C.S. Lewis

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Dorothy Sayers: It's no mystery that her world was shaped by a classical education

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Dorothy Sayers: It's no mystery that her world was shaped by a classical education

As president of the Detection Club, Dorothy L. Sayers led initiation rites featuring ceremonial garb, flickering candles and the spooky presence of Eric, a human skull.

With a flair for the dramatic, Sayers required British mystery writers to take an oath, including: "Do you promise that your detectives shall well and truly detect the crimes presented to them, using those wits which it may please you to bestow upon them and not placing reliance on, or making use of, Divine Revelation, Feminine Intuition, Mumbo-Jumbo, Jiggery-Pokery, Coincidence or the Act of God?"

New members promised "moderation" in -- this is a partial list -- the use of conspiracies, death-rays, ghosts and trapdoors, while "utterly and forever" avoiding "Mysterious Poisons unknown to Science." And of course: "Do you solemnly swear never to conceal a vital clue from the reader?"

The Detection Club was founded in 1930, with G.K. Chesterton as president. Sayers was a founding member and became its third president, followed by Agatha Christie.

Famous for her Lord Peter Wimsey detective novels, Sayers' career defied simple labels. As a young woman, she worked for the S.H. Benson advertising agency in London. Among Christians, she is best known as a colleague of C.S. Lewis, J.R.R. Tolkien and others in the Inklings writers circle in Oxford. Sayers wrote poetry, theological essays and theatrical works for the stage and BBC Radio. She was gifted in multiple languages and spent the final years of her life translating Dante's "The Divine Comedy" into English.

Sayers is also known for a 1947 Oxford presentation -- "The Lost Tools of Learning" -- that has influenced generations of Classical education leaders in the United States, England and elsewhere. As a child, she was educated by her father, an Anglican vicar, who taught choral music and Latin at Oxford.

"Her parents gave her a classical education that allowed her to navigate her world, the tools to support herself. When she struggled and made mistakes, she was able to repent and get back on track," said medieval scholar Lesley-Anne Williams, who lectured on "Dorothy Sayers: Advertising, Murder and Classical Education" during last week's annual Inklings Festival at the ecumenical Eighth Day Institute in Wichita, Kansas.

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Pets in heaven? Concerning the ministry of Marius Aurelius Spartanicus, the priest's dog

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Pets in heaven? Concerning the ministry of Marius Aurelius Spartanicus, the priest's dog

Catholic priests are not used to hearing penitents laughing while lined up for confession.

When Father Joseph Krupp peered out of the booth one day, he saw that his broad-chested, 72-pound Boxer was in a chair and, when the line moved, the dog took the next chair.

Everyone knew this hound had sins to confess, after raiding wedding receptions, opening church fridges and, on one occasion, scarfing down a three-pound roast. Krupp laughs when describing how the latest of his rescue dogs "absolutely murdered" a rabbit -- next to a statue of St. Francis of Assisi, patron saint of all creatures great and small.

The priest said he has intentionally adopted old dogs, hoping to "give them a few happy years. … I always thought that I was trying to heal the dogs. This time, God sent the dog to heal me."

This canine parable began during a tough stretch of the priest's work in a number of Michigan parishes. Krupp has served as chaplain for the Michigan State University football team, led the university Catholic campus ministry and now supervises the state's Northeastern deanery, with 12 parishes and four schools.

The priest went to the Hillsdale Humane Society eight years ago to donate a bed, toys and food after his latest dog died. Then he saw a battered, "broken-hearted" Boxer no one wanted.

"He was found tied to a tree, along with another dog. The other dog had died of starvation, and he was close to it. He had been shot with numerous pellets, his tail was broken, and a lot of his teeth were missing," wrote Krupp, to his many @JoeInBlack readers on X (formerly Twitter).

The dog was hours from death, but shelter workers saved him.

As Krupp arrived, a former student "sent me a message. She told me she was praying for me, and God told her that He was going to give me a remarkable gift that day. I walked in just as they were walking a dog out," he wrote. "He lifted his head, saw me and ran at me so hard and fast that the leash came out of the volunteer's hand. I sat on the floor, and he jumped on me, licking me and pushing me to the ground. I just couldn't quit laughing."

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2023: A 'Barbie' Odyssey does raise (wink, wink) moral, cultural and theological issues

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2023: A 'Barbie' Odyssey does raise (wink, wink) moral, cultural and theological issues

Hollywood worships big movie franchises, so fans can expect "Barbie" sequels.

One plot proposal quickly emerged from an unlikely source -- Sister Mary Joseph Calore of the Society Devoted to the Sacred Heart of Jesus in St. Cresson, Pennsylvania.

"'Barbie becomes a nun' would be a great sequel," she wrote, on the X platform. Her post contained this pitch to Warner Bros. executives: "Dissatisfied by endless parties and user friends, an eating disorder, spending addictions with clothes and shoes, and cohabitating with the shallow & unemployed playboy Ken, Barbie's sportscar has been parked more and more at an adoration chapel. She is seriously giving thought to draining the pool, putting her condo on the market, cutting her hair and donning the religious habit."

That would be a twist, after a cinematic manifesto arguing that life as a real woman is painful and complicated, but it's better than being an iconic plastic doll.

"This movie should have been silly and fun, but it ended up being preachy and earnest," said Barbara Nicolosi Harrington, a former Catholic nun who became a screenwriter and Hollywood script doctor. "I mean, how far can you go with a story about Barbie?"

Writer-director Greta Gerwig's previous work has been impressive, stressed Harrington, who teaches at Regent University in Virginia Beach, Virginia. With "Little Women," Gerwig showed the ability to offer a fresh take on a familiar story. Now, "Barbie" will draw intense scrutiny, since she will direct at least one movie in the upcoming Netflix take on "The Chronicles of Narnia" novels by the Christian apologist C.S. Lewis.

"Barbie" contains ambitious attempts to mix serious, even if tongue in cheek, social commentary with pop-culture mythology -- such as a shot-for-shot homage to Stanley Kubrick's legendary dawn-of-consciousness scene in "2001: A Space Odyssey."

The big "Barbie" question, noted Other Feminisms writer Leah Libresco Sargeant, is stated in a soundtrack ballad -- "What Was I Made For?"

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Why fairy stories still matter, in an age of secular myths and marvels

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Why fairy stories still matter, in an age of secular myths and marvels

Demons appear on movie screens all the time, but poet Richard Rohlin is convinced he has actually seen them at work when counseling young people whose search for meaning has driven them deep into experiments with sex, drugs and the occult.

"The stories that I can't tell would curl your toenails," he said, speaking at the Eighth Day Institute in Wichita, Kansas. "If you think that these spiritual realities are not still with us, you are deluding yourself. ... The magic is coming back into the world. Something is happening and it is not an unqualified good."

The young people he works with in Dallas are not interested in sermons and detailed descriptions of why their lives are broken. But they are open to fantasies, myths and tales -- ancient and modern -- about unseen, spiritual realities that interact with their lives.

Millions of Americans know where to find stories about angels, demons, warriors, seers, giants, demigods and heroic kings and queens. They head straight to movie theaters and cable television, where they find entire universes of content offering visions of fantastic worlds. The last place they would seek inspiration of this kind is in churches.

The irony is that some of these works draw inspiration from the fantasy classics celebrated in the ecumenical Eighth Day Institute's annual fall celebration of The Inklings, a mid-20th Century circle of Christian writers in Oxford, England, that included C.S. Lewis, J.R.R. Tolkien and others.

This year's lectures focused on Scottish writer George MacDonald, often called the "grandfather of the Inklings," who is best known for "Phantastes," "The Golden Key," "Lilith" and many other works. The festival included Celtic and folk musicians, along with workshops on topics such as "The Art of Making Mead" and "Publishing for the Moral Imagination."

The goal of MacDonald and The Inklings, noted Rohlin, was to reclaim an older vision of life in which physical realities corresponded to spiritual realities and nothing was considered purely material. The real divide was between "the seen and the unseen," not between the "spiritual and the material."

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Lessons from Kansas plains: Hall of Men in Wichita mixes books, beer, prayer and more

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Lessons from Kansas plains: Hall of Men in Wichita mixes books, beer, prayer and more

WICHITA, Kan. — The Hall of Men fits the name, with meetings offering beer, cigars, an open bar, some kind of guy food (think pizza) and lots of chatter around a giant wooden table.

But then there are the evening prayers, icons, Bible readings and lectures about authors whose portraits hang in this “Christian speakeasy.” The names include C.S. Lewis, Flannery O’Connor, W.H. Auden, Dorothy Sayers, Fyodor Dostoevsky, J.R.R. Tolkien and many others. Johnny Cash and Bob Dylan are there, as well.

This group has met twice a month for a dozen years and most of the faithful are Orthodox, Catholic and Lutheran, with plenty of evangelicals at special events. The authors honored are selected after an informal process that usually starts during fellowship before and after lectures, with men talking about books that have touched their lives.”

The whole thing is affected by having that bookstore right next door,” said Pastor Geoff Boyle, a Missouri-Synod Lutheran long active in the project. “The man behind the front counter is used to having these conversations and obviously knows all about the books the guys are talking about. The books are right there and, if they’re not, they will be soon.”

“That bookstore” is Eighth Day Books, which draws customers from across the nation to an old three-story house with 46,000 new and used books — 27,000 titles — shelved and stacked anywhere that will hold them, including the basement “Hobbit Hole” packed with children’s literature. The white-haired man behind the counter is owner Warren Farha, an Orthodox believer with family ties to Lebanon.

This isn’t a “Christian bookstore” complete with knick-knacks, inspirational posters and religious self-help books — but “Eighth Day” is a reference to the Resurrection of Jesus.

Farha created the store in 1988 and selects all the books, with the help of an ecumenical network woven into the Eighth Day Institute and its conferences, newsletters, podcasts and groups such as the Hall of Men and the Sisters of Sophia.

“My goal has always been to be fair to the great traditions,” said Farha, in his office in the bookstore’s attic. “We have classics in history, literature, poetry, church history, theology and philosophy — Christian writings through the ages. … I’m always listening to people who GET the template for what we’re doing here.

“Great books from different traditions are on the shelves right next to each other, even if they clash in ways that we need to discuss.”

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life. In addition to the White Horse, viewers follow Lewis into the historic Magdalen College library, a tutor's campus suite and, most importantly, The Kilns -- the home where Lewis lived for decades with his older brother Warren and, briefly, with his cancer-stricken wife, the American poet Joy Davidman.

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Aliens in the news: Are UFOs a threat to traditional forms of religious belief?

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Aliens in the news: Are UFOs a threat to traditional forms of religious belief?

The first episode of the "Ancient Aliens" cable-TV series promised to show that the growth of intelligent life on this planet had help that came from the stars.

The Prometheus Entertainment summary in 2010 asked: "If ancient aliens visited Earth, what was their legacy, and did they leave behind clues" that still exist?

The bigger question, nearly 200 episodes later, is whether aliens provided the building blocks of life itself. That's the kind of subject -- both theological and scientific -- that surfaces whenever there are debates about whether extraterrestrial life exists.

It's one thing for a recent U.S. national intelligence report -- "Preliminary Assessment: Unidentified Aerial Phenomena"-- to discuss incomplete technical data and the possibility of hostile spy drones. It was something else to say that experts had no scientific explanations for 140-plus reported "UAP" episodes.

The summary noted that 18 mysterious objects "appeared to remain stationary in winds aloft, move against the wind, maneuver abruptly or move at considerable speed, without discernable means of propulsion."

This raised familiar questions for those who have followed decades, even centuries, of debates about these mysteries: Who created these objects? Who created the beings who created them? Should this planet's religious leaders worry?

"The logic is that many people assume life is special, that human beings are uniquely purposed and created in God's image and that this life -- life made in God's image -- cannot exist anywhere else," said Stephen C. Meyer, who has a doctorate in the philosophy of science from Cambridge University. He is known for writing controversial books, such as "Signature in the Cell: DNA and the Evidence for Intelligent Design" and the new "Return of the God Hypothesis."

Many experts seem to think Christianity has explicit doctrines on this matter, he added, but "that's not a sound judgement, since there's no explicit Christian teaching on the subject -- unless we have now taken C.S. Lewis as canonical."

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Where is God in coronavirus crisis? Yes, that ancient question is part of this news story

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Where is God in coronavirus crisis? Yes, that ancient question is part of this news story

Queen Elizabeth II has seen more than her share of good and evil during her 68 years on the British throne.

Candles shining in the darkness just before Easter are familiar symbols of the presence of good, even in the hardest of times, said the 92-year-old queen, in a recent address about a single subject affecting her people -- the coronavirus crisis.

"Easter isn't cancelled. Indeed, we need Easter as much as ever," she said. "The discovery of the risen Christ on the first Easter Day gave his followers new hope and fresh purpose, and we can all take heart from this. We know that coronavirus will not overcome us. As dark as death can be -- particularly for those suffering with grief -- light and life are greater."

An ancient question loomed over the queen's remarks: Where is God during this global pandemic that threatens the lives and futures of millions of people?

Theologians have a name -- "theodicy" -- for this puzzle. One website defines this term as "a branch of theology ... that attempts to reconcile the existence of evil in the world with the assumption of a benevolent God."

In his book "God in the Dock," the Christian apologist C.S. Lewis of Oxford University argued that "modern man" now assumes, when evil occurs, that God is on trial. This process "may even end in God's acquittal," he noted. "But the important thing is that Man is on the Bench and God is in the Dock."

This tension can be seen during news coverage of tragedies, wars, disasters and pandemics. Ordinary people involved in these stories often address "theodicy" questions, whether journalists realize it or not. This is a pattern I have observed many times -- since this past week marked my 32nd anniversary writing this national "On Religion" column.

The late Peter Jennings of ABC World News Tonight noted that, whenever news teams cover disasters, reporters often ask questions that sound like this: "How did you get through this terrible experience?" Survivors frequently reply: "I don't know. I just prayed. Without God's help, I don't think I could have made it."

What happens next, Jennings once told me, illustrates the gap that separates many journalists and most Americans. There will be an awkward silence, he said, and then the reporter will say something like: "That's nice. But what REALLY got you through this?"

Here we go again.

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C.S. Lewis on stage: Working to bring the DNA of life and faith to off-Broadway

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NEW YORK -- To get to The Pearl Theatre, drama lovers visit the bright lights of Broadway and then turn West and head deep into Hell's Kitchen, where the off-Broadway marquees are smaller and the offerings more daring.

For the team behind "C.S. Lewis' The Great Divorce," the road to The Pearl ran through halls in Chattanooga, Tenn., Tampa, Fla., San Diego, Indianapolis, Atlanta, Houston, Los Angeles, Washington, D.C., and elsewhere before reaching New York for a Dec. 3 opening night in the intimate 162-seat venue.

Theater's highest hurdle is still New York City, explained Max McLean, founder and director of the Fellowship for Performing Arts team and co-writer of this version of "The Great Divorce."

Living and working in the neighborhood defined by Broadway and off-Broadway, he said, means "being surrounded by hundreds of artists of every kind. They may not be as well known as people in Hollywood, but they are producing art that's exported to the whole world. This community in New York City still has tremendous influence. …

"The goal is for our work to be taken seriously. We want to tell stories that engage the moral imagination and push people to take faith seriously -- right here."

Ironically, one way for a modern company dedicated to faith and the arts to find cultural credibility is to look to the past, focusing on the work of legendary writers who are not part of the modern evangelical subculture.

Lewis remains one of the world's most popular writers and the Oxford University don was an articulate atheist before his turn to Christianity, a conversion that took place with the help of his friend J.R.R. Tolkien. In addition to "The Great Divorce," McLean has produced, directed and starred in the four-year national, and off-Broadway, run of another Lewis classic, "The Screwtape Letters."

"Lewis called himself a dinosaur" in the 1950s, said McLean. "But for me, he remains the model for how to bring the Christian imagination into the mainstream. He remains a relevant dinosaur -- along with Tolkien -- and he points us to the work of G.K. Chesterton, Dorothy Sayers and others."