Saturday Night Live

Old enough? Faith, family and America's falling marriage statistics (Part I)

Old enough? Faith, family and America's falling marriage statistics (Part I)

For decades, viewers have enjoyed the Japanese reality-TV series "Old Enough!" in which preschool children venture into the streets alone to run errands for their parents.

What if American women asked their live-in boyfriends to stop playing videogames, leave their couches and run errands? In the Saturday Night Life sketch "Old Enough! Longterm Boyfriends!" guest host Selena Gomez asked her helpless boyfriend of three years, played by cast member Mikey Day, to buy her eyeliner and two shallots.

This man-baby ends up in tears with a big bag of onions and "a blush palette for African-American women." The frustrated girlfriend says she may need a mid-morning glass of wine.

There was wisdom in that comedy, for pastors willing to see it, said sociologist W. Bradford Wilcox, director of the National Marriage Project at the University of Virginia.

"There's a whole class of young men who are not flourishing personally and professionally. … The systems have broken down that help raise up attractive, successful men. Churches used to be one of those support systems," he said, reached by telephone.

"The future of the church runs through solid marriages and happy families. The churches that find ways to help men and women prepare for marriage and then encourage them to start families are the churches that will have a future."

The crisis is larger than lonely, under-employed and Internet-addicted men. Rising numbers of young women are anxious, depressed and even choosing self-harm and suicide.

The coronavirus pandemic made things worse, but researchers were already seeing danger signs, noted San Diego State psychology professor Jean Twenge, in a recent Institute for Family Studies essay. She is the author of the book "iGen: Why Today's Super-Connected Kids Are Growing Up Less Rebellious, More Tolerant, Less Happy -- and Completely Unprepared for Adulthood -- and What That Means for the Rest of Us."

"Something began to go wrong in the lives of teens about 10 years ago," she noted.

What shaped the mysterious mind (and soul) of comedian Norm Macdonald?

What shaped the mysterious mind (and soul) of comedian Norm Macdonald?

While debating heretics, early Christians used the Greek term "hypostasis" -- meaning "substance" and "subsistence" -- to help define their belief in the Incarnation of Jesus as one person, yet with divine and human natures.

This "hypostatic union" is not the kind of subject a comedian typically raises on a TV talk show while chatting about mortality with a Hollywood legend. Then again, Norm Macdonald -- who died on September 14 after a secret nine-year fight with cancer -- wasn't a typical funny man. He openly identified as a Christian, while making it clear that he didn't consider himself a very good one.

During an episode of "Norm Macdonald has a Show," the former Saturday Night Live star asked Jane Fonda -- who at one point briefly embraced evangelical Christianity -- this question: "Are you a religious person?"

"I have faith," said Fonda. The host quickly asked, "In Jesus Christ?" Hesitating, Fonda called herself "a work in process," saying she accepted "the historical Jesus."

Macdonald responded: "But do you believe in the hypostatic Jesus?"

When Fonda said "no," he added, "So, you're not a Christian. But you believe, you believe in something."

Raised vaguely Protestant in Canada, Macdonald didn't discuss the brand-name specifics of his faith, even as he wrestled with his own demons -- such as habitual gambling. Yet he could be stunningly specific when addressing criticisms of Christian beliefs. As a judge on NBC's "Last Comic Standing," he quietly shot down a contestant who trashed the Bible, before praising the Harry Potter series.

"I think if you're going to take on an entire religion, you should maybe know what you're talking about," said Macdonald. "J.K. Rowling is a Christian, and J.K. Rowling famously said that if you're familiar with the scriptures, you could easily guess the ending of her book."

The result was a public persona laced with paradoxes, an edgy, courageous comic who often seemed unconcerned if his work pleased the public or his employers.

Blonde, female, Christian, late-night comedian

It's no surprise that Victoria Jackson watches "Studio 60 on the Sunset Strip," the latest slice-of-elite-life offering from Aaron "West Wing" Sorkin.

After all, one of the main characters in this drama set inside a late-night sketch comedy show -- a fictional West Coast version of "Saturday Night Live" -- is Harriet Hayes, a blonde, female, singing comedian who is a born-again Christian.

This got Jackson's attention real quick.

"I'm the only blonde, female, singing, born-again Christian comedian in the history of 'Saturday Night Live.' I'm pretty sure there's only one of me," said Jackson, in the high, child-like voice that is her trademark. After watching the pilot episode, she asked her husband, "What's going on? Was that me?" It was, she said, "Pretty strange. It hit close to home."

Jackson knows enough about the struggling NBC series to know that the pivotal romance between the Hayes character and the "East Coast liberal Jewish atheist" writer Matt Albie is based, in large part, on the real-life romance between Sorkin and the Tony Award-winning actress Kristin Chenoweth, an outspoken Christian.

"It's hard on a very private level," Chenoweth told the Toronto Star. "I once told Aaron, `Unless you accept Jesus Christ as your personal savior, then get the hell out,' and he laughed for two minutes. Then I see it on the show in a different way. ... I went on The 700 Club to promote an album of Christian songs I had recorded and, yes, Aaron and I argued about that. But it doesn't mean I want to watch that disagreement flung up on the screen for all America to see."

Chenoweth stressed that the character "is literally me and some of it is not me at all."

Jackson feels the same way. She has seen scenes that appear to have been based on events -- on-stage and off -- during her SNL seasons from 1986-92, when the "Tonight Show" veteran worked with Dana Carvey, Julia Sweeney, Dennis Miller, Nora Dunn, Mike Myers, Jan Hooks, David Spade and others. Take, for example, that "Studio 60" pilot that focused on a comedy sketch entitled "Crazy Christians."

That was the name Jackson assigned to a sketch she was asked to perform, leading her to plead for relief from executive director Lorne Michaels. He heard her out and assigned another actress to do the part. The sketch bombed in dress rehearsal and vanished.

"It was a legitimate sketch that was making fun of what they called extreme Christians," said Jackson. "You know, there are Christians out there that make life rather embarrassing for other Christians. ...

"Now I can make fun of people who have a Jesus toaster and Jesus salt and pepper shakers and Jesus napkin holders. That's fair. But this time they wanted me to kneel down in a comedy show and pretend to pray -- to get a laugh. I just couldn't do it. I told Lorne that I thought I'd start crying or shaking. Prayer is real. I think prayer is talking to God."

Jackson said it's important that her colleagues worked with her and tried to respect her beliefs. Still, it was sometimes hard to do comedy when few -- if any -- of the writers truly understood her faith and, thus, her strengths as a comic.

"Studio 60" is doing a good job of showing this kind of tension, she said. It also helps that Harriet Hayes is not being portrayed as "one of those Christian clich