Jews, and 71 percent for non-Orthodox Jews. Lots of children are growing up in homes that, to one degree or another, are interfaith.

"The reality, like it or not, is that there are a million-plus children that are doing this, who are trying to make sense out of Christmas and Hanukkah at the same time," asked David Michael Slater, author of "Hanukkah Harvie vs. Santa Claus."

"Do they have a story? What's that like? … I was trying to walk a fine line, while avoiding having to take a stand on all of these hot-button issues. I guess this book's message isn't really religious at all, but it's about people who are trying to live together with some kind of tolerance."

Hanukkah is already a complex and ironic holiday. This year's eight-day "Festival of Lights" began at sundown on Dec. 12th. The season's symbol is a menorah with nine candles symbolizing a miracle -- tradition says that a one-day supply of pure oil burned for eight days after Jewish rebels liberated their temple from Greek oppressors. The center candle is used to light the other candles, with one new candle on each night.

This was once a simple season with simple pleasures.