Debates about "Star Wars" theology have come a long way since the first "Star Wars generation" children asked: "Is the Force the same thing as God?"
Later, kids viewing the second George Lucas trilogy faced the puzzling Nativity story of Anakin Skywalker. The future Darth Vader was conceived by bloodstream midi-chlorians -- the essence of life -- acting in union with the Force? His mother explained: "There is no father."
Now the middle film in the new trilogy -- "Star Wars: The Last Jedi" -- has believers debating whether the mythology created by Lucas has evolved into something more polemical, political and commercial, all at the same time. The big question: Can those who loved the early films trust Disney to protect the true faith?
From the beginning, it was clear Lucas was blending the comparative religion scholarship of Joseph "The Hero with a Thousand Faces" Campbell with dashes of Arthurian legend, samurai epics and Flash Gordon. At the heart of it all was the "monomyth" of Luke Skywalker and his epic spiritual quest, noted Bishop Robert Barron of the Archdiocese of Los Angeles.
"A young man (typically) is summoned out of the comfort of his domestic life and compelled to go on a dangerous adventure," argued Barron, at his "Word on Fire" website. "In the process, he comes to realize and conquer his weakness, to face down enemies, and finally to commune with the deep spiritual powers that are at play in the cosmos. … Usually, as a preparation for his mission, he is trained by a spiritual master."
Some of these themes remain in "The Last Jedi," noted Barron, and it's obvious that Rey is a young heroine on her own quest. The problem, argued the bishop, is what has happened to Luke Skywalker and the rest of the ensemble. The old myths and archetypes have been buried in "an aggressively feminist ideology."