Pope Francis thanks mainstream journalists for their silence about certain scandals

The hellish relationship began with a kiss -- a strange exchange between a teen-ager preparing to become a Loyola sister and the Slovenian Jesuit who was already her confessor.

"The first time he kissed me on the mouth telling me that this was how he kissed the altar where he celebrated the Eucharist, because with me he could experience sex as an expression of God's love," said "Anna," in an interview with the Italian news agency Domini.

The young priest was Father Marko Ivan Rupnik, who was already an artist on the rise. His artistic skills brought him to the Vatican in the late 1990s, and his sacred art has been celebrated around the world. However, he has been accused of sexual and spiritual abuse of Slovenian nuns, such as "Anna," in the 1980s and '90s.

It was hard, said "Anna," to grasp the meaning of lingering hugs after confession, studies of erotic Kama Sutra art or Rupnik's request that she pose for paintings, including strategic manipulations of her clothing. This was the Jesuit guiding her spiritual life. He demanded absolute obedience, while absolving her sins.

What followed was years of abuse so bizarre that the Catholic news website The Pillar offered this warning above an English translation of the "Anna" transcript: "Graphic and disturbing content. Reader's discretion advised."

While the Catholic press has entered this minefield, "coverage of the Rupnik scandal in the mainstream media has been negligent to an astonishing degree," said Phil Lawler, who has spent more than three decades in diocesan and independent conservative Catholic publications.

"The fact that Rupnik remains a priest in good standing calls out for explanation, for which the mainstream media aren't asking," he added, reached by email.

The big question: Is the Rupnik case one of the scandals that "vaticanista" journalists have handled with a "delicacy" that was recently praised by Pope Francis?

In a first-ever group meeting with Vatican-accredited reporters, on January 22, Pope Francis praised them for avoiding "profane" and "political" molds in their work.

Working to save significant, yet 'friendless,' churches in England and Wales

The structure of St. Baglan's Church in North Wales is simple, with plastered stone walls and whitewashed timbers between the slate slabs of its roof and floor.

The 13th Century sanctuary was rebuilt in the 1800s, but the carved doorway lintel dates from the 5th or 6th century. An adjacent field contains the 7th Century well of St. Baglan and for ages the faithful sought healing in its waters.

"This church was built on the site of an earlier church and there were sanctuaries here before that. People in Wales have been coming to sites like this for worship back into pre-Christian times," said Rachel Morley, director of the Friends of Friendless Churches since 2018.

During a visit to Llanfaglan parish in Wales, this tiny, abandoned sanctuary was surrounded by sea mists and low clouds from the mountains, she said. Then the sunset light over the Irish Sea "shot under the eaves and the church lit up inside with golden light. It was a complete sensory overload. That had to mean something."

Was this church designed so that this light would illumine the prayers of evensong? That's the kind of question members of the Friends of Friendless Churches have been asking since 1957, when Welsh journalist Ivor Bulmer-Thomas founded the charity with the help of poet T.S. Eliot, artist John Piper, British politician Roy Harris Jenkins and others.

The goal was to preserve historic, "significant" churches "threatened by demolition, decay, or inappropriate conversion." By the end of 2021, the charity will control 60 churches in England and Wales, almost all of them Anglican sanctuaries.

Year after year, the Friends of Friendless Churches watch as 30 or so truly historic churches go on sale and "there could be many more closed at any time," said Morley, reached by telephone.