Making a case for the common hymnal

There was a time when the faithful in the heavily Dutch corners of the Midwest would not have been able to sing along if the organist played the gospel classic, "Precious Lord, Take My Hand." True, some may have recognized the hymn that Mahalia Jackson sang at the 1968 funeral of the Rev. Martin Luther King, Jr., since this was the civil rights leader's favorite: "Precious Lord, take my hand, lead me on, let me stand. I am tired, I am weak, I am worn. Through the storm, through the night, lead me on to the light. Take my hand, precious Lord, lead me home."

But, by 1987 this beloved African-American spiritual had been added to the Christian Reformed Church hymnal. A generation later, it has achieved the kind of stature that puts it in the core of the "In Death and Dying" pages of the church's new "Lift Up Your Hearts" hymnal.

"When you're creating a new hymnal, you know that you have to retain all those heart songs that just can't go away," said the Rev. Joyce Borger, editor of the 1,104-page volume, produced in collaboration with the Reformed Church in America. "We're talking about the hymns that you cannot imagine living without, and 'Precious Lord, Take My Hand' certainly falls into that category now. It has become one of our songs."

Research indicates the average church may have "a repertoire" of 150-plus hymns -- not counting Christmas carols and seasonal songs -- that worship leaders can list in the Sunday bulletin and know that most people will sing them with confidence.

The challenge facing teams that create hymnals is that "core songs" will vary radically from flock to flock, depending on where they are located, the dominant age groups in the pews and the cultural backgrounds of the worship leaders. The favorite-hymn list of a World War II generation pianist from rural Michigan will overlap some, but not much, with that of a Generation X guitarist in urban Detroit.

Also, while it's impossible to ignore classics from the Dutch Reformed tradition, Borger said "Lift Up Your Hearts" also needed to acknowledge the growing diversity found in today's churches, in North America and worldwide. In the age of increased contact between believers around the world -- not to mention YouTube -- it's common for suburban American teens to return from church trips to Africa or South America with notebooks full of new hymns they now cherish.

Then there is the surging popularity of pop-rock "praise choruses," which rise and fall in popularity from year to year, if not month to month. Also, the larger the modern church sanctuary, the more likely it is to feature video screens on which lyrics are constantly streamed into view. Why would digital worshippers want to tie up their hands with analog hymnals?

The pace of musical change is one reason hymnals are being now being recreated every generation, as opposed to remaining intact for a half a century or so as in the past, said historian John Witvliet, another member of the "Lift Up Your Hearts" team who leads the Calvin Institute of Christian Worship at Calvin College in Grand Rapids, Mich.

Recent decades have seen a number of other factors that have caused musical earthquakes, he said, including a multimedia revolution in worship facilities, the global surge of Pentecostalism, the rise of seeker-friendly "megachurch" congregations that value relevance over tradition and increased ecumenical contacts between Catholic, evangelical and liberal Protestant churches

Thus, the 965 numbered selections in this new hymnal include 137 selections from its 1957 counterpart and 302 from a 1987 volume. However, it also includes at least 100 contemporary "praise choruses" and 50-plus hymns from around the world, with texts translated from 30 different languages. Every hymn in the book is annotated with guitar chords.

"There is no period of time in church history -- ever -- in which there have been this many waves of change shaping Christian worship at the same time," said Witvliet. "A generation ago, we assumed that the hymnal in the pew WAS a church's musical repertoire. No one assumes that now."

But no matter how rapid the changes, he added, hymnals are symbols that the "church needs a common body of music to help keep it united. There must be some ties that bind."

Zombies are US, 2013 edition

It seems to happen whenever Steve Beard hangs out with friends -- especially folks who don't go to church -- talking about movies, television and whatever else is on their minds. "It may take five minutes or it may take as long as 10, but sooner or later you're going to run into some kind zombie comment," said Beard, editor of Good News, a magazine for United Methodist evangelicals. He is also known for writing about faith and popular culture.

"Someone will say something like, 'When the zombie apocalypse occurs, we need to make sure we're all at so-and-so's house so we can stick together.' It's all a wink and a nod kind of deal, but the point is that this whole zombie thing has become a part of the language of our time."

Tales of the living dead began in Western Africa and Haiti and these movies have been around as long as Hollywood has been making B-grade flicks. However, the modern zombie era began with filmmaker George A. Romero's classic "Night of the Living Dead" in 1968, which led to his "Dawn of the Dead" and "Day of the Dead." Other directors followed suit, with hits such as "28 Days Later," "Zombieland," "The Evil Dead" and "Shaun of the Dead." Next up, Brad Pitt in the $170 million-dollar epic "World War Z," due June 21, which could turn into a multi-movie franchise.

In bookstores, classic literature lovers will encounter a series of postmodern volumes clustered under the title "Pride and Prejudice and Zombies." Also, videogame fans have purchased more than 50 million copies of the Resident Evil series and these games have inspired countless others.

But anyone who is interested in the worldview -- if not the theology -- of zombie life must come to grips with the cable-television parables offered in the AMC series "The Walking Dead." This phenomenon, said Beard, has become so influential that it cannot be ignored by clergy, especially those interested in the kinds of spiritual questions that haunt people who avoid church pews.

Truth is, "The Walking Dead" is not "about zombies. It's a show about people who are trying to figure out the difference between mere survival and truly living," he stressed, in a telephone interview. "How do you decide what is right and what is wrong? How do you stay sane, in a world that has gone crazy? ...

"Where is God in all of this? That's the unspoken question."

In his classic book "Gospel of the Living Dead," religious studies scholar Kim Paffenroth of Iona College argued that Romero's zombie movies borrowed from one of the key insights found in Dante's "Inferno" -- that hell's worst torments are those humanity creates on its own, such as boredom, loneliness, materialism and, ultimately, separation from God.

As a final touch of primal spirituality, Romero -- who was raised Catholic -- added cannibalism to the zombie myth.

"Zombies partially eat the living. But they actually only eat a small amount, thereby leaving the rest of the person intact to become a zombie, get up, and attack and kill more people, who then likewise become zombies," argued Paffenroth. Thus, the "whole theme of cannibalism seems added for its symbolism, showing what humans would degenerate into in their more primitive, zombie state."

The point, he added, is that "we, humans, not just zombies, prey on each other, depend on each other for our pathetic and parasitic existence, and thrive on each others' misery."

This is why, said Beard, far too many women and men seem to be staggering through life today like listless shoppers wandering in shopping malls, their eyes locked on their smartphones instead of the faces of loved ones. Far too often their lives are packed with stuff, but empty of meaning.

Romero and his artistic disciples keep asking a brutal question: This is living?

"One of the big questions in zombie stories is the whole 'Do zombies have souls?' thing," said Beard. "But that kind of question only leads to more and more questions, which is what we keep seeing in 'The Walking Dead' and other zombie stories. ...

"If zombies no longer have souls, what does it mean for a human being to be soul-less? If you have a soul, how do you hang on to it? Why does it seem that so many people today seem to have lost their souls?"